'A series of tableaux deconstruct the inward journey of Francois Jane, marred by his obsession with Charlotte. By turns illuminating and self-destructive, they navigate separate delusional worlds tearing at each other's masks.'
Extracts of Le Chant d'Amour (1950) by Jean Genet, absolute fetish movie-poem, are screened as moving tattoos on a lying body who surrenders to bites of sensuousness.
Two merry partners, fleshy roses and an improvised dance celebrate this glamrock jewel that glorifies the ambiguity of desire.
