Gertrude Baillot

My grandmother, born in 1902, had ten children in an agricultural, devout and patriarchal world. My mother did not want children. She wanted to free herself from domestic contingencies. She became a civil servant and a city dweller. All my life, I had to deal with this aversion that she transmitted to me. Having chosen to live in the countryside, I find myself in my turn monopolized by my home. It is from my kitchen and my computer screen that I reconstruct our women's journeys under the influence of household and family obligations. My grandmother carried buckets of water with a yoke every day. Today my friends are coming back to washable diapers. I summon people, places and archives to question my intimate history by dialoguing with Michelle Perrot, historian of women's emancipation.

Jean-Luc Godard is cinema, its quintessence. Just turned 91, he has made more than 140 films. We hate him as much as we worship him. Where does his aura come from? From legendary films of course, but also from Godard himself. He is a public figure as much as a man shrouded in mystery. Everything and its opposite, he has taken all possible paths. It is not easy to seize such a legendary, enigmatic giant. Godard’s itinerary follows one direction only: a constant renewal of his art. He sees the creative act as a necessary act of criticism and deconstruction.” I always start from the negative. I am a positive man who starts from the negative”. The artist reinvents himself tirelessly, and inevitably destroys himself. This portrait wants to take us beyond the clichés of a myth that has sometimes become caricatural, to meet a man more sentimental than it seems, a man inhabited, sometimes surpassed, by his art. Because yes, Godard is human. Not just a machine who thinks and creates images.

Like nobody else Jean-Pierre Melville influenced modern filmmaking. This documentary follows his creative process step by step, showing him becoming the father of the Nouvelle Vague and one of the most iconic directors of French cinema.

Actresses' hairstyle in movies always carries a strong aesthetic statement associated with erotic, social, and historical meanings. In a bold and unexpected way, the film revisits this ultimate symbol of femininity in international cinema.

Erwan isolated himself on the Brittany coast to revise his final exams. Whole days devoted to work, embellished with walks on a deserted seaside. Nothing seems to distract him. However, one night, a hiker knocks on his door.

Guillaume is a 20 years old man. He leaves Paris to do works in his grand-mother's house. She's looking forward to seeing him again. He goes to her place reluctantly.