Horst Schier

Prinzenbad gives us a microcosm of a society dominated by male power plays, wheeling and dealing, corruption, love, and eroticism.

In this musical short, conceptual artist Mario Mariotti uses only his painted hands to create an orchestra, conductor and choir. Mariotti's figures dextrously play percussion, brass and string instruments, performing a robust orchestral rendition of the Happy Birthday theme. Musical harmony is shattered, however, when the flutist sounds a wrong note, causing the conductor to contort in horror.

Left behind by his mother, an alcoholic prostitute, Georg grew up carelessly with his aunt and grandmother. As an adult he works in a department store canteen and has become an outsider due to his shape and infantile appearance.

The making-of When the Wind Blows, featuring interviews with producer John Coates, director Jimmy T. Murakami and writer Raymond Briggs

История о встрече 20 января 1942 года пятнадцати главарей фашистского Рейха в пригороде Берлина, где они приняли окончательное решение по еврейской проблеме.

In Friedliche Tage, we enter a totalitarian and inhuman society, in which daily life is a series of nightmares and the protagonists search for a utopia of freedom and love.

A bearded director named EVA, a fictive Rainer Werner Fassbinder, lives in a large house with his cast and crew as he films Dumas' Lady of the Camellias. His accountant informs him he has many unpaid bills and little cash on hand. EVA throws a fit and fires him. He then proceeds to play one person off against another, dismiss with cruelty his recent lover Ali, sleep openly with his leading lady Gudrun, and make a direct and public play for his leading man, Walter. He's mercurial, dictatorial, and manic. Will he finish the film, having drawn great performances from his actors through his manipulations, or will his antics set events in motion that spin out of his control?

A bearded director named EVA, a fictive Rainer Werner Fassbinder, lives in a large house with his cast and crew as he films Dumas' Lady of the Camellias. His accountant informs him he has many unpaid bills and little cash on hand. EVA throws a fit and fires him. He then proceeds to play one person off against another, dismiss with cruelty his recent lover Ali, sleep openly with his leading lady Gudrun, and make a direct and public play for his leading man, Walter. He's mercurial, dictatorial, and manic. Will he finish the film, having drawn great performances from his actors through his manipulations, or will his antics set events in motion that spin out of his control?

A bearded director named EVA, a fictive Rainer Werner Fassbinder, lives in a large house with his cast and crew as he films Dumas' Lady of the Camellias. His accountant informs him he has many unpaid bills and little cash on hand. EVA throws a fit and fires him. He then proceeds to play one person off against another, dismiss with cruelty his recent lover Ali, sleep openly with his leading lady Gudrun, and make a direct and public play for his leading man, Walter. He's mercurial, dictatorial, and manic. Will he finish the film, having drawn great performances from his actors through his manipulations, or will his antics set events in motion that spin out of his control?

Главный герой фильма ведет двойную жизнь: днем Франк преподает в школе, по вечерам — «снимает» мужчин. Ученики его любят. Ночные знакомства не дают заскучать. Времени на все, разумеется, не хватает. Иной раз приходится проверять контрольные в туалете, где за стенкой уже призывно дышит потенциальный «контакт». Но Франк — охотник, азартный игрок. Ночной Берлин и анонимная любовь — это его стихия. Но вот он знакомится с Берндом. И влюбляется. И заводит с ним долгосрочные отношения. А у Бернда — иное амплуа. Бернд — домохозяйка. Он любит готовить, накрывать на стол и ждать каждый вечер своего непутевого любовника к ужину. А тот приходит поздно, да еще и не один, да еще и сердится, что его верный партнер весь вечер, как мышка, сидит на кухне. Долго ли продлятся такие отношения? Хватит ли сил на такую бурную жизнь?

Главный герой фильма ведет двойную жизнь: днем Франк преподает в школе, по вечерам — «снимает» мужчин. Ученики его любят. Ночные знакомства не дают заскучать. Времени на все, разумеется, не хватает. Иной раз приходится проверять контрольные в туалете, где за стенкой уже призывно дышит потенциальный «контакт». Но Франк — охотник, азартный игрок. Ночной Берлин и анонимная любовь — это его стихия. Но вот он знакомится с Берндом. И влюбляется. И заводит с ним долгосрочные отношения. А у Бернда — иное амплуа. Бернд — домохозяйка. Он любит готовить, накрывать на стол и ждать каждый вечер своего непутевого любовника к ужину. А тот приходит поздно, да еще и не один, да еще и сердится, что его верный партнер весь вечер, как мышка, сидит на кухне. Долго ли продлятся такие отношения? Хватит ли сил на такую бурную жизнь?