Bernardo Chávez

The hands of a puppeteer control the bodies of two dancers who compete with each other.

A girl takes photos during a student march and then wanders the streets while trying unsuccessfully to communicate with her parents who live in another city. Her mother is very ill and despite the pain she feels from being separated, the girl must cope with the day to day.

After several years of being away Oscar returns to his hometown wanting to relive the past. What he longs for is an impossibility, the town of his memories only exists within him. Things have changed drastically, and old relationships have withered.

Deep in the jungle a woman flees from her own reflection.

A place that seems out of time for everyday life, a long line of women waiting. And inside a room, three of them sitting... a cello piece transports them to their own experience of pleasure, body and eroticism. An exploration from a female perspective of the audiovisual and its ability to produce pleasure beyond narrative schemes. Female pleasure, liberation, feminism, gender, appropriation of the body, sexual freedom, women, cello, music, old age.

Jhony passes the summer with his older brother, who wastes his time along his friends, obsessed with alcohol, pornography and the different women he takes into his mother's bedroom. One day, a girl named Misha arrives at the neighborhood, fracturing their monotony. Nobody knows anything about her, except that they call her Misha because of her green eyes, like those of cats.

In the midst of the chaos of México City, a group of eight bachelor millennials who call themselves ´The Hermits´, open the doors to their tiny apartments in the historic Ermita Building, in the yet-to-be gentrified neighborhood of Tacubaya, and share their life experiences in a time when precarity changes the way in which we love, feel and relate to each other. As we explore the homes of these eight neighbors, we also witness their personalities intersect in a Whatsapp chat, a virtual space that functions as a supporting system that helps them face the adversities that living alone in this city brings.

Chanting saved Domitila from a deadly fever. From that moment on, she started using her voice as a spiritual bridge to pray for the souls of the dead in her native town: San Miguel Pocitos, Puebla.

In an evicted apartment, a ghost-like presence remembers its luminous past and its progression towards its current state of decay. It yearns to be what it once was.