Yuki Higashino

Yuki Higashino’s film Extinguishment (2020) explores what might await a society where the rapid aging of its population is combined with a reluctance of the country to open itself to foreigners. As the fastest aging country in the world, which also severely limits immigration, Japan finds itself undergoing a depopulation that has led to the shrinking of some communities. Speculating on a "post-society" landscape where the natural world is taking over, the causal links between industrialized society and fragile eco-systems finds parallels in our sudden dramatic awareness of nature’s autonomy, as the presumption of our ability to maintain and control the natural world comes under question.

Yuki Higashino’s film Extinguishment (2020) explores what might await a society where the rapid aging of its population is combined with a reluctance of the country to open itself to foreigners. As the fastest aging country in the world, which also severely limits immigration, Japan finds itself undergoing a depopulation that has led to the shrinking of some communities. Speculating on a "post-society" landscape where the natural world is taking over, the causal links between industrialized society and fragile eco-systems finds parallels in our sudden dramatic awareness of nature’s autonomy, as the presumption of our ability to maintain and control the natural world comes under question.

Yuki Higashino’s film Extinguishment (2020) explores what might await a society where the rapid aging of its population is combined with a reluctance of the country to open itself to foreigners. As the fastest aging country in the world, which also severely limits immigration, Japan finds itself undergoing a depopulation that has led to the shrinking of some communities. Speculating on a "post-society" landscape where the natural world is taking over, the causal links between industrialized society and fragile eco-systems finds parallels in our sudden dramatic awareness of nature’s autonomy, as the presumption of our ability to maintain and control the natural world comes under question.

Yuki Higashino’s film Extinguishment (2020) explores what might await a society where the rapid aging of its population is combined with a reluctance of the country to open itself to foreigners. As the fastest aging country in the world, which also severely limits immigration, Japan finds itself undergoing a depopulation that has led to the shrinking of some communities. Speculating on a "post-society" landscape where the natural world is taking over, the causal links between industrialized society and fragile eco-systems finds parallels in our sudden dramatic awareness of nature’s autonomy, as the presumption of our ability to maintain and control the natural world comes under question.

Yuki Higashino’s film Extinguishment (2020) explores what might await a society where the rapid aging of its population is combined with a reluctance of the country to open itself to foreigners. As the fastest aging country in the world, which also severely limits immigration, Japan finds itself undergoing a depopulation that has led to the shrinking of some communities. Speculating on a "post-society" landscape where the natural world is taking over, the causal links between industrialized society and fragile eco-systems finds parallels in our sudden dramatic awareness of nature’s autonomy, as the presumption of our ability to maintain and control the natural world comes under question.