Andrew Johnston

Marielle Guyot uses her computer skills with great artistic sensibility to bring the sea to life, death, and hopefully, life again. This film was made as part of the second edition of the NFB's Hothouse apprenticeship.

Marielle Guyot uses her computer skills with great artistic sensibility to bring the sea to life, death, and hopefully, life again. This film was made as part of the second edition of the NFB's Hothouse apprenticeship.

A tale of Victorian-era folly ends in tragedy. Kevin Langdale's graphic style brims with the majesty of human ambition and the indomitable and sometimes destructive power of the natural world. This film was made as part of the second edition of the NFB's Hothouse apprenticeship.

A tale of Victorian-era folly ends in tragedy. Kevin Langdale's graphic style brims with the majesty of human ambition and the indomitable and sometimes destructive power of the natural world. This film was made as part of the second edition of the NFB's Hothouse apprenticeship.

An “epic” adventure and a magical environmental fairy tale. Amy Lockhart uses cutouts, drawings and collage (captured and manipulated as digital multi-plane animation) to conjure up her whimsical world. This film was made as part of the second edition of the NFB's Hothouse apprenticeship.

An “epic” adventure and a magical environmental fairy tale. Amy Lockhart uses cutouts, drawings and collage (captured and manipulated as digital multi-plane animation) to conjure up her whimsical world. This film was made as part of the second edition of the NFB's Hothouse apprenticeship.

Megann Reid evokes the solitude and warmth of a bath. Drawn with water colour pencil crayons on frosted acetate, the animation was done under a digital camera. This film was made as part of the second edition of the NFB's Hothouse apprenticeship.

Megann Reid evokes the solitude and warmth of a bath. Drawn with water colour pencil crayons on frosted acetate, the animation was done under a digital camera. This film was made as part of the second edition of the NFB's Hothouse apprenticeship.

Thea Pratt explores the exhilarating moment of a poetic dive. The movement of the puppet diver is influenced by Norman McLaren, Leni Riefenstahl and Busby Berkeley. Dancing light, frothing oceans, rolling rivers and calm lakes describe in photographic images the diver’s own stream of consciousness. This film was made as part of the second edition of the NFB's Hothouse apprenticeship.

Thea Pratt explores the exhilarating moment of a poetic dive. The movement of the puppet diver is influenced by Norman McLaren, Leni Riefenstahl and Busby Berkeley. Dancing light, frothing oceans, rolling rivers and calm lakes describe in photographic images the diver’s own stream of consciousness. This film was made as part of the second edition of the NFB's Hothouse apprenticeship.

Seeking shelter from a thunderstorm, a man sits in a pub watching the ice in his glass melt away. Howie Shia marries his graphic illustration style with subtle animation and a haunting soundtrack to conjure up anxiety and foreboding. He used pen and ink on tracing paper and later composited and coloured digitally. This film was made as part of the second edition of the NFB's Hothouse apprenticeship.

Seeking shelter from a thunderstorm, a man sits in a pub watching the ice in his glass melt away. Howie Shia marries his graphic illustration style with subtle animation and a haunting soundtrack to conjure up anxiety and foreboding. He used pen and ink on tracing paper and later composited and coloured digitally. This film was made as part of the second edition of the NFB's Hothouse apprenticeship.