Magdalena Schinca

Heartbroken, Maite arrives at a coastal town where the few residents live out their lonely lives. The peace soon disappears, when they come across an unconscious sailor on the beach one day, prompting Maite to decide whether to move forward and create a new life or remain stranded on those shores.

At 88 years old, my grandfather Fernando suggested that we make a film together. His proposal comes when I tell him I'm moving out of his house. So we started filming, me with my camera and he with his. Although we have lived together for more than 20 years, it is through the camera that we see each other like never before. That Breath is an intimate record of our bond, love and loss, in search of understanding what it means to be alive.

Nieves is my oldest neighbor, in every way. He has just turned 90 and for a long time we have lived next to each other, balcony to balcony, in the Old City of Montevideo. I thought I knew her. During the confinement of 2020, filming her with my cell phone and trying to keep a distance of two meters, I discovered a woman undone in light and blooming in stars.

Delia has been writing poems ever since Jorge, her husband, was imprisoned during a dictatorship. These texts were her refuge, a place where she could express what she never shared, what she had to put aside to support her family. When the dictatorship comes to an end, freedom seemed to have come for everyone, but she continued writing. Today, Delia hands me her poems to share with her family.

История Наталии Орейро не имеет аналогов. Она – единственная артистка из Рио-де-ла-Плата и одна из немногих артисток Латинской Америки, которая преодолела языковые и культурные барьеры и стала символом популярности в таких далеких странах, как Чехия, Польша, Россия и Израиль. Этот фильм – попытка раскрыть секрет феномена.

Juan tries to rescue Ulises from oblivion by showing his latest paintings, which have been hidden for 20 years. A documentary that is also a love story between two free men and that marks the debut as a director of Sergio de León.

For more than forty years, Belela Herrera has dedicated her life to saving that of others. The politically persecuted, those displaced by civil wars, and the world's refugees are her concern and vocation. Her story is also that of a woman who defined herself and twisted the destiny reserved for girls of her social class: marrying to a man from high society, having a large family and a comfortable and elegant existence . And it is also the story of a female legacy that is part and consequence of the invisible resistance of thousands of women.

A trip across various parts of the world and of other times to understand my ideologic heritage and what to do with it. Opera Prima is my first look at the world that becomes a mirror in which to recognize myself.