Producer
At the age of 80, Captain Meirson embarks on his last sail at open seas on his hand-made boat. Surrounded by the breaking waves and sounds of depths, he refuses to accept what is more frightening than the winds - growing old. - CODA FOR A CAPTAIN is a poetic interpretation of “The old man and the sea” - a cinematic journey of loneliness and senescence.
Director
At the age of 80, Captain Meirson embarks on his last sail at open seas on his hand-made boat. Surrounded by the breaking waves and sounds of depths, he refuses to accept what is more frightening than the winds - growing old. - CODA FOR A CAPTAIN is a poetic interpretation of “The old man and the sea” - a cinematic journey of loneliness and senescence.
Producer
An activist couple finds a temporary shelter in a decaying flat at the verge of the city after taking part in an anarchist action. He's obsessively trying to make the place a safe haven while she longs back to the riots. The film was made after the Tel-Aviv riots for social justice and it shows the conflict between the will to fight for change and the need in a more quiet and bourgeois life. The conflict is represented by the two characters and by the tension between the shut interior and the chaotic urban exterior.
Director
An activist couple finds a temporary shelter in a decaying flat at the verge of the city after taking part in an anarchist action. He's obsessively trying to make the place a safe haven while she longs back to the riots. The film was made after the Tel-Aviv riots for social justice and it shows the conflict between the will to fight for change and the need in a more quiet and bourgeois life. The conflict is represented by the two characters and by the tension between the shut interior and the chaotic urban exterior.
Writer
An activist couple finds a temporary shelter in a decaying flat at the verge of the city after taking part in an anarchist action. He's obsessively trying to make the place a safe haven while she longs back to the riots. The film was made after the Tel-Aviv riots for social justice and it shows the conflict between the will to fight for change and the need in a more quiet and bourgeois life. The conflict is represented by the two characters and by the tension between the shut interior and the chaotic urban exterior.
Director
Necropolis follows the construction of massive underground burial tunnels excavated deep under the biggest Jewish cemetery in Jerusalem. This ambitious construction site will serve as background to our cinematic journey; we’ll observe sorrowful mourners, Palestinian builders, and Ultra-Orthodox morticians roaming around the spectacular monument. The lively collage they create together shows the eternal struggle of Jerusalem between the high and the low, progress and tradition, manual labour, and sacred work. This is a film about a city of contrasts, about death and the life surrounding it.
