Cinematography
Edmund Husserl observed: "All perception is a gamble", which Robert Anton Wilson expands upon when he suggests that "[others] just have a different reality tunnel, and every reality tunnel might tell us something interesting about our world, if we are willing to listen." All seen through the mirror of João Queiroz’s art.
Cinematography
Since the Nazis infamously used Manchester Liberalism-apologist Heinrich Beta’s dictum Labour Liberates at the gates of several concentration and extermination camps, work has lost all positive values and connotations. What now? Hewers, loaders, hurriers, etc., in the Neves-Corvo mine see this matter differently from, say, priest António Vaz Pinto or critic/historian Paulo Varela Gomes.
Cinematography
A portrayal of Futurist artist José de Almada Negreiros, who said: "I wanted others to say of me: 'Look, a man!' The same way they say: 'Look, a dog!' when a dog passes by; or how you say: 'Look, a tree!', when there is a tree. Which means as an entity, without the use of adjectives, only as one whole: A man!"
Director
“A Man” is a story about a man called George, a dishwasher who lives in a trailer and he meets Constance his old girlfriens who has left her husband. In the end, Constance returns to her husband.
