Director
On stage, senior Cantonese opera singer Sam Chan is bright and well-received. Yet at backstage, how could she deal with her fear and difficulties and a complaint against her regarding National Security Law in Hong Kong?
Director
Hongkongers have been experiencing extremely difficult times due to the political movement caused by anti-Extradition Bill since the summer of 2019 followed by the COVID-19 pandemic. This film explores Hongkongers’ fear in various dimensions, be it a concept or actual physical experience, personal or political, private or public, or the mixing of these pairs.
Sound Designer
A poetic, experimental portrait of four Hong Kong women in London working to digitise records of the handover agreement between the United Kingdom and China. Impressionistic and precise, personal and expansive, Cheung's elegant, eloquent work decodes history and how politics are enacted.
Creator
Director
This essay film is about Hong Kong as a place, or rather as a series of places, each with their own series of histories. Mak is after public and private histories, and the ways they commingle, intertwine and sometimes even obliterate each other. Her materials are multiple: she takes what she calls “appropriated archival footage and propaganda films from the 60s and 70s done by the British Hong Kong Government," and cuts, loops, zooms, slows and manipulates them to make striking distortions. To these “official” materials, made strange through video manipulation, Mak adds black-and-white Super 8 video of her own, digitally altered to sometimes look battered and archival, highly worked into a beautifully ghostly, grainy, evanescently visible texture. Images are juxtaposed promiscuously in double and quadruple frames, often paired images of intangibly related material, elegantly matched to be thought provoking as well as to offer visual delight.
Director
This work explores the notion of differences and the impossibilities of clearly stating the importance of differences, regarding sound and images, visual and audio perception, sexual identity, Cantonese, written Chinese and English languages, representation by mass media and by ourselves, and interpretations of street actions.
