shawné michaelain holloway

shawné michaelain holloway

Рождение : 1991-09-28, Wright-Patterson Air Force Base, Ohio, U.S.

История

shawné michaelain holloway is a new media artist and poet. Known for using sound, video, and performance, HOLLOWAY shapes the rhetorics of technology and sexuality into tools for exposing structures of power. She has spoken and exhibited work internationally in spaces like The New Museum (NYC, NY), Sorbus Galleria (Helsinki, Fi), The Kitchen (NYC, NY) Institute of Contemporary Arts (London, UK), Museum of Contemporary Art Chicago (Chicago, IL). Currently, Holloway teaches in the New Arts Journalism and Film Video New Media and Animation departments at the School of the Art Institute of Chicago.

Профиль

shawné michaelain holloway

Фильмы

nothing_fucking_matters_II: cuter on the internet.mp4
nothing_fucking_matters_II: cuter on the internet.mp4
Director
Digital intimacy is about exchange, but what is it that it is made of and how are we exchanging it? A PERSONAL PROJECT is a series of online artifacts ranging from videos and erotic stories to photos and snapchats created to expose power dynamics in online, browser-mediated affairs. Who or what controls who's arousal? Who gets paid? Are there different kinds of currency used for pay-outs? Who gets what kind of currency-- is it all equal? Guilt and shame are explored as a possible substance that can be communicated through interface obfuscated online interaction. This project was exhibited in an account on XTUBE until 2019, an amateur porn site. nothing_fucking_matters_II: cuter on the internet.mp4 (2014) is an artifact from that XTUBE channel.
The Labyrinth 1.0
The Labyrinth 1.0
Original Music Composer
The Labyrinth 1.0 is a poetic film essay that cites writer and poet Brad Johnson’s poem “The Labyrinth,” published in the anthology Milking Black Bull (1995). Sourcing 16-mm surveillance footage, 16-mm 1970s tearoom porn, and structuralist film footage shot in North Philadelphia, the work visually explores the concept of the labyrinth space as a site for cruising and gesture-based desire.