Jake Schaumberg-Dineen
Рождение : 1995-09-14,
История
Jake Schaumberg-Dineen is a Filmmaker from Milwaukee, graduated from the University of Milwaukee with a Film Animation and New Genres degree. He explores narrative and appropriated filmmaking within the context of digital film technique and an education in experimental film. Jake has a fondness for club soda.
Editorial Consultant
Amelia is a cynical mess of a teen who will do just about anything to right the wrongs she made against her ex-best friend, Norma, but will that include hiding a dead body?
Masked Man
The Adverse Childhood Experiences (ACE) study was created by the Center for Disease Control and Kaiser Permenente, a Southern California health research company. The test itself is only ten yes or no questions and is free to take online. Reducing oneself to a mere point of data is at once comforting and frustrating, yet when I realized how few people I knew had received a score of more than four out of ten, I decided to detail my own abuse in a way more personal than a number. These words that have been said to me over and over again as a child, how they have shaped me, and how the ideas of American darlings like Bing Crosby have shaped our perception of masculinity and nullified the validity of abuse survivors in our country and around the world.
Director
The Adverse Childhood Experiences (ACE) study was created by the Center for Disease Control and Kaiser Permenente, a Southern California health research company. The test itself is only ten yes or no questions and is free to take online. Reducing oneself to a mere point of data is at once comforting and frustrating, yet when I realized how few people I knew had received a score of more than four out of ten, I decided to detail my own abuse in a way more personal than a number. These words that have been said to me over and over again as a child, how they have shaped me, and how the ideas of American darlings like Bing Crosby have shaped our perception of masculinity and nullified the validity of abuse survivors in our country and around the world.
Ray-Ray
A ghost hunting crew is being documented on their very first paranormal experience in a so-called haunted house. The team members (intelligently stupid) seek out the paranormal and show off their gadgets to catch ghouls. They state their outsider and controversial beliefs on the paranormal and reveal that they intend to exploit the poltergeists. While searching, one crew member becomes possessed (or has just eaten far too many burritos). An exorcism takes place as they intend to expel the burrito demon out of the crew member’s body.
Brother
A murder Ballad.
Editor
A film about color parades, and loving yourself.
Director
A film about color parades, and loving yourself.
Himself
A film about color parades, and loving yourself.
Creator
I'm trying to do a blog, hopefully this entry is kind of interesting.
Writer
Two lonely souls reflect on the condition of their friendship, how they came to be, and what the future has in store for them.
Animation
Two lonely souls reflect on the condition of their friendship, how they came to be, and what the future has in store for them.
Director
Two lonely souls reflect on the condition of their friendship, how they came to be, and what the future has in store for them.
Editor
A man reflects on his failed biology experiment.
Writer
A man reflects on his failed biology experiment.
Title Designer
A man reflects on his failed biology experiment.
Director
A man reflects on his failed biology experiment.
Delicate Ecosystem
A man reflects on his failed biology experiment.
Cinematography
Lazarus Melon, everyone’s favorite television chef, is plagued with a constant need to better himself. Everyone in the world will tell Laz he’s the best. He’s funny, charismatic, and he makes the most phenomenal carrot cake. Like Lazarus, we each surround ourselves with people who we love and who love us. But in this world of access and excess, where critics don the veil of anonymity, each of us must learn to regard our own critiques. This film serves as a reminder to all of us: Do not take it so hard. Life is filled with its little miseries. Each of us, in our own way, must learn to deal with adversity in a mature and adult fashion.
Editor
Lazarus Melon, everyone’s favorite television chef, is plagued with a constant need to better himself. Everyone in the world will tell Laz he’s the best. He’s funny, charismatic, and he makes the most phenomenal carrot cake. Like Lazarus, we each surround ourselves with people who we love and who love us. But in this world of access and excess, where critics don the veil of anonymity, each of us must learn to regard our own critiques. This film serves as a reminder to all of us: Do not take it so hard. Life is filled with its little miseries. Each of us, in our own way, must learn to deal with adversity in a mature and adult fashion.
Writer
Lazarus Melon, everyone’s favorite television chef, is plagued with a constant need to better himself. Everyone in the world will tell Laz he’s the best. He’s funny, charismatic, and he makes the most phenomenal carrot cake. Like Lazarus, we each surround ourselves with people who we love and who love us. But in this world of access and excess, where critics don the veil of anonymity, each of us must learn to regard our own critiques. This film serves as a reminder to all of us: Do not take it so hard. Life is filled with its little miseries. Each of us, in our own way, must learn to deal with adversity in a mature and adult fashion.
Writer
A man has trouble sleeping during quarantine.
Director
A man has trouble sleeping during quarantine.
Effects Supervisor
A man has trouble sleeping during quarantine.
Editor
A man has trouble sleeping during quarantine.
The Shadow People
A man has trouble sleeping during quarantine.
The Flower
A man has trouble sleeping during quarantine.
Editor
A man loses all creativity during the 2020 pandemic. His life has become nothing, laying in bed, eating cereal, and staring at his empty canvases. Desperate to make something different, he begins to write a self-pitying script in hopes that he’ll stumble upon a beautiful young muse to pull him out of his funk. However, when his search for this dream girl is suddenly interrupted by the film’s deadline, he continues the movie alone, trying both to avoid falling into tropes, and to save his inner artist himself.
Writer
A man loses all creativity during the 2020 pandemic. His life has become nothing, laying in bed, eating cereal, and staring at his empty canvases. Desperate to make something different, he begins to write a self-pitying script in hopes that he’ll stumble upon a beautiful young muse to pull him out of his funk. However, when his search for this dream girl is suddenly interrupted by the film’s deadline, he continues the movie alone, trying both to avoid falling into tropes, and to save his inner artist himself.
Director
A man loses all creativity during the 2020 pandemic. His life has become nothing, laying in bed, eating cereal, and staring at his empty canvases. Desperate to make something different, he begins to write a self-pitying script in hopes that he’ll stumble upon a beautiful young muse to pull him out of his funk. However, when his search for this dream girl is suddenly interrupted by the film’s deadline, he continues the movie alone, trying both to avoid falling into tropes, and to save his inner artist himself.
Jake
A man loses all creativity during the 2020 pandemic. His life has become nothing, laying in bed, eating cereal, and staring at his empty canvases. Desperate to make something different, he begins to write a self-pitying script in hopes that he’ll stumble upon a beautiful young muse to pull him out of his funk. However, when his search for this dream girl is suddenly interrupted by the film’s deadline, he continues the movie alone, trying both to avoid falling into tropes, and to save his inner artist himself.
Lacey
A man loses all creativity during the 2020 pandemic. His life has become nothing, laying in bed, eating cereal, and staring at his empty canvases. Desperate to make something different, he begins to write a self-pitying script in hopes that he’ll stumble upon a beautiful young muse to pull him out of his funk. However, when his search for this dream girl is suddenly interrupted by the film’s deadline, he continues the movie alone, trying both to avoid falling into tropes, and to save his inner artist himself.
Writer
A lonely tenant gets used to living beneath a ghost.
Director
A lonely tenant gets used to living beneath a ghost.
Tenant
A lonely tenant gets used to living beneath a ghost.
Writer
Siblings Mac and Sheila meet in a parking lot to finish some last minute paperwork for their father's senior living, but the discussion soon takes a sharp turn to Sheila's own living situation.
Cinematography
Siblings Mac and Sheila meet in a parking lot to finish some last minute paperwork for their father's senior living, but the discussion soon takes a sharp turn to Sheila's own living situation.
Director
Siblings Mac and Sheila meet in a parking lot to finish some last minute paperwork for their father's senior living, but the discussion soon takes a sharp turn to Sheila's own living situation.
The Clown
Lazarus Melon, everyone’s favorite television chef, is plagued with a constant need to better himself. Everyone in the world will tell Laz he’s the best. He’s funny, charismatic, and he makes the most phenomenal carrot cake. Like Lazarus, we each surround ourselves with people who we love and who love us. But in this world of access and excess, where critics don the veil of anonymity, each of us must learn to regard our own critiques. This film serves as a reminder to all of us: Do not take it so hard. Life is filled with its little miseries. Each of us, in our own way, must learn to deal with adversity in a mature and adult fashion.
Director
Lazarus Melon, everyone’s favorite television chef, is plagued with a constant need to better himself. Everyone in the world will tell Laz he’s the best. He’s funny, charismatic, and he makes the most phenomenal carrot cake. Like Lazarus, we each surround ourselves with people who we love and who love us. But in this world of access and excess, where critics don the veil of anonymity, each of us must learn to regard our own critiques. This film serves as a reminder to all of us: Do not take it so hard. Life is filled with its little miseries. Each of us, in our own way, must learn to deal with adversity in a mature and adult fashion.