Elias Nousiopoulos

Teenage girls in New York City weaponize misconceptions and privileges to pull off their biggest heist yet.

After fleeing Earth in the late 80s, an alien returns to his childhood home in search of his best friend. As he gets closer to finding her, his mysterious past gets closer to catching him.

A homeless woman living in the tunnels below New York City survives on her own terms in the days leading up to a blizzard.

When Silvia mysteriously goes missing in Chinatown, tension rises between the two people closest to her. Jacqueline Sir directs “Sacral,” a fragmentary drama about the messy relationships and social life of a group of young NY city kids. Told with blurred low-fi imagery and a constant sense of unease and disorientation, it’s raw as they come, and paints an authentic picture of an alarming absence. When Nadia can’t locate her best friend, Silvia, she seeks out her boyfriend, Max, the last person she saw him with. As their group of friends pre-game for a party, she doubles down on Max who is behaving suspiciously evasive. A mix of edgy realism and almost nightmarish paranoia, the film’s resonance accumulates from jagged shards into a haunting mystery.