Director
À Vancouver is an experimental video essay featuring interviews with my father about our familial and individual sexual histories. Blending documentary and fiction, the video examines and expands upon parallel events in our lives, wherein we each traveled across Canada to Vancouver, and had formative (homo)sexual experiences at separate moments in time: my father as an 18-year-old traveling in the mid-60s and myself as a young teen and then adult in the mid-90s and 2000s. À Vancouver stages these narratives in the genre of the father-son road trip exploring themes of queer temporality, memory, and linguistic, cultural, and sexual inheritance.
Writer
À Vancouver is an experimental video essay featuring interviews with my father about our familial and individual sexual histories. Blending documentary and fiction, the video examines and expands upon parallel events in our lives, wherein we each traveled across Canada to Vancouver, and had formative (homo)sexual experiences at separate moments in time: my father as an 18-year-old traveling in the mid-60s and myself as a young teen and then adult in the mid-90s and 2000s. À Vancouver stages these narratives in the genre of the father-son road trip exploring themes of queer temporality, memory, and linguistic, cultural, and sexual inheritance.
This is a found footage video where the artist, then 13 years old filmed and reenacted a tv talk show that he had seen where man afflicted with AIDS tells the grizzly details of his life. Becoming some sort of parody of the afternoon chat shows and the exploitation of people living with AIDS as a casual subject of talk on those type of shows in the early 1990,S, the film strikes by the vocabulary used by the teenagers that seem to know enough about HIV/AIDS to be able to subvert the conversation and actually make it funny.
Director
This is a found footage video where the artist, then 13 years old filmed and reenacted a tv talk show that he had seen where man afflicted with AIDS tells the grizzly details of his life. Becoming some sort of parody of the afternoon chat shows and the exploitation of people living with AIDS as a casual subject of talk on those type of shows in the early 1990,S, the film strikes by the vocabulary used by the teenagers that seem to know enough about HIV/AIDS to be able to subvert the conversation and actually make it funny.
