Mouna Fettou

The members of a debt-ridden family reunite in an evanescent Tangier, running away from painful memories but at the same time clinging to a past they do not want to forget. Their childhood home and its magnificent estate are due to be sold in early autumn; increasingly, summer days fade into distant memory.

Жизнь фабричной работницы средних лет переворачивается с ног на голову, когда она переезжает по предложению работодателя в Марокко.

In the early years of the reign of Hassan II, Houcine, a fan of the new king, is the director of a popular orchestra and the proud father of Mimou. This is a very particular troupe, male musicians who are sometimes forced to pretend that they are blind in order to play at parties reserved for women in conservative Moroccan families. But then young Minou runs into Chama, the neighbor’s new maid

Amina is on a trip to the North where her husband is imprisoned for a drug case. When her car breaks down, she meets Lalla Rahma, an old lady who must also go to the North to make sure that her son did not die while illegally crossing the sea to Europe.

As co-directed by brothers Swad and Imad Noury (and produced by their mother, Pilar Cazorla), The Moroccan picture Heaven's Doors (2005) employs an episodic narrative, with three related substories presented sequentially. The Nourys shoot the episodes in distinct cinematographic styles (and with distinct overtones) suited to each tale, recalling Humberto Solas's masterpiece Lucia (1969).

“Rahal” immigrated to Europe forty years ago. Scandalized by the behavior of his eldest son who participated in a heist, he decides to return to Morocco for good. In his native country, “Rahal” intends to take matters into his own hands. Events take another detour.

Jawhara has grown in prison after the rape of her mother, Safia, and has lived for six years behind bars by her mother's side. Through her innocent vision, Jawhara grew up looking and watching the world of families telling the story that brought her mother together with her alleged father Saeed. Saeed and Safiya lived together a period of youth marked by enthusiasm and ideal values. Inhuman living conditions. Jewel's search for the truth of her mother and father's story leads her to tragedy...

Английский гангстер Валентин поднимает паруса на великолепной яхте, чтобы в одиночестве отправиться в кругосветное путешествие — скорее для того, чтобы убежать от прошлого, чем для того, чтобы скрыться от полиции. Валентин — мастер смены масок и ограблений, он совершил несколько подвигов в этом жанре, ограбив ряд крупнейших ювелирных магазинов мира, великолепно используя только два вида оружия — блеф и юмор. Его успех и богатство так велики, что он клянется (и искренне надеется), что когда-нибудь компенсирует украденное своим жертвам. Есть люди, которые прыгают в воду, чтобы покончить счеты с жизнью, Валентин поднимает паруса, чтобы жизнь начать. Тем временем в Марокко разочарованная джазовая певица Джейн вполголоса поет свои блюзы совершенно равнодушным завсегдатаям бара.

Directed by Saad Chraibi.

An old journalist, Omar, remembers the 70s and Salim a young 35-year-old journalist who had dared to investigate a corrupt senior state official. Omar knows it's a fight lost in advance but Salim refuses to let go. He resists because his duty as a journalist and his contempt for the untouchables who believe themselves above the law incite him to take all risks. But one day, the newspapers announce the death of Salim, cowardly murdered by a burglar. In short, a simple fact.

Directed by Mohamed Abderrahman Tazi.

The film is considered one of the first Moroccan cinematic tapes that tried to convey Moroccan reality with its traditions and customs to the cinema screen in a bold way, especially the issue of sex in Moroccan society, an issue that cinematographic works have always avoided before.