Ardi Ahmad

Ardi Ahmad

Профиль

Ardi Ahmad

Фильмы

Lupa Aturan Main
Art Direction
A mysterious masked burglar is in action. Dono (Dono) Kasino (Kasino), Indro (Indro), Anneke (Intan Fully) and Debby (Eva Arnaz) are worried that their house might be the next target. They hatch a plan to catch the burglar and Dono places an ad in the paper taunting the thief as part of their strategy. A police officer, who has been assigned to help, shows up, but is mistaken for the burglar because of his appearance: buckteeth and wearing a gold bangle on his right wrist. Dono and housemates immediately capture him by feeding him drugged onde-onde cakes. After the police officer has passed out, a man in a police uniform shows up, saying that he has been assigned to help them catch the robber. It turns out that this man is actually the thief, who intends to wreak revenge on Dono and friends for their attempt to capture him.
Antri Dong
Art Direction
The film tells the story of a middle-class young man named Dendy who is rich and lives in a big house with a driver and a loyal servant.
The Longer, The Better
Art Direction
Dono, Kasino and Indro (the Warkop Trio) live in a boarding house. Amusement starts when the flat owner, Aunt Sarah, goes on a date. Dono installs a microphone so that the conversation between Aunt Sarah and her date can be heard in every room. As a result, Aunt Sarah starts fighting with the three friends. Then Erna, Aunt Sarah’s niece, arrives for a visit. The three friends compete to attract her heart. One day, the three friends are invited to go with Erna to a nightclub. Inside they meet Aunt Sarah. To avoid conflict, the three friends disguise as women.
Saya Suka Kamu Punya
Art Direction
Dono, Kasino, and Indro (played by the Warkop Trio) are hired as puppet ballet dancers. Their jokes and fighting stunts, delight the audience. But soon after, Gozal, a real estate businessman acquires the land, where the puppet ballet building sits on. The dispute over the land and its certificate becomes the film’s satire. Finally, Dono and friends challenge the champions of Gozal to a boxing match.
Ananda
Art Direction
Irma a.k.a Ananda must struggle through the obstacle of her life for which she might or might not earns something better for her life.
Big Village
Art Direction
Partoyo, a big-time businessman, abandons his family because of work. A sociopolitical snapshot of Jakarta in the changing governance.
Ja Mualim
Art Direction
Anwar returns to his village and actively preaches about going on the holy pilgrimage. Kyai Anwar sees him as a rival and calls Anwar a fake clerk and won’t allow his daughter, Rokayah, to have a relationship with Anwar. His hidden agenda is his fear about losing his broker business that holds most of the villager’s money, planning to go on the pilgrimage. This challenge is faced and solved by Anwar.
Menjusuri Djedjak Berdarah
Art Direction
On the trail to catch the killer of his brother, Achmad easily defeats a bandit who challenges him. This impresses Citra, a child, who since then follows Achmad wherever he goes. When they come to a village threatened by robbers, Achmad stops and tries to solve the problem. One of the tough guys of the village, Wirya, notices Achmad and is impressed by him and Achmad’s religious devotion. He becomes friends with Achmad and asks him to agree to his condition not to bother Aisah, a village girl, who is actually in love with Achmad. Then the robbers launch a major attack, which Achmad repels. From the defeated chief, Achmad finds out that Wirya is the killer of his brother. Wirya admits killing Achmad’s brother, for committing crime and adultery.
Liburan Seniman
Art Direction
After hearing the mandate of independence leader and Indonesia’s first president, Sukarno, Suromo an author, finds an art form to express the people’s hardship. Together with Rutaf, a failed painter and Kadjiman, a film director, these artists meet a combatant who works at the National Trade Bank. Interested in the arts, he helps to promote their activities.
Anak-anak Revolusi
Art Direction
During the revolution, Japan is defeated but has yet to surrender so a 14-year-old boy insists on joining the army, to avenge his father, who is incarcerated in Nusa Kambangan for murder. His actions are brave yet extreme in every way. Recognising this, the commander promotes the boy to section head, even though all his men are older than he is. He takes the most dangerous missions and as a result, one of his men dies. The late man’s girlfriend then volunteers, and is also killed, after being just as reckless as the boy.
Masa Topan dan Badai
Art Direction
The title “Hurricane and Storm”, is seemingly a translation from Sturm und Drang, a psychological term for puberty or a transition period for an individual's mental state. Kaslan is a conservative and honest bank clerk, while his wife, Miah, is more liberal in terms of discipline. Kaslan is strict with his daughters, Wati and Tina. It makes Wahab afraid to approach the girl of his dream, Wati, since Kaslan always escorts her wherever she goes. Wahab is also jealous by Wati's favourite English teacher and he tries to hang himself when she falls in love with a singer. When the singer rejects Wati, she returns to Wahab. Tina reveals all to her father but before he can scold her, she leaves the house, and returns home only much later. But mother explains about the puberty that Wati is going through. In turn, Wahab also learns to understand Kaslan's reason for his strictness. Then they both graduate from high school.
Shadows at Dawn
Art Direction
Revolves around a conflict between two step -siblings Omar and Salim. Salim who lives in the village works on a rubber plantation inherited by their father. While Omar is in the city depending on the money sent by Salim to finance his extravagant lifestyle.
The Virgin in the Robbers' Nest
Art Direction
Follows a young woman who is kidnapped by a group of bandits, only to fall in love with their leader.
Toha, Pahlawan Bandung Selatan
Art Direction
This is the heroic story of Mochamad Toha, who successfully blew up a Dutch ammunition depot in Bandung and ruined their defences. Set in Bandung at the time of transition, between the departing Japanese and the incoming Dutch (who are supported by the British), Indonesians had to fight for their independence. Toha emerged as a leader of the common people, who saw injustice and oppression, and who sacrificed himself by blowing up the ammunition depot.
Amor dan Humor
Art Direction
A rich man (Rendra Karno) comes to the Gelanggang Dagang to woo the pretty sales promotion girl (Baby Huwae). She already has a journalist boyfriend (Bambang Irawan), and when a female journalist/photographer (Rima Melati) comes onto the scene, the love triangle becomes a four-way street. The “humour” comes from the comedy trio of Bing Slamet, Mansyur Syah, and Ateng.
Tjita-Tjita Ajah
Art Direction
Firman inherits a piece of land and a hut from his late father. He works hard by selling fruits, to fulfil his father’s dream, of ensuring that his little brother, Agus, finishes his university education. Agus falls in love with Isma, a daughter of a middle-class tailor, Mrs. Slamet. Mrs. Slamet is a distant relative of Mrs. Dirham; a rich widow, who wants her son, John, to marry Isma. But Isma falls for Agus and John often disparages Agus, which infuriates Isma more and more. Finally Mrs. Slamet gives in and accepts Agus’ proposal, and even John is willing to pay the marriage expenses.
Бесстрашный Имрон
Art Direction
Сержант Имрон и его боевые друзья самоотверженно сражаются против войск голландских колонизаторов. Всё же под напором противника индонезийские воины вынуждены отступить. В плен к врагу попадают лейтенант Амин и его сестра Латифах. Решив освободить своего командира, Имрон и его друзья нападают на селение. В ожесточённой битве погибает Имрон, но Амин и Латифах освобождены.
Girl's Dormitory
Art Direction
An Indonesian musical that comedically depicts of complex coming of age problems within a girl's dormitory, lead by Mrs. Siti.
Whips of Fire
Art Direction
Suro becomes obsessed with Ujung as a tool to take power over the village. His ambition stumbles when his daughter, Marni, falls in love with Kasan, an ordinary peasant from the same village.
Djuara 1960
Art Direction
Guntur, a boxer, checks into a hotel on the day before his match, with his coach. In the hotel, Guntur stays in a room next to Udel and his wife. To secure victory, coach Hasan Sanusi poisons Guntur’s eyes. After dropping Guntur at the hospital, Tjepot, his coach, sees Udel, who resembles Guntur. He persuades Udel to fight in Guntur’s place. At first Udel resists, but he finally agrees, after Guntur’s girlfriend, also mistakes Udel for Guntur, by hugging him. At the end, his wife is also very proud of him. After the match when he manages to knock his opponent out, the two women begin to fight over him. The problem is solved when Guntur shows up.
Exalted Guest
Art Direction
An impending visit from a VIP causes chaos and confusion in the small, isolated village of Sukaslamet. Things take a hilarious turn when the herbal medicine seller is mistaken for the exalted guest and is accorded a ceremonial welcome in the most elaborate Javanese style.
Heboh
Art Direction
Prior to his death, Mutalib tycoon ordered his son Dullah to search for a legacy that is listed on the secret map. Fearing that his son, who had been studying abroad, knew only the truth, Mutalib asked his friends, Cepot and Udel to help and guide his son, including being told about the secret map. Joko, the deceased's assistant, is trying to seize the map with the help of Mutalib's private secretary, Fatimah. Udel and Tjepot were kidnapped and threatened by Jim. Udel and Tjepot fled to Sukadamai. This run was made funny. Joko successfully snatched the map from the Dullah and went to Sukadamai which was the clue to the inheritance. Thanks to the help of Udel and Tjepot, the Dullah was able to find the treasure. What is the content of that inheritance? Just a piece of paper urging Dullah to work. The insane Dullah who wanted to work hard after getting the message, also fell in love with the local girl, Siti.