Director
Michel has lived in a psychiatric hospital for many years. Blaise Othnin-Girard is fascinated by this figure outside any canon, including those to which a forced isolation would like to reduce him. Art, love, friendship in Michel's words seem different. "It seems to me that paradise ... is a love that pierces your belly and makes you really happy ... a feeling like an explosion of love in a faraway place. It's a place where you can enjoy, paradise." The director has not seen Michel since the therapeutic apartment in Mâcon in 2001, where he lived before some problems arose. He finds him now at the hospital in a Complex Psychiatry Unit: a closed and silent sector. His words reveal themselves between pain and resistance, humor and lucidity, hinting at a love affair between impeded bodies.
Editor
Since the death of their parents, while they were still teenagers, Jéremie and Maxime live alone together in an old manor at the edge of the sea. It's the sole remaining link with their family roots. Over the years, Jéremie, taking on the role of big brother and father, has continually looked after Maxime, who is still affected by the accident. Like wounded galloping horses, they have to face their destiny and confront death in order to recover their identity and be at peace with themselves.
