Mark Trustin

This is not a documentary about the making of Midnight Cowboy. It is about a dark and difficult masterpiece and the deeply gifted and flawed people who made it. It is about New York in a troubled era of cultural ferment and social change. It is about an era that made a movie and a movie that made an era. The 1969 movie tells the story of two homeless loners who join forces out of desperation and struggle to survive.

У комитета по трансплантации органов есть один час, чтобы решить, кто из трех пациентов заслуживает спасительного сердца. Семь лет спустя члены комитета борются с последствиями этого судьбоносного решения.

A Crime on the Bayou is the story of Gary Duncan, a Black teenager from Plaquemines Parish, a swampy strip of land south of New Orleans. In 1966, Duncan tries to break up an argument between white and Black teenagers outside a newly integrated school. He gently lays his hand on a white boy’s arm. The boy recoils like a snake. That night, police burst into Duncan’s trailer and arrest him for assault on a minor. A young Jewish attorney, Richard Sobol, leaves his prestigious D.C. firm to volunteer in New Orleans. With his help, Duncan bravely stands up to a racist legal system powered by a white supremacist boss to challenge his unfair arrest. Their fight goes all the way to the U.S. Supreme Court, and their lifelong friendship is forged.

Recy Taylor, a 24-year-old black mother and sharecropper, was gang raped by six white boys in 1944 Alabama. Common in Jim Crow South, few women spoke up in fear for their lives. Not Recy Taylor, who bravely identified her rapists. The NAACP sent its chief rape investigator Rosa Parks, who rallied support and triggered an unprecedented outcry for justice. The film exposes a legacy of physical abuse of black women and reveals Rosa Parks’ intimate role in Recy Taylor’s story.

Главная героиня — Молли — частный детектив, нанятый ФБР для расследования одного важного дела. Девушка отправляется в колледж, чтобы под прикрытием попасть в тайное женское общество.