Gaffer
Yang Ke, a Beijing Opera actor, is fatefully driven into the underworld of masculine sex workers, and becomes a class of his own. He finds himself on a roller coaster between heavenly love with both men and women, and a living hell ensnared by devious villains and hypocrites. Despite his faith, endeavor and willingness to give, he remains a prisoner to his karma. Hell awaits when heaven seems near, and the ultimate truth is revealed only in a heartbreaking moment from which there is no return.
Passer-by
Yang Ke, a Beijing Opera actor, is fatefully driven into the underworld of masculine sex workers, and becomes a class of his own. He finds himself on a roller coaster between heavenly love with both men and women, and a living hell ensnared by devious villains and hypocrites. Despite his faith, endeavor and willingness to give, he remains a prisoner to his karma. Hell awaits when heaven seems near, and the ultimate truth is revealed only in a heartbreaking moment from which there is no return.
Ka-long, a wanderlust graduated from the University of Hong Kong, always dreams of backpacking to many countries with his guitar. While he believes he is trapped in Hong Kong, his family thinks that he is simply wasting his life and not settling down for a better future. He is getting more uplifted after he meets Wen-wen, a girl speaks with a Taiwanese accent. While they are dating, Wen-wen makes an effort to hide her true identity from Ka-long. Can they finally resolve the undercurrent of their relationship? Let’s Get Lost ultilises the thematic motif of road movie genre – both protagonists have to embark on a journey of revealing their true identity. As a result, the film widens its scope to the geo-political differences between Hong Kong, Taiwan and China.
