Gabriel Richieri

Amarillo, the dream of a collective of artists who invested everything in what ended up being a cultural phenomenon of the 90s in Uruguay. Fundamental figures of music, theater, dance, poetry and performance passed through there. After fifteen months of operation, it closed its doors. Twenty-five years later, its protagonists reconstruct their history and that of a whole generation by going through unpublished images.

Amarillo, the dream of a collective of artists who invested everything in what ended up being a cultural phenomenon of the 90s in Uruguay. Fundamental figures of music, theater, dance, poetry and performance passed through there. After fifteen months of operation, it closed its doors. Twenty-five years later, its protagonists reconstruct their history and that of a whole generation by going through unpublished images.

Nalu lives with Ruben, her father, in a small country town near the Brazilian border with Uruguay. When Ruben realizes that his daughter is becoming a woman, an ambiguous closeness begins to develop between them.

Gastón (Jorge Temponi) is very attached to technology and is still in love with an ex-girlfriend who left him. He inherits an old house from his grandfather far from the city and must travel there accompanied by Américo (Carlos Frasca), a clerk somewhat depressed by his old age. The driver and owner of the truck in which they travel is Beto (Jorge Esmoris), a carrier with a somewhat murky past. The place where they are going was visited by the English naturalist Charles Darwin in 1833, where he collected fundamental information to later develop the theory of evolution.