Ahmed Fouad Ragab

Ahmed Fouad Ragab

Рождение : 1989-09-29, Alexandria, Egypt

История

Ahmed Fouad Ragab is an Egyptian filmmaker. Born and raised in Alexandria, Ragab has been active in the art scene since 2009, working with photography and cinema, then shifting to audio. In 2012, he studied conceptual art at Mass Alexandria. After working for several years within the local film industry circles and co-founding several local initiatives (ZAWYA Alexandria and Cinedelta), Ragab has decided to move to Estonia, to study audiovisual media at the Baltic Film and Media Institute, where he graduated, and currently starting his MFA in Creative Documentary at Open City Docs (University College London).

Профиль

Ahmed Fouad Ragab

Фильмы

Me & Her
Me & Her
Editor
Eldar is a 21-year-old Russian film student residing in Estonia after living for 18 years in Russia as a woman. His grandmother lives in a small town in Russia. Eldar is leading a double-life hiding from her that he transitioned into a man by making his voice appear more feminine during phone calls with her, and photoshopping his pictures he sends her. After Eldar gets a call from his grandmother, who is concerned about the rumours of her granddaughter posing as a man online, Eldar decides to come to his grandmother’s birthday party to address the situation.
Me & Her
Me & Her
Producer
Eldar is a 21-year-old Russian film student residing in Estonia after living for 18 years in Russia as a woman. His grandmother lives in a small town in Russia. Eldar is leading a double-life hiding from her that he transitioned into a man by making his voice appear more feminine during phone calls with her, and photoshopping his pictures he sends her. After Eldar gets a call from his grandmother, who is concerned about the rumours of her granddaughter posing as a man online, Eldar decides to come to his grandmother’s birthday party to address the situation.
Me & Her
Me & Her
Director
Eldar is a 21-year-old Russian film student residing in Estonia after living for 18 years in Russia as a woman. His grandmother lives in a small town in Russia. Eldar is leading a double-life hiding from her that he transitioned into a man by making his voice appear more feminine during phone calls with her, and photoshopping his pictures he sends her. After Eldar gets a call from his grandmother, who is concerned about the rumours of her granddaughter posing as a man online, Eldar decides to come to his grandmother’s birthday party to address the situation.
The Other Side of Fear
The Other Side of Fear
Writer
The Other Side of Fear signifies the actions which incite religious violence and broaden the divide of cultural and moral beliefs in society. The film shadows two clashing perspectives both of which are searching for safety in their own communities and these perspectives blend testimonies of trauma and manifestos of power. By using poetic documentation, the director acknowledges that there are more than two sides to every story and intertwines these sentiments, embodiments and experiences into one journey to understand what is happening behind the doors of communities the other hasn’t experienced.
The Other Side of Fear
The Other Side of Fear
Producer
The Other Side of Fear signifies the actions which incite religious violence and broaden the divide of cultural and moral beliefs in society. The film shadows two clashing perspectives both of which are searching for safety in their own communities and these perspectives blend testimonies of trauma and manifestos of power. By using poetic documentation, the director acknowledges that there are more than two sides to every story and intertwines these sentiments, embodiments and experiences into one journey to understand what is happening behind the doors of communities the other hasn’t experienced.
The Other Side of Fear
The Other Side of Fear
Editor
The Other Side of Fear signifies the actions which incite religious violence and broaden the divide of cultural and moral beliefs in society. The film shadows two clashing perspectives both of which are searching for safety in their own communities and these perspectives blend testimonies of trauma and manifestos of power. By using poetic documentation, the director acknowledges that there are more than two sides to every story and intertwines these sentiments, embodiments and experiences into one journey to understand what is happening behind the doors of communities the other hasn’t experienced.
The Other Side of Fear
The Other Side of Fear
Director
The Other Side of Fear signifies the actions which incite religious violence and broaden the divide of cultural and moral beliefs in society. The film shadows two clashing perspectives both of which are searching for safety in their own communities and these perspectives blend testimonies of trauma and manifestos of power. By using poetic documentation, the director acknowledges that there are more than two sides to every story and intertwines these sentiments, embodiments and experiences into one journey to understand what is happening behind the doors of communities the other hasn’t experienced.