"A History of Sitting in Waiting Rooms (or whatever longer title you prefer)" is the coming of age story you never knew you wanted. Meet Lorenita: a rambunctious six-year-old with six cavities. One for each of the letters in her name, no one can pronounce. Lorenita is a butch Latina fighting to find herself in the cacophony of Queens, NY in the 90s. With the help of her imaginary best friend, Boo, a civil war ghost, Lorenita will poorly navigate the drawn-out pains of puberty.
Producer
"A History of Sitting in Waiting Rooms (or whatever longer title you prefer)" is the coming of age story you never knew you wanted. Meet Lorenita: a rambunctious six-year-old with six cavities. One for each of the letters in her name, no one can pronounce. Lorenita is a butch Latina fighting to find herself in the cacophony of Queens, NY in the 90s. With the help of her imaginary best friend, Boo, a civil war ghost, Lorenita will poorly navigate the drawn-out pains of puberty.
Screenplay
"A History of Sitting in Waiting Rooms (or whatever longer title you prefer)" is the coming of age story you never knew you wanted. Meet Lorenita: a rambunctious six-year-old with six cavities. One for each of the letters in her name, no one can pronounce. Lorenita is a butch Latina fighting to find herself in the cacophony of Queens, NY in the 90s. With the help of her imaginary best friend, Boo, a civil war ghost, Lorenita will poorly navigate the drawn-out pains of puberty.
Director
"A History of Sitting in Waiting Rooms (or whatever longer title you prefer)" is the coming of age story you never knew you wanted. Meet Lorenita: a rambunctious six-year-old with six cavities. One for each of the letters in her name, no one can pronounce. Lorenita is a butch Latina fighting to find herself in the cacophony of Queens, NY in the 90s. With the help of her imaginary best friend, Boo, a civil war ghost, Lorenita will poorly navigate the drawn-out pains of puberty.
Millie and Hope are two spoiled immigrants who try to make it in Hollywood but, when their destinies and visas are held hostage by La Migra, they decide to make ends meet and take a cash-paid job on a Marijuana farm in Northern California.
Queer culture and the arts would be much poorer without the presence and contribution of butch and stud lesbians, whose identity is both its own aesthetic and a defiant repudiation of the male gaze.
