Self
Danish film scholar, Lars-Martin Sorensen, describes US censorship of Japanese film during the American occupation of Japan (1945-1952) and the challenges Kurosawa faced from these censors on his early films, particularly Drunken Angel (1948).
Director
Danish film scholar, Lars-Martin Sorensen, describes US censorship of Japanese film during the American occupation of Japan (1945-1952) and the challenges Kurosawa faced from these censors on his early films, particularly Drunken Angel (1948).
