Nandy Cabrera

From contact to distance, how do bodily perceptions vary? The body and space feel blurred. The sensation remains, almost ghostly of our bodies moving. Dancing or just being together seems like a distant memory.

From contact to distance, how do bodily perceptions vary? The body and space feel blurred. The sensation remains, almost ghostly of our bodies moving. Dancing or just being together seems like a distant memory.

From contact to distance, how do bodily perceptions vary? The body and space feel blurred. The sensation remains, almost ghostly of our bodies moving. Dancing or just being together seems like a distant memory.

Road documentary that delves into the musical and religious expressions of sub-Saharan Africa. Through Mauritania and Mali, the film documents the lives of Dogon, griots, musicians and instrument makers who, through oral accounts, explain why music plays a fundamental role in the socio-religious organization of peoples. The film culminates its search with the recording of the performance of the traditional Dogon mask dance, in Begnematou, a small village lost in the desert.

Negro explores the roots of candombe culture, trying to understand the why and how of a culture embedded into the soundscape of Montevideo and Uruguay as a whole.

A rural worker suffers an accident and understands that in a few minutes he is going to die. In absolute solitude and surrounded by a natural environment indifferent to his tragedy, he will face, without drama, the fact that these are his last minutes of life and nothing he can do to modify that destiny. Based on a story by Horacio Quiroga.

A rural worker suffers an accident and understands that in a few minutes he is going to die. In absolute solitude and surrounded by a natural environment indifferent to his tragedy, he will face, without drama, the fact that these are his last minutes of life and nothing he can do to modify that destiny. Based on a story by Horacio Quiroga.