"Baby Swiss is obsessed with a strange science fiction film. She fantasies about living in its futuristic ideals, and keeps a separate DVD copy in a strongbox under the house just to be on the safe side. Naturally, this drives her unattended husband to the local whorehouse, known as The Village of the Moon. There, he meets up with other unhappy men and drowns his sorrows in high priced call girls. In the meantime, Baby Swiss discovers a kind of platonic love with a like minded neighbor. He is so desperate to be part of her life that he will wait outside her window. Their relationship will turn on whether she cleans the glass, or closes the blinds. And all the while, a homeless Greek chorus champions the freedom of living on the streets, unencumbered by the mindless machinations of being part of this so-called “proper society”" (review excerpt by Bill Gibron)
The country is at war over a natural resource. The strange cosmic force known as "Schoof" is slowly making the human race insane. The news has ceased to make sense. "Schoof" has affected each member of Tracy's family, leaving her unaffected. That's what she thinks as a scientist, a test subject and a group choral will be the galaxy's only hope.
“Toggle Switch is a little person living in a world of her own design. Deadly with pets, and equally unhinged with her family, she spends her days watching exercise videos and her nights in pursuit of bizarre extracurricular activities. Along the way, we meet a bearded 12 year old, a closet junkie, and the skinniest fitness guru in the entire self-help universe, all getting by on chutzpah, camaraderie, and a healthy dose of vagina-based show tunes…Orzo is by far the funniest thing Giuseppe Andrews has ever done. It’s a comedy plain and simple, a character-based humoresque that proves Andrews’ mantle as both a writer and a wit.” (review excerpt by Bill Gibron)
When we first meet the characters from Golden Embers, they are people in transition. One is a bride to be, hoping her ex-addict brother can stay sober long enough to walk her down the aisle. The sibling is a sexually obsessed dope fiend, desperate for any kind of psychosexual release - and lots of wacky white powder. Locked up in a hotel room, freebasing his sordid memories and many erotic needs, he slowly comes unglued. Soon, we are witnessing rampant mood swings, murderous hallucinations, and the world's most misguided nuptials, complete with dancing.
The narrative driving Holiday Weekend is centered on people and how they relate to each other. A young couple quibbles over an impulsive decision to steal a coffee machine, while the victimized pair sans Sanka plays an unusual game of affection and abuse. A young man with werewolf-ism moves in with a fledgling songwriter, while elsewhere, an injured individual with Tourettes seeks council from a high priced lawyer. All the while, some elderly homosexual lovers reunite, dancing to celebrate the rekindling of their long dormant love. Giving us his spin on spirituality and the afterlife, Holiday Weekend is like several small sketches that add up to one incredible portrait.
Tired of living under a bridge like a troll, middle-aged homeless man Ronzoni decides to reconnect with his roots. Buying a bowling ball as a Christmas gift, he heads out to visit his retired father and distant sister Agatha who live in a local trailer park. Unfortunately, they both think he’s a wholly worthless bum. When a large box lands on his chest, Ronzoni is stuck behind his dad’s double wide and no matter how hard they try, they just can’t seem to get the empty cardboard container off his body. Wanting to escape his incessantly whining, the pair head off to a hotel. There, Agatha meets Nicholas, an in-room escort who opens her eyes to the joy of music and the fun of making anti-porno.
