Writer
A comedy special and reuniun of Aldo, Giovanni e Giacomo.
Director
A comedy special and reuniun of Aldo, Giovanni e Giacomo.
Himself
A comedy special and reuniun of Aldo, Giovanni e Giacomo.
Self
Alongside his impertinent puppet, ventriloquist Jeff Panacloc celebrates Christmas with humour, surrounded by personalities from music, cinema and TV hosts.
Director
Director
Director
A queue at the ATM machine, a displaced family after a seismic shock that has half-washed their home, a tour within an art gallery, moments of everyday life that become the cues for the emergence of comic, farce, paradoxical situations – trademarks of one of the most successful Italian comic groups.
Self
L'épouvantail Star
Arturo
A young Jewish boy travels europe in search of the grave of his Great Grandfather who was killed by the Nazis in the War.
Director
A comedy show.
Policeman (uncredited)
Жизнь очень пестрая штука, — то белая полоса, то черная, — так и живем. Такова жизнь… С утра не заладился день у офицера полиции и по совместительству непризнанного писателя Джакомо. Из-за отсутствия напарника пришлось одному ехать в тюрьму, откуда он должен сопровождать в суд заключенного Альдо по кличке «Банкомат». Случайно открыв бардачок полицейского автомобиля, Альдо, у которого день заладился, нашел там пистолет Джакомо и взял полицейского в заложники… Но этот день не заладился не только у Джакомо…
Director
I corti ("shorts") by Aldo, Giovanni & Giacomo was the first stage show of the comedy trio, with the participation of Marina Massironi. It was recorded live at the Teatro Nuovo in Ferrara on 28 and 29 March 1996. Produced by Agidi, with the theatre direction of Arturo Brachetti.
Arturo
Charles, the snobbish young scion of an aristocratic family that has seen better days, stumbles into the weird yet strangely attractive cabaret world while attempting to trace a former mistress of his father. He falls in love with Clémentine, an adolescent member of the cabaret “family” who has created her own tango-obsessed fantasy world amidst the surrounding decadence. Charles, learning that Clémentine might be his half-sister, and thus fearing an incestuous relationship, succumbs to the ambiguous seductions of two Machiavellian accomplices, a magician and a girl dancer.
