Director of Photography
The story revolves around the sentimental attachment of a family towards a cot that has been passed through the family for three generations. It has been their family’s companion through their ups and downs for around 250 years and everyone are attached to it emotionally. It has survived as a unperishable common identity link or reference passed from one generation to the next within the family. It was a place for last breadth for some and first breadth for some. Thus, the non living entity becomes a living one among the family members by the memories itched by it in their minds.The screenplay is based on how the antique cot , which the family emotionally revere lose it and how they struggle to recover the same , whether they succeed or lose it forever ,is the question which is answered in the plot.
Director of Photography
Three women, who belong to different walks of life, go through severe identity crisis because of the patriarchal system in their respective families. Set in three different time periods, the movie throws light on their helplessness and other myriad issues faced by these married women despite them having their life partners by their side.
Director of Photography
Nandhini and Thyagu, two childhood friends from different castes, fall in love with each other. However, when Raja discovers their relationship and kills her, her friends set out to seek justice.
