Sally Lawton
Рождение : , Detroit, Michigan, USA
История
Sally Lawton is a filmmaker and writer born in Detroit, Michigan. Her work combines documentary practice and experimental techniques. She received a BA in Digital Cinema from DePaul University (2013), and a MFA from the University of Wisconsin-Milwaukee (2022). Her films have been exhibited at festivals, museums and galleries, including Media City Film Festival, Echo Park Film Center, Onion City Film Festival, among others. Her writing has been featured in Brink Literary Journal and her first publication On Second Thought was published by Diagram Press in 2022. She has curated programs for The Nightingale Cinema, Constellation, Cinema Borealis, and Mothlight Microcinema. She currently teaches at The University of Wisconsin–Milwaukee and the Milwaukee Institute of Art and Design.
Writer
The Red Tide follows a life changing move to Florida. Exploring a new home located near famous earthworks by Robert Smithson, the enormous art collection-turned-museum of John Ringling, and beaches plagued by a toxic phenomenon called the ‘red tide’. Beginning with a recreation of Nancy Holt and Robert Smithson’s 1969 film, Swamp, the film describes a confusion between multiple anxieties: art’s legacy, climate change, and a longing to stay connected. Taken From Sally Lawton's Website: http://www.sallylawton.net/the-red-tide.html
The Red Tide follows a life changing move to Florida. Exploring a new home located near famous earthworks by Robert Smithson, the enormous art collection-turned-museum of John Ringling, and beaches plagued by a toxic phenomenon called the ‘red tide’. Beginning with a recreation of Nancy Holt and Robert Smithson’s 1969 film, Swamp, the film describes a confusion between multiple anxieties: art’s legacy, climate change, and a longing to stay connected. Taken From Sally Lawton's Website: http://www.sallylawton.net/the-red-tide.html
Director
The Red Tide follows a life changing move to Florida. Exploring a new home located near famous earthworks by Robert Smithson, the enormous art collection-turned-museum of John Ringling, and beaches plagued by a toxic phenomenon called the ‘red tide’. Beginning with a recreation of Nancy Holt and Robert Smithson’s 1969 film, Swamp, the film describes a confusion between multiple anxieties: art’s legacy, climate change, and a longing to stay connected. Taken From Sally Lawton's Website: http://www.sallylawton.net/the-red-tide.html
Writer
A meditation on how women traverse their own bodies, through pregnancy and the desire to be pregnant. In documenting corporeal passivity and gestures of desire, questions arise—at what stages do we recognize pregnancy and how do women’s bodies come to matter?
Director
A meditation on how women traverse their own bodies, through pregnancy and the desire to be pregnant. In documenting corporeal passivity and gestures of desire, questions arise—at what stages do we recognize pregnancy and how do women’s bodies come to matter?
Writer
"This film is a collaborative installation project with Orleans + Winder (Detroit). It examines Nathaniel Dorsky’s writings on Self-Symbols in film as applied to the exhibition and personalization of clothing. Dorsky writes: If you have ever looked at your hand and seen it freshly without concept, realized the simultaneity of its beauty, its efficiency, its detail, you are awed into appreciation. The total genius of your hand is more profound than anything you could have calculated with your intellect. One’s hand is a devotional object."
Director
"This film is a collaborative installation project with Orleans + Winder (Detroit). It examines Nathaniel Dorsky’s writings on Self-Symbols in film as applied to the exhibition and personalization of clothing. Dorsky writes: If you have ever looked at your hand and seen it freshly without concept, realized the simultaneity of its beauty, its efficiency, its detail, you are awed into appreciation. The total genius of your hand is more profound than anything you could have calculated with your intellect. One’s hand is a devotional object."
Writer
A documentation of parades and protests during the first months of Donald Trumps presidential campaign. The speed at which nationalism moves is explored through manipulated frame rates, blurs, and overlays.
Director
A documentation of parades and protests during the first months of Donald Trumps presidential campaign. The speed at which nationalism moves is explored through manipulated frame rates, blurs, and overlays.
Writer
The relationship between the decline of industry and the cycles of addiction are examined.
Director
The relationship between the decline of industry and the cycles of addiction are examined.
Writer
An experimental documentary charting the relationship of five Ukrainians and one Ukrainian American to the 2014 revolution and preceding war. The film is shot over the central and western regions of Ukraine, immediately post-revolution. Six figures explain their relationship to recent events and their plans for the future. The Euromaidan protests are discussed as the transforming event that leads to dense stories of the annexation of Crimea, warfare, and the disillusionment of the USSR.
Director
An experimental documentary charting the relationship of five Ukrainians and one Ukrainian American to the 2014 revolution and preceding war. The film is shot over the central and western regions of Ukraine, immediately post-revolution. Six figures explain their relationship to recent events and their plans for the future. The Euromaidan protests are discussed as the transforming event that leads to dense stories of the annexation of Crimea, warfare, and the disillusionment of the USSR.
Writer
A collage of signs, creditor voicemails, and travelogues. A attempt to vacation at work and work on vacation.
Director
A collage of signs, creditor voicemails, and travelogues. A attempt to vacation at work and work on vacation.
Writer
A diary of Christmas in Yosemite National Park. Coastal secrets and transcendental filters fill the frame.
Director
A diary of Christmas in Yosemite National Park. Coastal secrets and transcendental filters fill the frame.
Writer
Glimpses of Hieronymus Bosch's The Garden of Earthly Delights (1495) are repainted through a VHS video mixing board.
Director
Glimpses of Hieronymus Bosch's The Garden of Earthly Delights (1495) are repainted through a VHS video mixing board.
