Lighting Artist
The five characters are cut into various "twos" and the restrained direction accurately conveys their emotions and relationships. The tension in the long shots in particular could be described as "expertly delicate". The meal scenes, which appear repeatedly, play an excellent role in accentuating the question of the meaning of 'family'.
Director of Photography
The five characters are cut into various "twos" and the restrained direction accurately conveys their emotions and relationships. The tension in the long shots in particular could be described as "expertly delicate". The meal scenes, which appear repeatedly, play an excellent role in accentuating the question of the meaning of 'family'.
Lighting Artist
One knows how to love and how to hurt. Art students Naoya and Kono. They are different types but like each other. They ask Reiko, an art model who comes to their drawing class, to be their model for an extra-curricular production. The two are simultaneously attracted to her shadowy side, but while Kono falls straight for Reiko, Naoya worries that he is unable to portray her true self, and begins to search for a veil over Reiko's true face. Kono receives pocket money from his companion's lover through mother-son-like conversations. Naoya visits Reiko's house and takes off his coat in front of the front door. The accumulation of small details creates quiet pauses that not only highlight the outlines of the characters, but also give the film an elegance and tranquillity that is probably a quality of the director.
