Keiko
Suzanne is nearly fifty. She lives alone with Raphaëlle, her twenty year old daughter. Despairing that she will never again find love, Suzanne resolves to have plastic surgery done on her breasts. Raphaëlle is disturbed by her mother’s decision, while Suzanne worries about her daughter’s romantic life.
The five characters are cut into various "twos" and the restrained direction accurately conveys their emotions and relationships. The tension in the long shots in particular could be described as "expertly delicate". The meal scenes, which appear repeatedly, play an excellent role in accentuating the question of the meaning of 'family'.
