Eyas Al Mokdad

История

Syrian filmmaker, choreographer, and dancer Eyas al Mokdad holds an M.A. in Audio-Visual Arts, The Royal Academy of Fine Arts (KASK), Ghent (2021), an M.A. in Transmedia - Audio-Visual Arts, LUCA School of Arts, Brussels (2013) and a B.A. in Ballet Dance from the Higher Institute of Dramatic Arts, Damascus (2005). Eyas has directed several films, including The Last Time (2006), Dancers and Walls (2010), Dough (2011), Bloodshed (2012), Under the Tank (co-directed with Orwa al Mokdad, 2014), The Other Half of Your Shadow (2015) and The Hangar (2019) and Mother Daughter (2021). His artistic work focuses on political and social issues and examines contemporary art, cinema, and theatre.

Фильмы

The Final Scene
The Final Scene
Writer
The final scene brings us back to the first year of the start of the Syrian revolution, through the story of activist Orwa Al Mokdad, who documented through his lens the first year of the revolution. After Orwa leaves Syria for Lebanon, he presents all the materials he recorded to his brother Eyas, the filmmaker residing in Belgium, to complete the film project he was working on, which is to show the peaceful face of the Syrian revolution. Eyas begins searching in these materials for that face to discover another face of his brother and his young companions who risked their lives to bring the revolution into action. Defeat and betrayal are part of the story of the movement against which the world allied itself, as the regime managed to distort it and turn that beautiful face into a violent one.
The Final Scene
The Final Scene
Director
The final scene brings us back to the first year of the start of the Syrian revolution, through the story of activist Orwa Al Mokdad, who documented through his lens the first year of the revolution. After Orwa leaves Syria for Lebanon, he presents all the materials he recorded to his brother Eyas, the filmmaker residing in Belgium, to complete the film project he was working on, which is to show the peaceful face of the Syrian revolution. Eyas begins searching in these materials for that face to discover another face of his brother and his young companions who risked their lives to bring the revolution into action. Defeat and betrayal are part of the story of the movement against which the world allied itself, as the regime managed to distort it and turn that beautiful face into a violent one.
The Final Scene
The Final Scene
Himself
The final scene brings us back to the first year of the start of the Syrian revolution, through the story of activist Orwa Al Mokdad, who documented through his lens the first year of the revolution. After Orwa leaves Syria for Lebanon, he presents all the materials he recorded to his brother Eyas, the filmmaker residing in Belgium, to complete the film project he was working on, which is to show the peaceful face of the Syrian revolution. Eyas begins searching in these materials for that face to discover another face of his brother and his young companions who risked their lives to bring the revolution into action. Defeat and betrayal are part of the story of the movement against which the world allied itself, as the regime managed to distort it and turn that beautiful face into a violent one.