Daniel Zander

An “Extreme (Experimental) Cinema”-Rendition Of The “Apocalypse Of John”, Created For »White Gardenia's King James Bible«-Anthology Film.

An “Extreme (Experimental) Cinema”-Rendition Of The “Apocalypse Of John”, Created For »White Gardenia's King James Bible«-Anthology Film.

An “Extreme (Experimental) Cinema”-Rendition Of The “Apocalypse Of John”, Created For »White Gardenia's King James Bible«-Anthology Film.

An “Extreme (Experimental) Cinema”-Rendition Of The “Apocalypse Of John”, Created For »White Gardenia's King James Bible«-Anthology Film.

"White Gardenia: The King James Bible" is an epic-scaled avant-garde underground project that will cover both the Old and New Testament, featuring segments from various filmmakers and their beautifully extreme visions of the myriad of biblical stories.

A »No Budget Middle-Length Flicker Film« Created During The Course Of 2022. Shot Primarily In The "Zarnewanzer Ur-Strom-Tal" & Beyond, Baden-Württembergs "Kleiner Odenwald" & Berlin.

A »No Budget Middle-Length Flicker Film« Created During The Course Of 2022. Shot Primarily In The "Zarnewanzer Ur-Strom-Tal" & Beyond, Baden-Württembergs "Kleiner Odenwald" & Berlin.

A »No Budget Middle-Length Flicker Film« Created During The Course Of 2022. Shot Primarily In The "Zarnewanzer Ur-Strom-Tal" & Beyond, Baden-Württembergs "Kleiner Odenwald" & Berlin.

After I had already begun to conduct my first cinematographic experiments in 2015, I shot between 2016 and 2019 (during my time as a student in Rostock) exclusively for this "No Budget Feature-Length Experimental Film", now titled "Transfragmentation", which was originally conceived to last three hours, based on Werner Fritsch's "Faust Sonnengesang" (2011), but now has a running time of approximately two hours. In 2015, I also began my correspondence with the Brussels-based Sound-Artist Unenthüllte, who eventually composed four twenty-minute pieces for this work and has to be regarded as my sole artistic collaborator in this sense. My cinematographic concept was clearly outlined from the beginning: The duration of each shot is exactly 1 minute. Only two elements diverge from this primary premise: The Seventeen Minute Prelude, Created In Post-Production (2020-2022), And The Slow Motion Sequences Involving My Voice-Over, Which Linger In The Heart And At The End Of The Work.

After I had already begun to conduct my first cinematographic experiments in 2015, I shot between 2016 and 2019 (during my time as a student in Rostock) exclusively for this "No Budget Feature-Length Experimental Film", now titled "Transfragmentation", which was originally conceived to last three hours, based on Werner Fritsch's "Faust Sonnengesang" (2011), but now has a running time of approximately two hours. In 2015, I also began my correspondence with the Brussels-based Sound-Artist Unenthüllte, who eventually composed four twenty-minute pieces for this work and has to be regarded as my sole artistic collaborator in this sense. My cinematographic concept was clearly outlined from the beginning: The duration of each shot is exactly 1 minute. Only two elements diverge from this primary premise: The Seventeen Minute Prelude, Created In Post-Production (2020-2022), And The Slow Motion Sequences Involving My Voice-Over, Which Linger In The Heart And At The End Of The Work.

After I had already begun to conduct my first cinematographic experiments in 2015, I shot between 2016 and 2019 (during my time as a student in Rostock) exclusively for this "No Budget Feature-Length Experimental Film", now titled "Transfragmentation", which was originally conceived to last three hours, based on Werner Fritsch's "Faust Sonnengesang" (2011), but now has a running time of approximately two hours. In 2015, I also began my correspondence with the Brussels-based Sound-Artist Unenthüllte, who eventually composed four twenty-minute pieces for this work and has to be regarded as my sole artistic collaborator in this sense. My cinematographic concept was clearly outlined from the beginning: The duration of each shot is exactly 1 minute. Only two elements diverge from this primary premise: The Seventeen Minute Prelude, Created In Post-Production (2020-2022), And The Slow Motion Sequences Involving My Voice-Over, Which Linger In The Heart And At The End Of The Work.

After I had already begun to conduct my first cinematographic experiments in 2015, I shot between 2016 and 2019 (during my time as a student in Rostock) exclusively for this "No Budget Feature-Length Experimental Film", now titled "Transfragmentation", which was originally conceived to last three hours, based on Werner Fritsch's "Faust Sonnengesang" (2011), but now has a running time of approximately two hours. In 2015, I also began my correspondence with the Brussels-based Sound-Artist Unenthüllte, who eventually composed four twenty-minute pieces for this work and has to be regarded as my sole artistic collaborator in this sense. My cinematographic concept was clearly outlined from the beginning: The duration of each shot is exactly 1 minute. Only two elements diverge from this primary premise: The Seventeen Minute Prelude, Created In Post-Production (2020-2022), And The Slow Motion Sequences Involving My Voice-Over, Which Linger In The Heart And At The End Of The Work.