Therese Giehse

Девушка, переодетая мужчиной, едет по шоссе и останавливается перед самоходным орудием. Мужчины в военной форме расстреливают одетых в военную форму женщин. Девушку разоблачают, срывая с нее мужскую шляпу, но ей удаётся уйти по бездорожью. Женщины в форме и с оружием в руках забивают ногами мужчину. Труп повешенного пастуха раскачивается на дереве, а рядом беспокойно мечется блеющее стадо овец. Идёт «гражданская война» полов. Голые дети погоняют свинью. Героиня, следуя за женщиной, скачущей на вороном коне, прибегает в дом, где свиньи сидят за столами, кошка играет на пианино… Так начинается это необыкновенное кино — начинается, чтобы унести юную героиню по лабиринту бессознательного, прочь от реальности будней в тайный мир грёз, эротизма и символов…

Девушка, переодетая мужчиной, едет по шоссе и останавливается перед самоходным орудием. Мужчины в военной форме расстреливают одетых в военную форму женщин. Девушку разоблачают, срывая с нее мужскую шляпу, но ей удаётся уйти по бездорожью. Женщины в форме и с оружием в руках забивают ногами мужчину. Труп повешенного пастуха раскачивается на дереве, а рядом беспокойно мечется блеющее стадо овец. Идёт «гражданская война» полов. Голые дети погоняют свинью. Героиня, следуя за женщиной, скачущей на вороном коне, прибегает в дом, где свиньи сидят за столами, кошка играет на пианино… Так начинается это необыкновенное кино — начинается, чтобы унести юную героиню по лабиринту бессознательного, прочь от реальности будней в тайный мир грёз, эротизма и символов…

1944 год. Провинциальный крестьянский юноша Люсьен Лакомб решает бросить тяжелую и неблагодарную работу уборщика в больнице и податься в партизаны — маки. Но туда его брать не хотят, мотивируя это юным возрастом. Волей судьбы Люсьен попадает в гестапо, где прием ему оказывается куда более радушный…

Wassa Schelesnowa, a manipulative matriarch who will stop at nothing to keep her business afloat and her family together. Infanticide, forgery, murder, blackmail, adultery, exile, and plain old-fashioned greed are the order of the day as Wassa's colorful clan tries to scheme its way out of the house and into financial independence.

Der 10. Mai (The Tenth of May) was the date in 1940 that Hitler invaded the Low Countries: Belgium, Holland and Luxembourg. Neutral Switzerland, which hadn't experienced a war since the 14th century, hurriedly fortified its borders with battalions of inexperienced soldiers. The panic, confusion and isolated acts of courage which occurred on that fateful day are re-created in this Swiss docudrama. The story is "personalized" by concentrating on a fugitive German soldier (Heinz Reincke) who falls in love with the Swiss girl (Linda Geiser) who shelters him. Produced on a bare-minimum budget, Der 10. Mai is impressive more for its sincerity and raw energy than for its actual cinematic merits.

После смерти родителей юная Мануэла фон Мейнхардис отправлена в бедную, суровую школу. Отчаянно желая любви и теплоты Мануэла привязывается к единственному человечному преподавателю, Фроляйн фон Бернбург. Мануэла влюбляется в нее. О запретной любви обязательно все узнают, это только дело времени, и катастрофа неминуема. Элизабет Бернбург не отрекается от любви, она вынуждена уйти из школы. Мануэла получает суровое наказание, подобно кому-нибудь, кто совершил преступление…

10-year-old Rosmarin von Stetten lives with his widowed father Robert in the big city. During the holidays one day in the morning Rosmarin goes to the lake near the castle and meets Thymian, the poorest boy of the village, whose mother did not come back from the war and who has to do several jobs in the village for his living. The boys enter a boat, but both fall into the lake. Thymian crawls out of the water first and is found by a servant from the castle, who thinks he is Rosmarin and bring him to the castle and to bed. The boy doesn't know what happens and thinks he's spellbound...

Laslo Benedek interrupted his thriving Hollywood career to return to Europe as director of the German Kinder, Mutter und ein General (Children, Mother and the General). The film is set in Berlin during the last days of WW II. Desperate for manpower, Hitler has ordered that all able-bodied teenaged boys --some as young as 15 -- be drafted into the army. Frau Asmussen (Hilde Krahl) is one of five mothers who learn to their horror that their boys have been slated to be cannon fodder on behalf of the Third Reich. Asmussen and the other mothers head directly to the front to plead with the German generals for the lives of their sons. Not directly an indictment of Germany's involvement in (or incitement of) the recent war, Kinder, Mutter und ein General stresses the futility and heartbreak of all wars everywhere.

A widowed father advertises for a new maid, but his children secretly seek a woman to be his new wife.

Directed by Harald Braun and told from the perspective of Bertha von Suttner, the first female to receive the Nobel Peace Prize, The Alfred Nobel Story - No Greater Love chronicles the life of scientist, inventor, and businessman Alfred Nobel. Nobel built a massive fortune throughout his life, and while much if it was amassed by his inventions--dynamite being perhaps the most notable--he was also revered for his discoveries within the fields of science and economics. Upon his death, Nobel decided that his fortune was simply too great to continue in the form of an inheritance or single charitable donation, opting instead to use the money as reward for the greatest contributors to physics, chemistry, medicine, literature, and, of course, peace.

An attractive young French girl instigates rivalry between two brothers when she becomes the bride of the younger one.

Спасаясь от нацистов и фашистов в раздираемой войной Италии, американец и британец попадают в многонациональную группу беженцев, которые отправляются на границу со Швейцарией.

In Bern above Junkerngasse 54 the caretaker has died - the old Hutzli. On the day on which he was buried, it's started again, this howling in the middle of the night - scary. Since then, no one dares to live there.

While on a longer business trip, a wannabe poet urges his beautiful but more simple wife to answer his overly swollen love letters. With no idea how to respond she forwards the letters to a new young school teacher to use his answers instead...

In this French set comedy, five million francs change hands one weekend between a man pretending to be a millionaire and a woman pretending to be a Russian countess.

Film by Seitz.

Bohemia in the 19th century, stage-coach driver Hans, loves the mayor's daughter Marie, but she is promised Wenzel, the son of another wealthy farmer. Marie refuses to marry Wenzel because of Hans, but the marriage arranger tries to "buy" Marie from Hans. But when Wenzel tells Hans, that he doesn't want to marry Marie, either, because he loves circus director Brummel's daughter, Hans decides to accept the offer of money for not interferring in the relations of Hans and Marie. But when Marie hears about this, she doesn't want to see Hans again.

Peter Voss, Thief of Millions (German:Peter Voss, der Millionendieb) is a 1932 German comedy crime film directed by Ewald André Dupont and starring Willi Forst, Alice Treff and Paul Hörbiger. It was based on the 1913 novel of the same title by Ewald Gerhard Seeliger which has been adapted into a number of films including previously in 1921 and later in 1946. It was the second to last film made by Dupont in Germany before he was forced to flee to the United States following the rise of the Nazi Party.

Musical about a girl typist who leaves Berlin for Venice after winning a contest. A rich bachelor pretending to be poor takes a job with her and competes for her affections with a count and a tenor.