Henrik Gugge Garnov

The story follows Oskar and his two brothers, Jonathan and Lukas, during the 90s, in the outskirts of the Swedish city of Gothenburg. Their father is the local priest of a quiet church and he brings his kids there every Sunday. On this particular Sunday, Oskar doesn’t like what his father says about faith. He and his brothers sneak out to play games in the forest instead. Oskar wants to play a game that has nothing to do with religion, where he has powers of his own. They launch into an anime schoolgirl fantasy frenzy of killing imaginary monsters with laser beams when some older kids find them near the edge of a tall cliff. They bully the brothers, forcing them to confront how weak their faith actually is. Oskar is conflicted: should he stick up for his faith or admit it’s not real?

A boy lives a fast-paced, free-roaming life with his friends on the streets of Dublin, which doesn’t always lead to good choices.

Since an attack on students of the Ayotzinapa Rural Teachers' College in 2014 resulted in six deaths and in the forced disappearance of 43, the students’ families have been living in limbo with their unanswered questions, their struggle embodying the psychological and emotional toll of endemic violence upon Mexican society.

Since an attack on students of the Ayotzinapa Rural Teachers' College in 2014 resulted in six deaths and in the forced disappearance of 43, the students’ families have been living in limbo with their unanswered questions, their struggle embodying the psychological and emotional toll of endemic violence upon Mexican society.

Ahmad Jalali Farahani works as a journalist in Iran. On 27 December 2009, he sees an innocent man being killed on the street, but neither Ahmad or his colleagues dare write about the murder. The journalists are hard-pressed and struggle daily against censorship and control, and even the otherwise conservative newspaper Tehran Emrooz gets to know the wrath of President Ahmadinejad, when it is ordered closed after the publication of one single critical picture.

В фильме режиссер обращается к теме геноцида в Индонезии в период 1965-1966 годов. История вращается вокруг семьи выживших в том кошмаре, которые пытаются выяснить, кто убил их сына и брата.

В фильме режиссер обращается к теме геноцида в Индонезии в период 1965-1966 годов. История вращается вокруг семьи выживших в том кошмаре, которые пытаются выяснить, кто убил их сына и брата.

После индонезийского военного переворота 1965 года, военизированные формирования и садистские преступники убили более миллиона предполагаемых коммунистов. Эти убийства остались безнаказанными, а виновные до сих пор являются влиятельными людьми, которые могут рассчитывать на поддержку коррумпированных политиков.

Two brothers are forced to hunt Europe’s most dangerous criminal, Milo, who has devious plans to control the world's currency.

A love-struck man discovers he has an incurable illness shortly after meeting the woman of his dreams.

Полицейский Йенс пускается во все тяжкие, чтобы выпутаться из идиотской ситуации, из-за которой на него "наехало" несколько преступных группировок. Но смекалкой и хитростью можно решить все проблемы...

Director Sigve Endresen follow the singer Kari Iveland, daughter of two missionaries, on her way to release her first solo album. Through her lyrics we understand the discomfort she has felt all her life, which almost lead to suicide.

Director Sigve Endresen follow the singer Kari Iveland, daughter of two missionaries, on her way to release her first solo album. Through her lyrics we understand the discomfort she has felt all her life, which almost lead to suicide.

Documentary series about Diana, Lotte, Kragelund, Tobisen, Lau and Anna who all work at the local factory Viking in Esbjerg, Denmark. Now they fear for their jobs.

The future is stolen by Captain Bill the Black. It is up to the infamous pirate Jolly Roger and his great-great-great grandchild Lula to save it, helped by the two arch-angels Theobalt and Emil.

Using Goethe's Theory of Colors (Zur Farbenlehre) as point of departure, Light Darkness and Colors takes us on a fascinating journey through the universe of colors. In 1704, Sir Isaac Newton published Light and Refraction, his study of the interactions between sunlight and prisms. Newton was, as a good scientist, intent on achieving objectivity, which meant studying sunlight in isolation. He thought colors were contained solely in light, and found the spectrum he was looking for. When he reproduced this experiment, Goethe found another, hidden set of colors missed by Newton. Goethe found the hidden colors in the boundaries between light and darkness. He felt, as an artist, that one could not talk about light without including darkness. Calling it 'the light-darkness polarity', Goethe made this new scientific discovery using artistic methods in conjunction with science.