Jean-Gabriel Albicocco

Nina lives with her family in a superb property in the French region of Landes. She loves her cousin Jean who is overprotected by his possessive mother, Eva. There is war and, after the French defeat, Jean wants to reach London.

Nina lives with her family in a superb property in the French region of Landes. She loves her cousin Jean who is overprotected by his possessive mother, Eva. There is war and, after the French defeat, Jean wants to reach London.

Serge Menessier has been paid to shoot a reportage on his ex-wife's depression. Now remarried, he has accepted the job to pay his debts and maybe because he is still in love with her, a famous actress whose career he contributed to launch.

Rural France, the 1890s. Always in motion, Augustin wanders three times. First, as a youth, while a boarder near Bourges, he's lost in the woods and finds a chateau where an engagement party's in progress: there he falls eternally in love with Yvonne and she with him. Back at school, he hears she is in Paris, so he follows in a vain search and meets a woman, jilted by her lover. In the countryside a few year's later, Augustin's friend François finds Yvonne and brings Augustin to her. They marry, but the next day, Augustin leaves to fulfill a youthful promise he made to Yvonne's brother. François comforts the pregnant Yvonne as they await Augustin's return.

Rural France, the 1890s. Always in motion, Augustin wanders three times. First, as a youth, while a boarder near Bourges, he's lost in the woods and finds a chateau where an engagement party's in progress: there he falls eternally in love with Yvonne and she with him. Back at school, he hears she is in Paris, so he follows in a vain search and meets a woman, jilted by her lover. In the countryside a few year's later, Augustin's friend François finds Yvonne and brings Augustin to her. They marry, but the next day, Augustin leaves to fulfill a youthful promise he made to Yvonne's brother. François comforts the pregnant Yvonne as they await Augustin's return.

Экранизация одноименного плутовского романа Жака Ланцманна. Главный герой Шарль (Шарль Азнавур) приезжает в Парагвай в надежде заработать денег. После неприятного разговора с дядей, давно обосновавшимся в Южной Америке, Шарль отправляется в банк, чтобы разменять деньги. Кассирша Мария (Мари Лафоре) совершает ошибку, приняв старую купюру номиналом в 5 тысяч франков за новую, и выдает сумму в 100 раз больше положенной. Хотя юридически никаких претензий к Шарлю нельзя выдвинуть, он все же возвращает деньги в банк, а сам пускается в мутное дело, связанное с контрабандой оружия. Вместе с Шарлем и его товарищем Дино в опасное путешествие навстречу приключениям отправляется и Мария...

Экранизация одноименного плутовского романа Жака Ланцманна. Главный герой Шарль (Шарль Азнавур) приезжает в Парагвай в надежде заработать денег. После неприятного разговора с дядей, давно обосновавшимся в Южной Америке, Шарль отправляется в банк, чтобы разменять деньги. Кассирша Мария (Мари Лафоре) совершает ошибку, приняв старую купюру номиналом в 5 тысяч франков за новую, и выдает сумму в 100 раз больше положенной. Хотя юридически никаких претензий к Шарлю нельзя выдвинуть, он все же возвращает деньги в банк, а сам пускается в мутное дело, связанное с контрабандой оружия. Вместе с Шарлем и его товарищем Дино в опасное путешествие навстречу приключениям отправляется и Мария...

A man becomes obsessed with a woman, who is unreceptive to his advances. Jealous of her attraction to another, he becomes increasingly desperate. His frustration reaches a peak when the woman hints at another liaison.

A nearly forgotten feature by one of the founders of Lettrism, Closed Vision was the directorial debut of Marc'O (born Marc-Gilbert Guillaumin), editor of the short-lived Lettrist film journal Ion and producer of Jean-Isidore Isou's infamous Traité de bave et d'eternité. Compared to that film or Maurice Lemaitre's Le film est déjà commencé?, Closed Vision is a more literary and downright genial effort. If Isou and Lemaitre were content to "destroy cinema" (exposing ugly, banal images or simply splicing in scratched-up blank leader in semi-conjunction with endless soundtrack harangues), Marc'O here seems almost to save it - or at least to invest serious effort toward finding a cinematic idiom equivalent to the novel's stream-of-consciousness (the subtitle is 'Sixty Minutes in the Interior Life of a Man'). Debuted at the 1954 Cannes Film Festival with endorsements from Jean Cocteau and Luis Buñuel.

A nearly forgotten feature by one of the founders of Lettrism, Closed Vision was the directorial debut of Marc'O (born Marc-Gilbert Guillaumin), editor of the short-lived Lettrist film journal Ion and producer of Jean-Isidore Isou's infamous Traité de bave et d'eternité. Compared to that film or Maurice Lemaitre's Le film est déjà commencé?, Closed Vision is a more literary and downright genial effort. If Isou and Lemaitre were content to "destroy cinema" (exposing ugly, banal images or simply splicing in scratched-up blank leader in semi-conjunction with endless soundtrack harangues), Marc'O here seems almost to save it - or at least to invest serious effort toward finding a cinematic idiom equivalent to the novel's stream-of-consciousness (the subtitle is 'Sixty Minutes in the Interior Life of a Man'). Debuted at the 1954 Cannes Film Festival with endorsements from Jean Cocteau and Luis Buñuel.