Hanna Polak

Hanna Polak

Рождение : 1967-07-21, Katowice, Śląskie, Poland

История

Hanna Polak (born 1967) is a Polish documentary director, cinematographer and producer. For her short documentary film, "The Children of Leningradsky", about a community of homeless children living in the Leningradsky railway station in Moscow, she was nominated for an Academy Award and an Emmy Award. In 2003, she was awarded Best Producer of Documentary Movies at the Kraków Film Festival for Railway Station Ballad. In 2004, Polak completed her documentary film, "The Children of Leningradsky", which was nominated for an Academy Award for Best Documentary (Short Subject). In 2014, Polak has completed her documentary film "Something Better To Come", which received the International Documentary Film Festival Amsterdam (IDFA) Special Jury Award, and won main prizes at several film festivals. Polak’s works as a producer, director, and cinematographer have appeared on major television networks worldwide including American HBO, ABC (American Broadcasting Company), Canal+, France 2, Fuji Television, ITN, TVP (Telewizja Polska), TVN (Poland), Belgian Radio and TV, and many other TV stations. Her films have been screened in hundreds film festivals around the world, including Sundance Film Festival, International Documentary Film Festival Amsterdam (IDFA), Hot Springs Documentary Film Festival, True/False Film Festival, and FIPA (Festival International de Programmes Audiovisuels). In 2006, Polak’s photography works won her third prize in the UNICEF International Photography Competition Photo of the Year. For her cinematography work for Stone Silence, shot in Afghanistan, she was awarded with the Artistic Mastery of Photographing award from the Kiev Film Festival. For her cinematography work for Something Better to Come, she was awarded with the Best Cinematography award from Gdańsk DocFilm Festival and with Canon Non Fiction Frame Special Mention from Docs Against Gravity film festival. Polak has collaborated with different aid agencies to help unprivileged children. For her charitable efforts, Polak was awarded the prestigious Golden Heart Award, the “Award for serving the uppermost ideals of mankind” by NTV (Russia), and the Crystal Mirror award by the Mirror magazine in Poland, an award that recognizes “people of dialogue, those who unite, not divide.” She has lectured on documentary filmmaking at many universities worldwide, including UNC Gillings School of Global Public Health, North Carolina, Chapel Hill; University of Guadalajara, Mexico; North Texas University; Monterey Institute of International Studies, California; Middlebury College, Vermont; University of Hawaii, Honolulu, and many others. Polak was a jury member at the Kraków Film Festival and the Document International Human Rights Documentary Film Festival in Glasgow, Scotland; she was a tutor for the EsoDoc workshop; and she was an expert for the Ministry of Culture and National Heritage (Poland), evaluating documentary projects for the Polish Film Institute.

Профиль

Hanna Polak

Фильмы

Angels of Sinjar
Director of Photography
Hanifa and Saeed barely survived the hell that ISIS inflicted on them and their people. Hanifa escaped kidnapping, but her younger sisters were enslaved by the Islamic State. Hanifa embarks on a mission to find them and bring them home.
Angels of Sinjar
Producer
Hanifa and Saeed barely survived the hell that ISIS inflicted on them and their people. Hanifa escaped kidnapping, but her younger sisters were enslaved by the Islamic State. Hanifa embarks on a mission to find them and bring them home.
Angels of Sinjar
Director
Hanifa and Saeed barely survived the hell that ISIS inflicted on them and their people. Hanifa escaped kidnapping, but her younger sisters were enslaved by the Islamic State. Hanifa embarks on a mission to find them and bring them home.
Something Better to Come
Director of Photography
Right outside of Moscow – home to the highest number of billionaires pr. capita – you’ll find the largest junkyard in the world: The Svalka. It’s a hard place run by the Russian mafia. And it's where Yula lives with her mother, her friends and many other people. Life is tough in the Svalka, but it’s also a place where beauty and humanity can arise from the most unlikely conditions. It is from this place that Yula dreams of escaping and changing her life, even if it seems impossible. Oscar-nominated director Hanna Polak followed Yula for 14 years, bringing us along on Yula's journey to achieve this dream.
Something Better to Come
Editor
Right outside of Moscow – home to the highest number of billionaires pr. capita – you’ll find the largest junkyard in the world: The Svalka. It’s a hard place run by the Russian mafia. And it's where Yula lives with her mother, her friends and many other people. Life is tough in the Svalka, but it’s also a place where beauty and humanity can arise from the most unlikely conditions. It is from this place that Yula dreams of escaping and changing her life, even if it seems impossible. Oscar-nominated director Hanna Polak followed Yula for 14 years, bringing us along on Yula's journey to achieve this dream.
Something Better to Come
Producer
Right outside of Moscow – home to the highest number of billionaires pr. capita – you’ll find the largest junkyard in the world: The Svalka. It’s a hard place run by the Russian mafia. And it's where Yula lives with her mother, her friends and many other people. Life is tough in the Svalka, but it’s also a place where beauty and humanity can arise from the most unlikely conditions. It is from this place that Yula dreams of escaping and changing her life, even if it seems impossible. Oscar-nominated director Hanna Polak followed Yula for 14 years, bringing us along on Yula's journey to achieve this dream.
Something Better to Come
Writer
Right outside of Moscow – home to the highest number of billionaires pr. capita – you’ll find the largest junkyard in the world: The Svalka. It’s a hard place run by the Russian mafia. And it's where Yula lives with her mother, her friends and many other people. Life is tough in the Svalka, but it’s also a place where beauty and humanity can arise from the most unlikely conditions. It is from this place that Yula dreams of escaping and changing her life, even if it seems impossible. Oscar-nominated director Hanna Polak followed Yula for 14 years, bringing us along on Yula's journey to achieve this dream.
Something Better to Come
Director
Right outside of Moscow – home to the highest number of billionaires pr. capita – you’ll find the largest junkyard in the world: The Svalka. It’s a hard place run by the Russian mafia. And it's where Yula lives with her mother, her friends and many other people. Life is tough in the Svalka, but it’s also a place where beauty and humanity can arise from the most unlikely conditions. It is from this place that Yula dreams of escaping and changing her life, even if it seems impossible. Oscar-nominated director Hanna Polak followed Yula for 14 years, bringing us along on Yula's journey to achieve this dream.
Love and Rubbish
Director of Photography
Love and Rubbish
Producer
Love and Rubbish
Screenplay
Love and Rubbish
Director
Warsaw Battle 1920 in 3D
Editor
Warsaw Battle 1920 in 3D
Director of Photography
Warsaw Battle 1920 in 3D
Director
The Officer's Wife
Director of Photography
In an old safe, a man discovers his grandmother’s memoirs, old photos of an army officer and a mysterious postcard that link to a concealed crime; the Katyn Forest massacre. Weaving interviews with bold animation, The Officer's Wife explores the collision of truth, justice and memory in a family tragedy.
Faces of Homelessness
Director of Photography
Faces of Homelessness
Director
Stone Silence
Director of Photography
The Orange Sun
Director
After the second round of the 2004 presidential elections in Ukraine, millions of people went out on the streets. During this revolution, there was a genuine solidarity between people from different levels of the society, from the cities and the countryside. Although these people were brought up in a Soviet society where every protest against the authorities was a danger to one's life, they were so disappointed by what came after the collapse of the Soviet Union that they went out to the streets, faced the authorities and made the orange revolution possible. The film explores motives for taking part in the Ukrainian revolution, their view of the world, living-condition and hope for the future.
Дети Ленинградского
Translator
Десятки тысяч детей самых разных возрастов живут на улицах наших городов. Их насилуют педофилы, избивает милиция, они живут в темных углах теплотрасс и подвалов — беззащитные, ненужные, нюхающие клей и пьющие водку. На улицах кто-то из них звереет, избивая еще более беззащитных и слабых, чем они, единицы попадают в детские дома и остаются там надолго.
Дети Ленинградского
Director of Photography
Десятки тысяч детей самых разных возрастов живут на улицах наших городов. Их насилуют педофилы, избивает милиция, они живут в темных углах теплотрасс и подвалов — беззащитные, ненужные, нюхающие клей и пьющие водку. На улицах кто-то из них звереет, избивая еще более беззащитных и слабых, чем они, единицы попадают в детские дома и остаются там надолго.
Дети Ленинградского
Screenplay
Десятки тысяч детей самых разных возрастов живут на улицах наших городов. Их насилуют педофилы, избивает милиция, они живут в темных углах теплотрасс и подвалов — беззащитные, ненужные, нюхающие клей и пьющие водку. На улицах кто-то из них звереет, избивая еще более беззащитных и слабых, чем они, единицы попадают в детские дома и остаются там надолго.
Дети Ленинградского
Producer
Десятки тысяч детей самых разных возрастов живут на улицах наших городов. Их насилуют педофилы, избивает милиция, они живут в темных углах теплотрасс и подвалов — беззащитные, ненужные, нюхающие клей и пьющие водку. На улицах кто-то из них звереет, избивая еще более беззащитных и слабых, чем они, единицы попадают в детские дома и остаются там надолго.
Дети Ленинградского
Director
Десятки тысяч детей самых разных возрастов живут на улицах наших городов. Их насилуют педофилы, избивает милиция, они живут в темных углах теплотрасс и подвалов — беззащитные, ненужные, нюхающие клей и пьющие водку. На улицах кто-то из них звереет, избивая еще более беззащитных и слабых, чем они, единицы попадают в детские дома и остаются там надолго.
Al. Tribute to Albert Maysles
Producer
Al. Tribute to Albert Maysles
Director of Photography
Al. Tribute to Albert Maysles
Director
A Railway Station Song
Producer
A poignant image of the environment of the homeless. The film is a documentary record of the everyday life of Russian children, small refugees from orphanages who chose a street or a railway station for their home.
A Railway Station Song
Director of Photography
A poignant image of the environment of the homeless. The film is a documentary record of the everyday life of Russian children, small refugees from orphanages who chose a street or a railway station for their home.