Между 1860 и 1960 годами, тысячи детей из бедных семей или осиротевших детей в Швейцарии, были взяты на воспитание в приёмные фермерские семьи, где они часто подвергались жестокому обращению и эксплуатировались в качестве дешевой рабочей силы. Этих детей так и называли «Приёмыши».
Two policemen are stationed on Amrum, a North Sea island on the West coast of Schleswig-Holstein, Germany’ – an elder, and one who is several decades his junior. Life is easy, just that the junior can’t find a wife, because no young woman seems to be interested in the peaceful life on the island. All of a sudden, a wounded lady who turns out to be one of two bodyguard for a threatened witness who lives in hiding on Amrum, bursts into the police station and seeks help from the two officers. I missed some bits of the plot, but somehow, the second one of the bodyguards hiding the witness on the island has been killed already, and the second one, seeking help from the local police, was wounded in the incidence, and then she apparently succumbs, too.
In this sun soaked adventure for the entire family, a group of five orphaned children form their own makeshift family while attempting to operate outside the rules of society. Though they must sometimes steal to survive, their loyalty to one another means that they will always have a brother or sister to count on.
What does being a Jew mean nowadays? Emanuel Goldfarb, a Jewish journalist, is asked by the Director of a Jewish community in Germany, to respond to an invitation by a professor to tell his pupils about his life as a Jew living in Germany. This conversation, performed by Goldfarb and the Director of the community, is the only scene of Oliver Hirschbiegel's film « Ein ganz gewohnlicher Jude » presented at the Film and Television Festival of Genève, which was shot outdoors and it's the only moment where something apparently happens.
Nabou, an Afro-German slacker, desperatly wants to win back her club kid ex-girlfriend Katja. Nabou becomes a housekeeper for Katja's neighbor, Kim, who is a workaholic that is striving to become a partner in an advertising agency. A refreshing romantic comedy with the ingredients of a classic lesbian feature: whimsical sexiness, mistaken identity, and general madness and mayhem.
Mrs Bartolotti doesn’t really like children. She is therefore completely taken aback when she receives a son in the post: Konrad. Konrad is actually delivered in a tin! He is dreadfully tidy and almost perfect and Mrs Bartolotti is very chaotic. She actually becomes so fond of him, however, that she never wants to let go of him again, even if the weird people from the tin factory are already looking for him...
