Doris Schade

The Wild Chicks are slowly growing out of their youthful gang years and have to face the worries of growing up on the sidelines of a big class trip before graduation.

Five teenage girls navigate the twists and turns of their complicated emotional lives, and learn the secrets of the heart through their friendship.

The relationship between journalist Nina and her mother Eva has always been tense. One day Nina is supposed to be interviewing Richard Gere in Budapest. Her friend Flora and her mother Eva accompany her there. Flora succeeds in defusing the tensions between mother and daughter. Then Eva is suddenly admitted to the hospital. Nina's visit to her mother's sickbed is moving for both women.

Sprotte is about 12 years old and has a "gang" with her three friends Frieda, Melanie and Trude. Together the girls take Care of Sprottes grandmothers chickens. The new girl in School, Wilma, wishes to join the group, which Melanie is very unhappy about, and on top of all of that they have an on going revalisasion with a group of boys. Sprottes grandmother is planning on slaughtering the chickens! Will the Wild Chicks put Down their war with the boys? And Will they be able to save the chicken?

When Ruth's husband dies in New York, in 2000, she imposes strict Jewish mourning, which puzzles her children. A stranger comes to the house - Ruth's cousin - with a picture of Ruth, age 8, in Berlin, with a woman the cousin says helped Ruth escape. Hannah, Ruth's daughter engaged to a gentile, goes to Berlin to find the woman, Lena Fisher, now 90. Posing as a journalist investigating intermarriage, Hannah interviews Lena who tells the story of a week in 1943 when the Jewish husbands of Aryan women were detained in a building on Rosenstrasse. The women gather daily for word of their husbands. The film goes back and forth to tell Ruth and Lena's story. How will it affect Hannah?

The history of a family, in the film business now for three generations, behind and in front of the camera. The film is not only a foray through the history of this remarkable family, but also through the history of German film and contemporary history as well.

The famous Nazi-Doctor Dr. Josef Mengele - the "death angel of Auschwitz", who killed more than 300.000 people - comes back from his hide out in Argentina to Germany as a 87 year old man. He must stand up in front of a court for his crimes. The young solicitor Peter Rohm has to defend him. But Peter Rohm - himself an expert on Josef Mengele and his crimes - feels unable to do this. When he decides to take on the case he endangers not only the relationship to his wife but also their lifes. A fictional story around the non-fictional person of Josef Mengele who died in 1979.

Выросшая в семье глухих, Лара всегда была единственным звеном, соединяющим её отца и мать с окружающим миром. Но однажды в её жизнь пришла музыка. Волшебная сила прекрасных звуков заворожила девушку и завладела её сердцем. Теперь Лара должна сделать единственный выбор между милым домом и несуществующим для её родителей совершенным миром музыки.

By 1941, Adolf Hitler had taken personal command of the German military apparatus. His initial successes made this seem like a good idea at the time, but by 1944, after an unparalleled series of military defeats that Hitler refused even to acknowledge, a group of high-ranking military and political figures in Germany decided to assassinate him and take over the government. Unfortunately for them, their assassination attempt failed, and the knives were out to find all the people involved in the attempt. The most wanted person in the coup was Carl Goerdeler (Dieter Schaad), a respected figure in German public life for many decades. Twenty years earlier, a girl by the name of Helene Schwärzel (Katherina Thalbach) met Goerdeler. After the coup attempt, during the nationwide manhunt, Helene recognized him and notified the authorities. In addition to receiving a huge reward, she became the focus of a nationwide propaganda campaign, and was widely resented for her "success."

Documentary about the shooting of BOURBON STREET BLUES.

Polish socialist and Marxist Rosa Luxemburg works tirelessly in the service of revolution in early 20th century Poland and Germany. While Luxemburg campaigns for her beliefs, she is repeatedly imprisoned as she forms the Spartacist League offering a new vision for Germany.

Olga and Ruth become friends. Olga is independent, separated from her husband, living with an immigrant pianist, and teaching feminist literature. Ruth is withdrawn, a painter, possibly mentally ill. Ruth dreams in black and white, sometimes of her suicide. Olga lectures on a 19th-century writer, von Günderrode, a suicide after the breakup of her intense friendship with Bettina Brentano. Ruth's husband Franz encourages the women's friendship, then, as Olga draws Ruth out and the friendship deepens, he becomes jealous. After the women travel to Egypt, Franz has a tirade. Ruth seems crushed between her husband and her friend, and how she responds is the film's climax.

Возвращаясь поздним вечером домой спортивный журналист Роберт Крон видит мокнущую под проливным дождем даму и любезно приглашает ее под зонтик. Роберта сразу заинтриговывает, как такая красивая и богатая женщина могла оказаться одна в безлюдном парке, а знаменитую кинозвезду Веронику Фосс располагает к незнакомцу то, что он совершенно не интересуется кино и даже не узнает ее. А главное — что его доброжетальное отношение к ней не сменяется на заискивание после того, как он понимает, что перед ним — кумир многих тысяч зрителей. Их отношения завязываются все теснее, однако Роберт замечает, что и без того экзальтированная звезда словно не принадлежит себе, а иногда впадает в странные приступы, напоминающие абстиненцию…

Это хроники жизни двух немецких сестер, чей характер действительно определяет их судьбу. Марианна, ставшая радикалкой в результате событий середины 1970-х годов, присоединяется к ячейке террористов и просит сестру Джулиану забрать ее четырехлетнего сына. Из-за обязательств перед своим любовником Вольфгангом и карьеры писательницы, Джулиана, поколебавшись, отказывает, и ее решение вызывает ужасные последствия: Бывший муж Марианны убивает себя, и мальчика отдают на воспитание государству. Когда железная Марианна позже заявляется с двумя своими товарищами, она не только использует Джулианну в своих целях, но и унижает, издеваясь над ее стилем жизни и активизмом в свободное время. Тогда как Джулиана борется с правительством в печати, военизированная Марианна совершает вооруженные теракты, включая ограбления банков. Позже, когда Марианна загадочно умирает в тюрьме, Джулиану переполняет чувство вины, и она начинает доказывать, что ее сестру официально заставили замолчать.

An adaptation of Tennessee Williams' "The Lady Larkspur Lotion" created by Douglas Sirk with the assistance of his film students and Rainer Werner Fassbinder. It depicts the conflict between a dreamy, delusional heroine and her brusque, practical landlady, who wants to kick her out of her apartment.

The main characters in this film are wives of rich men who have nothing to do because they have staff – like the cook, the maid, the hairdresser, the manicurist, the governess, the teacher, the tailor etc. – who work for them. Naturally, the wives themselves do not pursue careers, they depend on their husbands’ money. This is why most of their thoughts revolve around the husband. And because the husband only appears as “the” man, there is no man in this film. All women fight for the same man. Those who have one, want to keep him no matter what. And those who do not have one yet only have one goal: To take away somebody else’s husband.

The main characters in this film are wives of rich men who have nothing to do because they have staff – like the cook, the maid, the hairdresser, the manicurist, the governess, the teacher, the tailor etc. – who work for them. Naturally, the wives themselves do not pursue careers, they depend on their husbands’ money. This is why most of their thoughts revolve around the husband. And because the husband only appears as “the” man, there is no man in this film. All women fight for the same man. Those who have one, want to keep him no matter what. And those who do not have one yet only have one goal: To take away somebody else’s husband.

"The ancestors heritage" - The Ahnenerbe was a scientific institute in the Third Reich dedicated to research the archaeological and cultural history of the Aryan Race. The films deals with trials against the guilty ones of this part of the Holocaust.