Simon Rattle

Krystian Zimerman joined forces with Sir Simon Rattle and the London Symphony Orchestra last December in Beethoven’s five piano concertos. Their spellbinding performances, streamed on DG Stage from LSO St Luke’s and recorded live by Deutsche Grammophon, harvested a bumper crop of critical superlatives.

A compilation of Sir Simon Rattle's finest performances from the BBC archive that features his work at the BBC Proms as well as his love of contemporary music.

Underestimated by his contemporaries, but today acclaimed as one of the greatest and imaginative composers of his time. Anton Bruckner was a genius of tones. Such great conductors like Kent Nagano, Valery Gergiev and Simon Rattle let the composer comes alive in the documentary „Anton Bruckner – The Making of a Giant“ telling the ups and downs of life through his music.

This film captures Rattle's very first performance as Music Director; a programme in which British composers took centre-stage. The world-premiere of Helen Grime's Fanfares, which became the first movement of the work Woven Space, opened the concert before violinist Christian Tetzlaff took to the stage to perform the concerto written for him in 2010 by Harrison Birtwistle. Two more works close to Rattle's heart followed: Thomas Adès' Asyla and the pocket-sized Symphony No 3 by the late Oliver Knussen. Finally, Rattle's stunning interpretation of the Enigma Variations brought the concert to a close and then the audience to its feet, filling the Barbican Hall with rapturous applause.

Staatsoper Berlin’s new production of Rameau’s tragédie lyrique, directed by Alletta Collins; featuring costumes, sets and lighting designed by Ólafur Eliasson; and musical direction by Simon Rattle, who makes his debut with the Freiburg Baroque Orchestra.

There is hardly a better way to approach Ludwig van Beethoven than through his piano concertos. Beethoven’s own instrument was the piano, and in his improvisations – which made him the darling of the Viennese salons – he merged virtuosity and unbridled expression. The piano concertos give a clear idea of these performances. At the same time, they are prime examples of Beethoven’s ability to create large orchestral works with seemingly endless arcs of tension. The complete recording of all five works with Mitsuko Uchida and Sir Simon Rattle was one of the most spectacular projects of the Berliner Philharmoniker during the Rattle era – and at the same time the highlight of the collaboration between the orchestra and the pianist, which began in 1984.

Sir Simon Rattle and the LSO are joined by revered French pianist Pierre-Laurent Aimard in a concert film that brings together music by Anton Bruckner and Olivier Messiaen: two composers as united in their devotion to the Catholic faith as they are divergent in their approaches to writing music.

The annual New Year’s Eve Concert is one of the highlights in the calendar of every classical music fan in Berlin and beyond. On New Year‘s Eve, the Berliner Philharmoniker invite an exceptional soloist for a festive gala. Together, the musicians bid farewell to the old year and welcome the new. The 2017 concert was conducted by Simon Rattle and featured Joyce DiDonato (mezzo-soprano). On the programme: Antonín Dvořák:Carnival: Overture, Op. 92 , Igor Strawinsky Apollon Musagète. No. 8, Pas de deux 5:03, Richard Strauss: Zueignung Op. 10, No. 1; Wiegenlied Op. 41, No. 1; Muttertändelei Op. 43, No. 2; Morgen Op. 27, No. 4; Die heiligen drei Könige aus Morgenland Op. 56k, No. 6, Leonard Bernstein: Three dance episodes from "On the town“, Take Care of this House from "1600 Pennsylvania Avenue", Dmitri Shostakovich: Suite from The Golden Age, Op. 22a, Antonín Dvořák: Slavonic Dance Op. 72, No. 2, Johannes Brahms: Hungarian Dance No 1 in G minor.

The annual New Year’s Eve Concert is one of the highlights in the calendar of every classical music fan in Berlin and beyond. On New Year‘s Eve, the Berliner Philharmoniker invite an exceptional soloist for a festive gala. Together, the musicians bid farewell to the old year and welcome the new. The 2017 concert was conducted by Simon Rattle and featured Joyce DiDonato (mezzo-soprano). On the programme: Antonín Dvořák:Carnival: Overture, Op. 92 , Igor Strawinsky Apollon Musagète. No. 8, Pas de deux 5:03, Richard Strauss: Zueignung Op. 10, No. 1; Wiegenlied Op. 41, No. 1; Muttertändelei Op. 43, No. 2; Morgen Op. 27, No. 4; Die heiligen drei Könige aus Morgenland Op. 56k, No. 6, Leonard Bernstein: Three dance episodes from "On the town“, Take Care of this House from "1600 Pennsylvania Avenue", Dmitri Shostakovich: Suite from The Golden Age, Op. 22a, Antonín Dvořák: Slavonic Dance Op. 72, No. 2, Johannes Brahms: Hungarian Dance No 1 in G minor.

Sir Simon Rattle is joined by virtuosic soprano Barbara Hannigan for a modernist programme that showcases the immense capabilities of the London Symphony Orchestra. At the heart of this concert is The Rite of Spring. Once decried, it is now a cornerstone of orchestral repertoire and considered by many to be the greatest work of the 20th century. Its elemental nature is best summed up by Stravinsky, who, in an unaccustomed moment of humilty, said that he didn’t feel he was the composer of the piece, but simply the vessel through which it passsed. Sir Simon Rattle says: ‘I’ve been conduting it since I was 19...it’s one of those pieces that reminds you what the shock of the new is about and it’s still one of the great challenges and one of the great thrills to perform.’

Recorded in January 2016, this beautiful programme of French music was chosen by Music Director Designate Sir Simon Rattle and features world class soloists Leonidas Kavakos and Julia Bullock.

Sir Simon Rattle, the Berliner Philharmoniker and the Rundfunkchor Berlin give an impeccable performance of the powerful biblical oratorio “The Gospel According to the Other Mary” by John Adams, one of the most renowned contemporary composers. The sophisticated score with a libretto by acclaimed theatre director Peter Sellars comes to life thanks to the Berliner Philharmoniker, whose intimate knowledge of Adams’s music stems from the composer himself: He attended the orchestra’s rehearsals. In the role of the Evangelist, Bubeck, Cummings and Medley lead through the narrative. A stunning highlight is Lazarus’s aria, sung by tenor Peter Hoare. But at the heart of the piece are Mary Magdalene and her sister Martha during the last days before Jesus’s death, impressively performed by mezzo-sopranos Kelley O’Connor and Tamara Mumford.

The annual New Year’s Eve Concert is one of the highlights in the calendar of every classical music fan in Berlin and beyond. On New Year‘s Eve, the Berliner Philharmoniker invite an exceptional soloist for a festive gala. Together, the musicians bid farewell to the old year and welcome the new. The 2016 concert was conducted by Simon Rattle and featured Daniil Trifonov on piano. On the programme: Dimitri Kabalewsky: Overture Colas Breugnon, Op.90, Sergei Rachmaninoff: Piano Concerto No. 3 in D minor, Op. 30, Nikolai Medtner: Fairy Tale F minor, Op. 26/3, William Walton: Orchestral Pieces from Façade arranged in form of a suite by Sir Simon Rattle, Antonín Dvořák: Slavonic Dances, Dimitri Kabalewsky: The Comedians, Op. 26: Galop, Johannes Brahms: Hungarian Dance No. in 1 G-Minor.

The annual New Year’s Eve Concert is one of the highlights in the calendar of every classical music fan in Berlin and beyond. On New Year‘s Eve, the Berliner Philharmoniker invite an exceptional soloist for a festive gala. Together, the musicians bid farewell to the old year and welcome the new. The 2016 concert was conducted by Simon Rattle and featured Daniil Trifonov on piano. On the programme: Dimitri Kabalewsky: Overture Colas Breugnon, Op.90, Sergei Rachmaninoff: Piano Concerto No. 3 in D minor, Op. 30, Nikolai Medtner: Fairy Tale F minor, Op. 26/3, William Walton: Orchestral Pieces from Façade arranged in form of a suite by Sir Simon Rattle, Antonín Dvořák: Slavonic Dances, Dimitri Kabalewsky: The Comedians, Op. 26: Galop, Johannes Brahms: Hungarian Dance No. in 1 G-Minor.

Met audiences were fascinated by Mariusz Treliński’s gripping, visionary production of Wagner’s epic opera. In the daunting title roles of the doomed lovers, Nina Stemme and Stuart Skelton are passionate, overwhelming, and heartbreaking as they battle every obstacle that separates them from their true destiny. René Pape is King Marke, betrayed not only by Isolde but by Tristan, the man he most trusts and loves like a son. With Ekaterina Gubanova as Isolde’s confidante Brangäne and Evgeny Nikitin as Kurwenal, Tristan’s loyal lieutenant. Simon Rattle conducts a surging, shimmering account of Wagner’s monumental score.

Recordings of all the Beethoven symphonies with their chief conductor are always a milestone in the artistic work of the Berliner Philharmoniker. So it was with Herbert von Karajan and Claudio Abbado, and expectations are correspondingly high for this cycle conducted by Sir Simon Rattle. Where does the special status of these symphonies come from? Simon Rattle has an explanation: “One of the things Beethoven does is to give you a mirror into yourself – where you are now as a musician.” In fact, this music contains such a wealth of extreme emotions and brilliant compositional ideas that reveal the qualities of the orchestra and its conductor as if under a magnifying glass.

The annual New Year’s Eve Concert is one of the highlights in the calendar of every classical music fan in Berlin and beyond. On New Year‘s Eve, the Berliner Philharmoniker invite an exceptional soloist for a festive gala. Together, the musicians bid farewell to the old year and welcome the new. The 2015 concert was conducted by Simon Rattle and featured Anne-Sophie Mutter (violin). On the programme: Emmanuel Chabrier: Overture to L'Étoile, Camille Saint-Saëns: Introduction et Rondo capriccioso for violin and orchestra in A minor, Jules Massenet: Pieces for orchestra from Le Cid (Suite), Maurice Ravel: Tzigane, Francis Poulenc: Les Biches, Ballet Suite, Maurice Ravel: La Valse, Johannes Brahms: Hungarian Dance No. 1.

The annual New Year’s Eve Concert is one of the highlights in the calendar of every classical music fan in Berlin and beyond. On New Year‘s Eve, the Berliner Philharmoniker invite an exceptional soloist for a festive gala. Together, the musicians bid farewell to the old year and welcome the new. The 2015 concert was conducted by Simon Rattle and featured Anne-Sophie Mutter (violin). On the programme: Emmanuel Chabrier: Overture to L'Étoile, Camille Saint-Saëns: Introduction et Rondo capriccioso for violin and orchestra in A minor, Jules Massenet: Pieces for orchestra from Le Cid (Suite), Maurice Ravel: Tzigane, Francis Poulenc: Les Biches, Ballet Suite, Maurice Ravel: La Valse, Johannes Brahms: Hungarian Dance No. 1.

The Waldbühne in Berlin, one of the most appealing outdoor amphitheatres on the European continent, is the home of the Berliner Philharmoniker’s summer concerts. With over 20.000 in attendance, they are some of the most popular classical music concerts in the world. In 2015 the Berliner Philharmoniker surrounded themselves with plenty of celebrities, including not only conductor Sir Simon Rattle, but also many figures from film history: Indiana Jones, Robin Hood, Ben Hur and many more. They were all brought to life musically when the orchestra performed some of Hollywood’s most famous film music. With film music from Star Wars, Indiana Jones, E.T. composed by John Williams. Live from the Waldbühne Berlin, 2015.

The annual New Year’s Eve Concert is one of the highlights in the calendar of every classical music fan in Berlin and beyond. On New Year‘s Eve, the Berliner Philharmoniker invite an exceptional soloist for a festive gala. Together, the musicians bid farewell to the old year and welcome the new. The 2014 concert was conducted by Simon Rattle and featured Menahem Pressler. On the programme: Jean-Philippe Rameau: Suite from Les Indes galantes, Wolfgang Amadeus Mozart: Piano Concerto in A major K. 488, Frédéric Chopin: Nocturne in C-sharp minor Op. 27 No.1, Antonín Dvořák: Slavonic Dance in E minor Op. 46 No. 2 & Op. 72 No. 7, Zoltán Kodály: Háry János Suite, Johannes Brahms: Hungarian Dance No. 1 in G minor, Aram Khatchaturian: Gayaneh: Suite No. 1 Lezginka (Bonus: The Life I Love – The pianist Menahem Pressler).

The annual New Year’s Eve Concert is one of the highlights in the calendar of every classical music fan in Berlin and beyond. On New Year‘s Eve, the Berliner Philharmoniker invite an exceptional soloist for a festive gala. Together, the musicians bid farewell to the old year and welcome the new. The 2014 concert was conducted by Simon Rattle and featured Menahem Pressler. On the programme: Jean-Philippe Rameau: Suite from Les Indes galantes, Wolfgang Amadeus Mozart: Piano Concerto in A major K. 488, Frédéric Chopin: Nocturne in C-sharp minor Op. 27 No.1, Antonín Dvořák: Slavonic Dance in E minor Op. 46 No. 2 & Op. 72 No. 7, Zoltán Kodály: Háry János Suite, Johannes Brahms: Hungarian Dance No. 1 in G minor, Aram Khatchaturian: Gayaneh: Suite No. 1 Lezginka (Bonus: The Life I Love – The pianist Menahem Pressler).

Over twenty-five years after his death in July 1989, the controversial Austrian conductor Herbert von Karajan remains an enigma. He was the most successful conductor in the history of classical music. Many of his recordings - of Italian opera, of Wagner and Richard Strauss, of Sibelius, Beethoven and Brahms - are treasured by music lovers around the world. Yet, even at the peak of his fame, his performances were variously criticised for being too opulent, too manicured, lacking warmth or spiritual depth. This musical profile explores the many paradoxes in the life and music of this controversial figure, who forged his international reputation in London with the Philharmonia Orchestra shortly after the end of the Second World War and went on to reign supreme in the classical music world during his three decades with the Berlin Philharmonic. The film also examines Karajan's belief in the visual power of music, and his determination to leave behind a substantial legacy of music on film.

The film follows Canadian singer, conductor and actress Barbara Hannigan backstage in an attempt to reveal the secret behind this wild, fearless and remarkably versatile woman.

Johann Sebastian Bach’s St John Passion with the Berliner Philharmoniker and Sir Simon Rattle was one of the outstanding events of the past season. As before with the St Matthew Passion, star director Peter Sellars succeeded in creating a staging which made the spiritual and dramatic content of the Passion story even more intensive. The New York Times also praised the “brilliant and energetic” playing of the orchestra, the Frankfurter Allgemeine Zeitung the “haunting, almost unsurpassable singing of all those involved.”

An arresting and star-studded production of Mozart’s Singspiel nonpareil: in the 2013 Baden-Baden Easter Festival, a group of outstanding soloists joined Sir Simon Rattle and the Berliner Philharmoniker for Die Zauberflöte in an attractive and naturalistic staging by Robert Carsen.

The New Year’s Gala Concert is a tradition for the Berliner Philharmoniker and its music director, Sir Simon Rattle. This 2011 concert, Dances and Dreams, has a theme of dances (two Dvorak Slavonic Dances, Stravinksy’s Firebird Suite, Grieg’s Symphonic Dance, Richard Strauss’s Dance of the Seven Veils, and Brahms’ Hungarian Dance No. 1) and dreams (Ravel’s Alborado del Gracisoso and the famous Grieg Piano Concerto in A minor). This generous mix of romantic and impressionistic music shows off the magnificent Berlin ensemble at its best. It is also great to see star pianist Evgeny Kissin at the keyboards.

Известный кинорежиссер Бойл поведал, что во время работы над проектом церемонии открытия его вдохновляла известная пьеса «Буря» Уильяма Шекспира. На стадионе Олимпиады во время церемонии открытия будет «звучать гигантский колокол», сообщил режиссёр Бойл. Сам крупный колокол сделан по специальному заказу. Режиссер таких фильмов как «На игле» и «Миллионер из трущоб» дал признание , что перед ним стояла очень сложная задача после прошедших церемоний торжественного открытия и закрытия Олимпийских Игр-2008 в Пекине.

The annual New Year’s Eve Concert is one of the highlights in the calendar of every classical music fan in Berlin and beyond. On New Year‘s Eve, the Berliner Philharmoniker invite an exceptional soloist for a festive gala. Together, the musicians bid farewell to the old year and welcome the new. The 2011 concert was conducted by Simon Rattle and featured Evgeny Kissin on piano. On the programme: Antonín Dvořák: Slavonic Dance No. 1, Op. 46 in C Major, Edvard Grieg: Symphonic Dance No. 2, Op. 64, Edvard Grieg: Piano Concerto in A minor, Op. 16, Maurice Ravel: Alborada del gracioso, Richard Strauss: Salome’s dance from “Salome”, Igor Stravinsky: The Firebird, Johannes Brahms: Hungarian Dance No. 1 in G minor, Antonín Dvořák: Slavonic Dance No. 7, Op. 72 in C Major.

The annual New Year’s Eve Concert is one of the highlights in the calendar of every classical music fan in Berlin and beyond. On New Year‘s Eve, the Berliner Philharmoniker invite an exceptional soloist for a festive gala. Together, the musicians bid farewell to the old year and welcome the new. The 2011 concert was conducted by Simon Rattle and featured Evgeny Kissin on piano. On the programme: Antonín Dvořák: Slavonic Dance No. 1, Op. 46 in C Major, Edvard Grieg: Symphonic Dance No. 2, Op. 64, Edvard Grieg: Piano Concerto in A minor, Op. 16, Maurice Ravel: Alborada del gracioso, Richard Strauss: Salome’s dance from “Salome”, Igor Stravinsky: The Firebird, Johannes Brahms: Hungarian Dance No. 1 in G minor, Antonín Dvořák: Slavonic Dance No. 7, Op. 72 in C Major.

Recorded live at Esplanade – Theatres on the Bay, Singapore, 22 & 23 November 2010 The orchestra presents Mahler's unique and breathtaking First Symphony and Rachmaninov's late Symphonic Dances. The Philharmonic's beautiful rendering of Mahler's homage to nature and Rachmaninov's nostalgic ode to Russia is taken to a new level in this 3D recording using state-of-the-art video and audio technology. Join Sir Simon Rattle and the Berliner Philharmoniker on a musical journey that takes the concert experience to a breathtaking new level a feast for eyes and ears in 3D!

Rodrigo / Chabrier / Rachmaninov / Cañizares / Berliner Philharmoniker / Sir Simon Rattle

Sir Simon Rattle was in no doubt: the performance of the St Matthew Passion which he realised together with the Berliner Philharmoniker and the Rundfunkchor Berlin in 2010 was for him “the single most important thing we ever did here”. Critics around the world agreed. They praised the semi-staged “ritualization” by American star-director Peter Sellars, as well as the outstanding musical performances by the soloists, including Magdalena Kožená, Christian Gerhaher, Thomas Quasthoff and Mark Padmore as the Evangelist.

The annual New Year’s Eve Concert is one of the highlights in the calendar of every classical music fan in Berlin and beyond. On New Year‘s Eve, the Berliner Philharmoniker invite an exceptional soloist for a festive gala. Together, the musicians bid farewell to the old year and welcome the new. The 2009 concert was conducted by Simon Rattle and featured Lang Lang (piano). On the programme: Sergej Rachmaninov: Piano Concerto No. 2, Op. 18, Frédéric Chopin: Etude, Op. 25, No. 1, Pyotr Tchaikovsky: “The Nutcracker”, op. 71.

The annual New Year’s Eve Concert is one of the highlights in the calendar of every classical music fan in Berlin and beyond. On New Year‘s Eve, the Berliner Philharmoniker invite an exceptional soloist for a festive gala. Together, the musicians bid farewell to the old year and welcome the new. The 2009 concert was conducted by Simon Rattle and featured Lang Lang (piano). On the programme: Sergej Rachmaninov: Piano Concerto No. 2, Op. 18, Frédéric Chopin: Etude, Op. 25, No. 1, Pyotr Tchaikovsky: “The Nutcracker”, op. 71.

With a career that includes a 35-year tenure as composer of the Berlin Philharmonic and record sales topping 200 million, Herbert von Karajan is one of the most legendary figures in 20th-century classical music. Comprised of archival footage, performance highlights and interviews with the likes of Anne-Sophie Mutter, Christa Ludwig and Seiji Ozawa, this retrospective chronicles the life and times of the iconic Austrian maestro.

The Berliner Philharmoniker’s European Concert, held each year on 1 May, is invariably an international highlight. Performing in 2008 in Moscow's renowned Tchaikovsky Conservatory, the orchestra under Sir Simon Rattle presented outstanding performances of works by Beethoven, Stravinsky and Bruch, whose Violin Concerto featured one of today’s most fascinating artists, the Russian violinist Vadim Repin. Repertoire Stravinsky: Symphony in Three Movements; Bruch: Concerto for Violin No.1, op.26; Beethoven: Symphony No.7 in A major, op. 92 Vadim Repin Sir Simon Rattle Berliner Philharmoniker Sir Simon Rattle

Every year, the Berliner Philharmoniker hold a kind of classical-music fête with a bright, cheerful concert to end the season. In 2009 about 22,000 people had come together at the Berlin Waldbühne to enjoy the traditional summer picnic concert. The theme of the evening was “Russian rhythms”, and star conductor Sir Simon Rattle, the Berliner Philharmoniker and Yefim Bronfman, one of the most famous pianists in the world today, presented a superb selection of Russian music. Repertoire Tchaikovsky: The Nutcracker, op. 71, Overture, The Christmas Tree, March, Pas de deux (Intrada) Rachmaninoff: Piano Concerto No.3 in D minor, op. 30 Stravinsky: Le Sacre du printemps Lincke: Berliner Luft

The annual New Year’s Eve Concert is one of the highlights in the calendar of every classical music fan in Berlin and beyond. On New Year‘s Eve, the Berliner Philharmoniker invite an exceptional soloist for a festive gala. Together, the musicians bid farewell to the old year and welcome the new. The 2008 concert was conducted by Simon Rattle and featured Pauline Malefane (soprano), Thomas Quasthoff (bass-baritone). On the programme: George Gershwin: Cuban Overture, Samuel Barber: Adagio for Strings, op. 11 , Aaron Copland: Old American Songs, John Adams: Short Ride in a Fast Machine, George Gershwin: Porgy and Bess (Excerpts), George Gershwin: An American in Paris, Jerome Kern: Show Boat (Ol' Man River).

The annual New Year’s Eve Concert is one of the highlights in the calendar of every classical music fan in Berlin and beyond. On New Year‘s Eve, the Berliner Philharmoniker invite an exceptional soloist for a festive gala. Together, the musicians bid farewell to the old year and welcome the new. The 2008 concert was conducted by Simon Rattle and featured Pauline Malefane (soprano), Thomas Quasthoff (bass-baritone). On the programme: George Gershwin: Cuban Overture, Samuel Barber: Adagio for Strings, op. 11 , Aaron Copland: Old American Songs, John Adams: Short Ride in a Fast Machine, George Gershwin: Porgy and Bess (Excerpts), George Gershwin: An American in Paris, Jerome Kern: Show Boat (Ol' Man River).

Simon Rattle conducts the Berliner Philharmoniker in Stepháne Braunschweig's production of Richard Wagner's Die Walküre. A Festival d'Aix-en-Provence 2007 production, in coproduction with Osterfestspiele Salzburg. Directed for HDTV and video by Don Kent.

Russian-born composer Sofia Gubaidulina entered the international spotlight at a relatively late age, when the 49-year-old came forward with her premier violin concerto, "Offertorium," in 1980. Gubaidulina authored that piece for Gideon Kremer. Curiously, it would be another 12 years before Gubaidulina received a commission (from Paul Sacher) to author her second violin concerto, and another 15 years after that until the notes fell on ears ripe with anticipation. For the debut of the "Second Violin Concerto," Gubaidulina insisted that no one other than German violin virtuoso Anne-Sophie Mutter perform it. That Mutter performance from August 2007 appears, in its entirety, in this classical concert film. Jan Schmidt-Garre directs.

Journey with the musicians of the Berlin Philharmonic and their conductor Sir Simon Rattle on a breakneck concert tour of six metropolises across Asia: Beijing, Seoul, Shanghai, Hong Kong, Taipei and Tokyo. Their artistic triumph onstage belies a dynamic and dramatic life backstage. The orchestra is a closed society that observes its own laws and traditions, and in the words of one of its musicians is, “an island, a democratic microcosm – almost without precedent in the music world - whose social structure and cohesion is not only founded on a common love for music but also informed by competition, compulsion and the pressure to perform to a high pitch of excellence... .” Never before has the Berlin Philharmonic allowed such intimate and exclusive access into its private world.

The annual New Year’s Eve Concert is one of the highlights in the calendar of every classical music fan in Berlin and beyond. On New Year‘s Eve, the Berliner Philharmoniker invite an exceptional soloist for a festive gala. Together, the musicians bid farewell to the old year and welcome the new. The 2007 concert was conducted by Simon Rattle. On the programme: Alexander Borodin: Polovtsian Dances from the Opera "Prince Igor", Symphony No. 2 in B Minor, Modest Mussorgsky: Introduction to the opera "Khovantchina", Pictures at an Exhibition, Dmitri Shostakovich: Dance from “The Golden Age“, Ballet Suite, Op. 22.

The annual New Year’s Eve Concert is one of the highlights in the calendar of every classical music fan in Berlin and beyond. On New Year‘s Eve, the Berliner Philharmoniker invite an exceptional soloist for a festive gala. Together, the musicians bid farewell to the old year and welcome the new. The 2007 concert was conducted by Simon Rattle. On the programme: Alexander Borodin: Polovtsian Dances from the Opera "Prince Igor", Symphony No. 2 in B Minor, Modest Mussorgsky: Introduction to the opera "Khovantchina", Pictures at an Exhibition, Dmitri Shostakovich: Dance from “The Golden Age“, Ballet Suite, Op. 22.

The captivating story of the Venezuelan Youth Orchestra System - an incredible network of hundreds of orchestras formed within most of Venezuela’s towns and villages. Once a modest program designed to expose rural children to the wonders of music, the system has become one of the most important and beautiful music phenomena in modern history. To Play and To Fight presents interviews and performances by many of the world’s most renowned musicians including the great tenor Placido Domingo, Claudio Abbado, Sir Simon Rattle, Guiseppe Sinopoli, and Eduardo Mata, as they reflect on the impact of such a far-reaching social project. The documentary also presents the inspirational stories of world class musicians who have been trained by the Venezuelan system, including The Berlin Philharmonic’s youngest player Edicson Ruiz and world class conductor Gustavo Dudamel.

Жестокий, никогда не знавший любви, сирота Жан-Батист Гренуй настоящих успехов достиг лишь на одном поприще — среди парфюмеров ему никогда не было равных. По его духам сходит с ума весь высший свет, не подозревая о том, какой страшной ценой будет получен последний, идеальный аромат.

The annual New Year’s Eve Concert is one of the highlights in the calendar of every classical music fan in Berlin and beyond. On New Year‘s Eve, the Berliner Philharmoniker invite an exceptional soloist for a festive gala. Together, the musicians bid farewell to the old year and welcome the new. The 2004 concert was conducted by Simon Rattle and featured Sally Matthews (soprano), Lawrence Brownlee (tenor), Christian Gerhaher (baritone), Rundfunkchor Berlin, Knabenchor des Staats- und Domchores Berlin. On the programme: Ludwig van Beethoven: Leonore - Overture, Carl Orff: Carmina Burana.

The annual New Year’s Eve Concert is one of the highlights in the calendar of every classical music fan in Berlin and beyond. On New Year‘s Eve, the Berliner Philharmoniker invite an exceptional soloist for a festive gala. Together, the musicians bid farewell to the old year and welcome the new. The 2004 concert was conducted by Simon Rattle and featured Sally Matthews (soprano), Lawrence Brownlee (tenor), Christian Gerhaher (baritone), Rundfunkchor Berlin, Knabenchor des Staats- und Domchores Berlin. On the programme: Ludwig van Beethoven: Leonore - Overture, Carl Orff: Carmina Burana.

RHYTHM IS IT! records the first big educational project of the Berlin Philharmonic Orchestra under Sir Simon Rattle. The orchestra ventured out of the ivory tower of high culture into boroughs of low life for the sake of 250 youngsters. They had been strangers to classical music, but after arduous but thrilling preparation they danced to Stravinsky's 'Le Sacre du Printemps' ('The Rite of Spring'). Recorded with a breathtaking fidelity of sound, this film from Thomas Grube and Enrique Sánchez Lansch documents the stages of the Sacre project and offers deep insights into the rehearsals of the Berlin Philharmonic Orchestra.

At a spa where talking is forbidden, an emotionally distraught woman finds solace in the company of a kind man and the two of them gradually fall in love.

Sir Simon rattle conducts the Berliner Symphony Orchestra in Mahler's Symphony No. 5 i The video is useful for conveying Simon Rattle's expressive gestures, his fine control of the Berlin Philharmonic, and its precise playing in this his first performance as the orchestra's music director. Ades's Asyla (the plural of "Asylum," used in both its meanings, as a place of refuge and a scene of madness) is available only in the video format, which is sonically quite good and visually striking. It is energetic music, with a lot of percussion, including one piece that looks like a tomato juice can, and one movement that annotator Andrew Porter describes as "a sort of Rite of Spring cum disco." A video interview of Rattle is a fine bonus. --Joe McLellan

The annual New Year’s Eve Concert is one of the highlights in the calendar of every classical music fan in Berlin and beyond. On New Year‘s Eve, the Berliner Philharmoniker invite an exceptional soloist for a festive gala. Together, the musicians bid farewell to the old year and welcome the new. The 2002 concert was conducted by Simon Rattle and featured Wayne Marshall (piano). On the programme: Leonard Bernstein: Wonderful Town.

The annual New Year’s Eve Concert is one of the highlights in the calendar of every classical music fan in Berlin and beyond. On New Year‘s Eve, the Berliner Philharmoniker invite an exceptional soloist for a festive gala. Together, the musicians bid farewell to the old year and welcome the new. The 2002 concert was conducted by Simon Rattle and featured Wayne Marshall (piano). On the programme: Leonard Bernstein: Wonderful Town.

Sir Simon Rattle conducts the National Youth Orchestra of Great Britain and massed choirs in Mahler’s epic Eighth Symphony, the 'Symphony of a Thousand'.

Documents the interpretations of Gustav Mahler's compositions by conductors Bernard Haitink, Riccardo Chailly, Riccardo Muti, Claudio Abbado, and Simon Rattle, who detail the special relationship they have with Mahler's work.

The classic musical by Bernstein, Comden and Green is performed live in concert in Berlin, starring Audra McDonald, Thomas Hampson, Brent Barrett and Kim Criswell, and conducted by Simon Rattle.

Written and presented by Sir Simon Rattle, the foremost British conductor of our day, this series forms a fascinating introduction to, and overview of, the music of the 20th century. Each of the seven programmes features over thirty minutes of specially-shot music in performance, with Rattle conducting the City of Birmingham Symphony Orchestra. Simon Rattle leads viewers on an exhilarating journey through the music of our time, explaining the chief musical developments from Mahler to the present day. Each programme is illustrated with evocative imagery, archive film and photographs and the featured music is set within the broader context of artistic and social change.

A young, newly orphaned woman becomes the target of religious bigots when her individuality marks her as a pariah. This allegorical animated short from Klaas Rusticus explores the struggles of maintaining uniqueness in a world where the voice of the individual must be silenced. The 41-minute short is set to the provocative choral masterpiece "Glagolitic Mass" from composer Leos Janacek and performed by the City of Birmingham Symphony Orchestra.

A documentary by Tony Palmer on English composer Sir William Walton (1902–1983), made shortly before his death. The film includes the only full-length interview ever recorded with Walton. Filmed at his home on Ischia and in Oxford, London & Oldham, it includes contributions from Laurence Olivier, Sacheverell Sitwell and Lady Susana Walton. Specially performed extracts of his music are conducted by Simon Rattle in his first substantial contribution to television when he was in his early 20s, with Simon Preston, Julian Bream, Yvonne Kenny, Yehudi Menuhin, Iona Brown, John Shirley-Quirk, Elgar Howarth & Ralph Kirshbaum, the Philharmonia Orchestra, the Grimethorpe Colliery Band, Christ Church Cathedral Choir, Oxford & Los Paraguayos.

The Waldbühne in Berlin is one of the most appealing outdoor amphitheatres, with over 20.000 in attendance, the annual concert of the Berliner Philharmoniker in the Waldbühne is a highlight of every concert season. In 2007 Sir Simon Rattle conducted a superb selection of symphonic rhapsodies. Pianist Stephen Hough is widely regarded as one of the most important and distinctive pianists of his generation.