Peter Badel

Фильмы

Material
Cinematography
"Pictures from the late eighties in the GDR on up to the immediate present in the year 2008 in Germany. What has been left over besieges my mind. All these pictures keep reassembling themselves to make up something which they were originally not made for. They are still in motion. They are becoming history." (Thomas Heise)
Sag mir, wo die Schönen sind
Cinematography
Im Glück (Neger)
Cinematography
Documentary by Thomas Heise.
Once in a Lifetime: The Extraordinary Story of the New York Cosmos
Director of Photography
In the 1970s the North American Soccer League marked the first attempt to introduce soccer to American sports fans. While most teams had only limited success at best, one managed to break through to genuine mainstream popularity - the New York Cosmos. The brainchild of Steve Ross (Major executive at Warner Communications) and the Ertegun brothers (Founders of Atlantic Records), the Cosmos got off to a rocky start in 1971, but things changed in 1975 when the world's most celebrated soccer star, the Brazilian champion Pele, signed with the Cosmos for a five-million-dollar payday. With the arrival of Pele, the Cosmos became a hit and the players became the toast of the town, earning their own private table at Studio 54. A number of other international soccer stars were soon lured to the Cosmos, including Franz Beckenbauer, Rodney Marsh, and Carlos Alberto, but with the turn of the decade, the team began losing favor with fans and folded in 1985.
Mein Bruder - We'll Meet Again
Cinematography
Thomas Heise, noted documentary filmmaker from the former GDR, takes a trip to France to visit his brother Andreas. His brother lives there in a rather unusual situation.
Vaterland
Cinematography
Documentary by Thomas Heise.
Das Ministerium für Staatssicherheit - Alltag einer Behörde
Cinematography
Neustadt (Stau – Der Stand der Dinge)
Cinematography
Barluschke
Cinematography
The documentary relates how in the second half of the 20th century the agent Berthold Barluschke was first a henchman of the State Security Service of the GDR and then of the West German Federal Intelligence Service.
Зирри - Облачная овечка
Cinematography
Кристина, известная как Шина, живет на Баумштрассе в большом городе, где не растет ни одно дерево. У нее 13 мышей и стрессовые родители, которые счастливы, когда поезд идет к ее бабушке в отпуск. Она живет за городом, водит телегу, запряженную лошадьми, и может стоять на голове. А дедушка - пастух. Сельскую идиллию в маленьком городке нарушает только производитель шнапса, который постоянно курит и водит машину, выхлопные газы которой, как дымоходы завода по производству шнапса, загрязняют воздух черной тучей.
Erster Verlust
Cinematography
Erster Verlust
Writer
Schpergsche Lichtmess - ein Männerfest
Director of Photography
Die Beteiligten
Cinematography
Mit Leib und Seele
Cinematography
Jan Oppen
Director of Photography
Driving School
Director of Photography
In the GDR, purchasing a car was such a difficult process that many families applied for one years in advance. For example, Gisela secretly orders a Wartburg model after the birth of her first child. By the time the vehicle is ready, her daughter is a teenager, and Gisela's husband, who actually prefers walking, has already bought a second Wartburg from a friend in financial trouble. As a result, the couple decides to sign up for driving school together.
The People's Police Force, 1985
Cinematography
Thomas Heise documents the everyday life of the "People's Police Force" in Berlin Mitte.
Die Gänse von Bützow
Director of Photography
The House, 1984
Cinematography
Thomas Heise's documentary portrays the meeting of officials and citizens in the district office of Berlin-Mitte in 1984. The movie uniquely displays how socialist officals and citizens interact.
Ostbahnhof
Cinematography