Thomas Knauf

Фильмы

Als wir die Zukunft waren
Writer
Als wir die Zukunft waren
Director
Die Spur des Bernsteinzimmers
Screenplay
The Architects
Screenplay
The architect Daniel Brenner is in his late thirties when he receives his first challenging and lucrative commission: to design a cultural center for a satellite town in East-Berlin. He accepts the offer under the condition that he gets to choose who he works with. This way, he reunites with former colleagues and friends - most of them architects or students of architecture who have since chosen a different profession due to personal restraint or economic confinement. Together, they develop a concept which they hope will be more appealing to the public than the conventional and dull constructions common to the German Democratic Republic. However, their ambitious plans are once and again foiled by their conservative supervisors. As frustration grows, Daniel has trouble keeping his career in balance with his family-life: his wife Wanda wants to leave for West-Germany.
Reunion in Travers
Writer
The time is the French Revolution; the place is the village of Travers, ensconsed in neutral Switzerland. Prussian aesthete Herman Beyer is on the verge of divorcing wife Corinna Harfouch. Radical writer Uwe Kokisch, Corinna's lover, hopes to find a way of smoothing out animosities. What follows, however, is a nonstop drinking binge. The film subliminally addresses the then-prevalent issue of a divided Germany. Whether or not it succeeds is unimportant; Treffen in Travers (Reunion in Travers) has proven to be a crowd pleaser wherever it has been shown.
Vorspiel
Writer
Tom, a 17-year-old window design apprentice, dreams about true love. One day, a new girl from East Berlin moves to town. Tom has a crush on her and will do anything to impress her. When he finds out that she plans to become an actress, he even discovers the aspiration to perform himself. For a while, Tom is on cloud 9.
Rabenvater
Mann im hellen Anzug
Two years ago, cinema poster painter Jonathan had agreed in his divorce to leave the sole custody for his son David to David′s mother Ruth. But at the boy′s ninth birthday, Jonathan all of a sudden returns to their house. In the meantime, Ruth has found a new Partner, Franz, whom David has accepted as his surrogate father. Although everybody tries to solve the new situation with a lot of tolerance, Franz and Jonathan become rivals. But this rivalry comes to an end when David has an accident. Now, the boy is allowed to visit his father Jonathan on the weekend whenever he wants to. But before that, David goes on one last adventure: On a trip to a vacation camp, Jonathan "kidnaps" his son to spend several days hitchhiking alone with his son. Then, he gets him back to the vacation camp.
Rabenvater
Writer
Two years ago, cinema poster painter Jonathan had agreed in his divorce to leave the sole custody for his son David to David′s mother Ruth. But at the boy′s ninth birthday, Jonathan all of a sudden returns to their house. In the meantime, Ruth has found a new Partner, Franz, whom David has accepted as his surrogate father. Although everybody tries to solve the new situation with a lot of tolerance, Franz and Jonathan become rivals. But this rivalry comes to an end when David has an accident. Now, the boy is allowed to visit his father Jonathan on the weekend whenever he wants to. But before that, David goes on one last adventure: On a trip to a vacation camp, Jonathan "kidnaps" his son to spend several days hitchhiking alone with his son. Then, he gets him back to the vacation camp.
Daniel Druskat
Assistant Director
The five-part feature, based on the novel by Helmut Sakowski, focuses on the friendly but also rival relationship between Druskat and the self-righteous Max Stephan, an old pal with different attitudes towards life and socialism . Druskat came to Mecklenburg as a refugee after World War II, became an integral part of the community, but also repeatedly caused a stir. Since the death of his wife he lives only with his daughter Anja, although there were enough women who wanted to be with him. Now he´s chairman of the LPG, the "volutary" federation for agriculture and animal husbandry. One evening, two men from the public prosecutor's office come to pick him up. He seems prepared, but Anja doesn't know why. Her first way leads her to Max Stephan, LPG chairman in the neighboring village. She happened to be there during the last argument between them, Max threatened to literally destroy Daniel. Did he carry out this threat? In conversations with the villagers, she gradually learns the truth.