Olivier Ducastel

A woman and four men who barely know each other find themselves in an apartment in the sky above Paris. They have all been the victim of the same domineering pervert who is locked in a room. That night, they decided to finish it. In turn, they tell each other memories that bind them to this man and enter the room to confront him. But what happens between the monster and them remains their secret.

A woman and four men who barely know each other find themselves in an apartment in the sky above Paris. They have all been the victim of the same domineering pervert who is locked in a room. That night, they decided to finish it. In turn, they tell each other memories that bind them to this man and enter the room to confront him. But what happens between the monster and them remains their secret.

An all-access tour behind the scenes at France’s premiere film school, La Fémis. Showing us how successful candidates get to follow in the footsteps of such luminaries as Louis Malle, François Ozon and Alain Resnais, all of whom attended this prestigious institution. Stumbling over their words, the often-nervous candidates seem vulnerable when confronted with the veterans of the industry, who have the difficult task of discovering true talent among all these eager young people.

Тео и Уго встречают друг друга в секс-клубе. Они говорят ни о чём, и через несколько мгновений двое мужчин чувствуют потребность выйти на улицу. Вместе они дрейфуют вниз по пустынным улицам ночного Парижа. Это история о случайной встрече двух мужчин, которые хотят знать больше друг о друге и стремятся к близости, несмотря на случайную и сомнительную встречу.

Тео и Уго встречают друг друга в секс-клубе. Они говорят ни о чём, и через несколько мгновений двое мужчин чувствуют потребность выйти на улицу. Вместе они дрейфуют вниз по пустынным улицам ночного Парижа. Это история о случайной встрече двух мужчин, которые хотят знать больше друг о друге и стремятся к близости, несмотря на случайную и сомнительную встречу.

In thirty years, the way HIV-positive people look at their disease has changed. In this resolutely optimistic film, Alain Maneval gives a voice to patients, volunteers and researchers involved in the fight against AIDS. He draws up an inventory of the situation that bears witness to the pivotal moment that the evolution of the disease is currently experiencing.

A journey into contemporary French cinema through a series of exclusive interviews with the leading figures of GLBT French cinematography: André Téchiné, Catherine Corsini, Gaël Morel, Olivier Ducastel, Jacques Martineau and other old acquaintances of our film festival. This documentary offers an interesting insight into the official and non-official cinema from the point of view of gender identity. A look behind the scenes: discussing issues like censorship and self-censorship, women' cinema and misogyny, transvestism and homo-eroticism, cinema d'auteur and popular cinema (was the Nouvelle Vague homophobic?). From past to present, from Jacques Demy to François Ozon.

Louis, 34, visits his family for the first time in years. He finds his brother Antoine, his sister Suzanne, his mother and his sister-in-law Catherine. Louis did not come back by chance. He wants to tell his family terrible news: his imminent and inexorable death. But as soon as he arrived, his presence brought back memories and old family quarrels. Buried bitterness and annealed tensions resurface one after the other and transform the little suburban pavilion into a stifling family prison. So much so that the unfortunate Louis never finds the right time to share his heavy secret ...

When Frédérick, the patriarch of the Alsatian Muller family, is conspicuously absent from his son Charles' funeral, Frédérick's surviving son and his granddaughter, raw from their loss, await an explanation. Once revealed, Frédérick's reasons and the painful secret Charles harbored for years threaten the foundations of the entire family.

When Frédérick, the patriarch of the Alsatian Muller family, is conspicuously absent from his son Charles' funeral, Frédérick's surviving son and his granddaughter, raw from their loss, await an explanation. Once revealed, Frédérick's reasons and the painful secret Charles harbored for years threaten the foundations of the entire family.

Paris, 1968. Catherine, Yves and Hervé are twenty years old. They're students and they love each other. The May student uprisings radically change their lives. Overtaken by communal utopia, they leave the city with a few friends to set up house in an abandoned farm in the Lot region. A desire for freedom and the search for individual fulfillment lead them to make choices that cause more harm than good.

Paris, 1968. Catherine, Yves and Hervé are twenty years old. They're students and they love each other. The May student uprisings radically change their lives. Overtaken by communal utopia, they leave the city with a few friends to set up house in an abandoned farm in the Lot region. A desire for freedom and the search for individual fulfillment lead them to make choices that cause more harm than good.

На летние каникулы Марк и Беатрис отправляются со своими двумя детьми в дом на морском берегу, где прошла юность Марка. Здесь их дочь начинает встречаться с байкером, а сын гуляет по пляжу с лучшим другом, который в него влюблен. Ситуация усложняется, когда появляется любовник Беатрис, Матье, и первая любовь Марка.

На летние каникулы Марк и Беатрис отправляются со своими двумя детьми в дом на морском берегу, где прошла юность Марка. Здесь их дочь начинает встречаться с байкером, а сын гуляет по пляжу с лучшим другом, который в него влюблен. Ситуация усложняется, когда появляется любовник Беатрис, Матье, и первая любовь Марка.

Etienne is crazy about ice skating and videoing his daily life with a digital camera. He records his mother, friends, and geography teacher. Initially his intention is to setup a date between his mother and his teacher, however, he starts to realize that he is infatuated with the teacher himself.

Etienne is crazy about ice skating and videoing his daily life with a digital camera. He records his mother, friends, and geography teacher. Initially his intention is to setup a date between his mother and his teacher, however, he starts to realize that he is infatuated with the teacher himself.

Феликс — ВИЧ-инфицированный гей, которого только что уволили с работы. Несмотря на это у него позитивный взгляд на жизнь, он с оптимизмом смотрит в будущее. Парень живёт на севере Франции со своим бойфрендом. В шкафу среди старых фотографий он находит письма отца, которого никогда не видел и решает навестить его. С рюкзаком за плечами Феликс отправляется в путешествие автостопом на юг Франции, в Марсель. Весна — это время надежд, природа просыпается и расцветает. А Феликса ждут новые встречи с интересными и уникальными людьми.

Феликс — ВИЧ-инфицированный гей, которого только что уволили с работы. Несмотря на это у него позитивный взгляд на жизнь, он с оптимизмом смотрит в будущее. Парень живёт на севере Франции со своим бойфрендом. В шкафу среди старых фотографий он находит письма отца, которого никогда не видел и решает навестить его. С рюкзаком за плечами Феликс отправляется в путешествие автостопом на юг Франции, в Марсель. Весна — это время надежд, природа просыпается и расцветает. А Феликса ждут новые встречи с интересными и уникальными людьми.

Jeanne, a receptionist at a travel agency, is looking for the love of her life. She thinks she has finally found it with Olivier. However, Olivier reveals he has AIDS and disappears from her life after her profession of love and confession of infidelity.

Jeanne, a receptionist at a travel agency, is looking for the love of her life. She thinks she has finally found it with Olivier. However, Olivier reveals he has AIDS and disappears from her life after her profession of love and confession of infidelity.

Set in 1987 against the backdrop of a hunger strike by the Egyptian film industry, Chahine himself steps in to play Yehia, the famed Egyptian director whose life is chronicled in "Alexandria, Why?" and "An Egyptian Story". Obsessed with Amr, the handsome actor he discovered and cast as his alter-ego in parts one and two of The Alexandria Trilogy, Yehia pressures Amr to star in various film projects that change even as Yehia's perception of the young actor begins to change. He first casts Amr as Hamlet, which the actor deems too demanding for his talents, then as the lead in a musical biopic of demigod Alexander the Great, who founded the city of Alexandria in 332 B.C.

Set in 1987 against the backdrop of a hunger strike by the Egyptian film industry, Chahine himself steps in to play Yehia, the famed Egyptian director whose life is chronicled in "Alexandria, Why?" and "An Egyptian Story". Obsessed with Amr, the handsome actor he discovered and cast as his alter-ego in parts one and two of The Alexandria Trilogy, Yehia pressures Amr to star in various film projects that change even as Yehia's perception of the young actor begins to change. He first casts Amr as Hamlet, which the actor deems too demanding for his talents, then as the lead in a musical biopic of demigod Alexander the Great, who founded the city of Alexandria in 332 B.C.