Charlott Daudert

13-year old Thomas Berndorf, the son of the rich business man Alexander Berndorf, becomes friends with Hannes Wille, whose father works as foreman. They get to know each because Hannes sometimes is allowed to polish Berndorf′s Mercedes 300. They make a bet whose mother is the most beautiful. Hannes assumes that Mrs. Berndorf is only admired for her expensive jewellery. Thus, he suggests that Thomas should steal a collier from his mother. Out of solidarity, he also robs a golden brooch from his mother. At home at the Berndorfs, a severe crisis threatens Thomas′s parents′ "marriage of convenience", and financial hardships are following on the theft.

A widowed father advertises for a new maid, but his children secretly seek a woman to be his new wife.

a movie by Heinz Paul

German film about Luftwaffe pilots. It depicts a love triangle involving two of them being overcome by their participation in battle together.

A sculptor, an enemy of modern art, sets an example. He sculpts a statue of Venus in the style of the Greek antiquity and buries it in a forest. When it's dug up in 1930, it's considered to be a 2 000 year old, antique statue.

В Нью-Йорке у боксера Эдди Стила впереди крутая карьера. Но это делает его безрассудным, и он больше любит ночные клубы, чем тренировки. В конце концов, его безрассудный образ жизни становится для него наказанием. Поразмыслив, он эмигрирует в Германию, открывает в Берлине спортивную школу и позволяет своему любимому ученику извлечь пользу из собственного опыта.

Скромный бакалейщик Флориан Кладхофер мечтает выдать свою красавицу-дочь Гретль за богатого крестьянина. То, что девушка против такого способа улучшения её благосостояния, отца не волнует. Тогда она попросту сбегает из дома. Устроившись в Вене, Гретль пишет домой письма, которые сердитый на неё отец никому не разрешает вскрывать. Наконец, из открытки он узнаёт, что Гретль вышла замуж. Решив, что его зять – богатый человек, Кладхофер решается на примирение и едет в гости к дочери. После приезда его в Вену начинается самое интересное… Комедия Эдуарда Эмо «Моя дочь живет в Вене», снятая в первые годы нацистского правления, ещё полна беззаботной австрийской лёгкости и юмора.

A young woman works for two different men, both of whom fall in love with her. In the mornings she is secretary for a popular author and in the afternoons for a singer. Which of them will she settle for?

A young country woman in Paris is temporarily drawn to her married, middle aged art teacher before she realizes she belongs instead with people her own age.

The setting is Lugano (Switzerland), where an apparently very important world conference takes place. The film tells the story of the young Kitty (Hannelore Schroth), who works as a manicurist at the Eden Hotel, and who in the course of events gets to know both a young journalist (Christian Gollong) and the English minister of economics (Fritz Odemar). A lot of wild mix-ups, comic situations, a love story and occasional singing ensue, and in the end most of the VIPs have gained their share of laughter… There’s also a great performance by Paul Hörbiger as the hotel porter. For a 1939 film made in Germany, “Kitty” is remarkably irreverent and satirical about politics.

The feisty boss of a chain of cafes wants to push the youngest of her daughters off on a husband, who would be well-suited to take over the business one day. And although the widow Bohler causes a lot of confusion in her struggle to find happiness for her daughter, everything ends up working out well in the end.

In 1885, famous New York Metropolitan Opera singer Maddalena dall' Orto is scheduled to perform at a festival in the German residence of Ilmingen. It soon becomes obvious that she is non other than Magda von Schwartze, who left the town eight years ago against her father's wishes to become a singer.

Maler Pratt, an artist, refuses to sell his paintings as he thinks that they still need improvement before being publicly exhibited, but his wife Monika thinks differently and sells them because she thinks they are good...and they need the money. As he only signs an "M" on his work, Monika has no difficulty in claiming she is "M", but problems arrive when she is commissioned to do a large mural and Maler refuses to help her out. However, his creative spirit gets the best of him and he does the mural which is widely acclaimed to be a great work of art. Felder , an art dealer, is not overly pleased with this turn of events as he has been pleading with Monika to divorce her shiftless husband and marry him.

Flanders, Hispanic Monarchy, 1616. The inhabitants of the small town of Boom are busy organizing the annual local festivities when the arrival of the Duke of Olivares, who rules the country on behalf of the King Philip III of Spain, is announced. While the male citizens cowardly surrender to panic, the brave female citizens decide to become the best hosts the Spaniards can ever meet. (German version of the French film La Kermesse héroïque, 1935.)

Douglas Sirk's first feature film.

Czechoslovakian opera star Jarmila Novotna plays the title role in the Austrian tunefest Frasquita. Based on a Franz Lehar operetta, the story is the usual frothy nonsense. Dolly (Charlotte Daudert) is engaged to marry Hyppolit (Heinz Ruhmann), but she's really in love with Harold (Hans Heinz-Bollman). Hyppolit is likewise enamored of another, namely Frasquita (Jarmila Novotna). Alas, Dolly and Hyppolit must go through with the wedding, despite the dictates of their hearts. That there's a happy ending all the same comes as a surprise only to the characters on the screen.

Sylva Varescu is an operetta singer performing Kálmán's Die Czardasfürstin through Europe with great success. Before going to Vienna she meets handsome Prinz Weylerstein and they fall in love. Offered a contract for America, she doubts until she finds out that he is already engaged to a countess.