Rituparno Ghosh

A mother and daughter relationship, set in Kolkata, West Bengal, India. The 45 minute film is about Romita (Celina Jaitly Haag) who decides to introduce her live-in partner Usmaan "Azhar Khan" to her mother Suchitra "Lillette Dubey" who stays in a bungalow with her maid Chapala "Shree Ghatak". On a September noon, they visit Suchitra, a lady who lives alone after being separated from her husband. Ironically, she lives in a house 'Utsab' (meaning Festival) but she is lonely, often lost in her thoughts. Music is her only companion since her daughter travels due to work assignments and stays in a different city. Daughter's home coming is always celebrated in Bengal, just like Durga Puja.

A popular movie star, the eldest son of his parents, returns to his ancestral village for his father's funeral, only to unearth long-hidden complexities within his family.

An insight into the life of late writer-director Rituparno Ghosh, the iconic cultural figure from West Bengal (India), who pushed and transgressed the boundaries of sexuality, feminism, and freedom of thought. The film is about an artist's relationship to his city Calcutta and is based on his personal memoirs, archival material, and conversations with cast, crew, and family.

A bilingual satirical comedy about the seven-year itch of a married couple, and how their life turns topsy-turvy with the entry of what seems to be an ordinary pair of antique sunglasses.

A bilingual satirical comedy about the seven-year itch of a married couple, and how their life turns topsy-turvy with the entry of what seems to be an ordinary pair of antique sunglasses.

A cinematic journey that sees Rabindranath Tagore as an ever restless seeker. It brings Tagore alive as a flesh and blood person whom the average Indian can relate to as a man of all seasons, of all times.

A cinematic journey that sees Rabindranath Tagore as an ever restless seeker. It brings Tagore alive as a flesh and blood person whom the average Indian can relate to as a man of all seasons, of all times.

Satyanweshi is a 2013 Bengali mystery-thriller film directed by Rituparno Ghosh and produced by Shrikant Mohta and Mahendra Soni. This was Ghosh's last full length film as a director. Indian film director Sujoy Ghosh portrayed the character Bymomkesh Bakshi in this film.

Satyanweshi is a 2013 Bengali mystery-thriller film directed by Rituparno Ghosh and produced by Shrikant Mohta and Mahendra Soni. This was Ghosh's last full length film as a director. Indian film director Sujoy Ghosh portrayed the character Bymomkesh Bakshi in this film.

Satyanweshi is a 2013 Bengali mystery-thriller film directed by Rituparno Ghosh and produced by Shrikant Mohta and Mahendra Soni. This was Ghosh's last full length film as a director. Indian film director Sujoy Ghosh portrayed the character Bymomkesh Bakshi in this film.

Rudra and Partho's desire to adopt a child leads Rudra to take the most crucial decision. Rudra decides to undergo sex reassignment surgery, so that they can be legally considered a couple and allowed to adopt a baby.

Rudra and Partho's desire to adopt a child leads Rudra to take the most crucial decision. Rudra decides to undergo sex reassignment surgery, so that they can be legally considered a couple and allowed to adopt a baby.

Rudra and Partho's desire to adopt a child leads Rudra to take the most crucial decision. Rudra decides to undergo sex reassignment surgery, so that they can be legally considered a couple and allowed to adopt a baby.

Rudra and Partho's desire to adopt a child leads Rudra to take the most crucial decision. Rudra decides to undergo sex reassignment surgery, so that they can be legally considered a couple and allowed to adopt a baby.

Rameshchandra Chaudhry, a lawyer by profession, is in love with Hemnalini, and is displeased when he finds that his father wants him to marry Sushilla, the daughter of a widow. He initially refuses despite of his father disowning him, but changes his mind when the bride's mother pleads with him, and gets married without even seeing, leave alone getting to know his bride. After the marriage, they board a boat which overturns after a storm, and they end up being the only survivors. Unable to get Hemnalini out of his mind, he refuses to be intimate with his bride. On talking with her gradually over the next few months, it slowly sinks in that she is not Sushilla but Kamla - the bride of another male! The question remains: what can he do under these circumstances, and what impact will this have on Kamla - who has traditionally accepted him as her husband.

The film is the effective exploration of a situation wherein a bereaved mother comes to terms with her late son’s sexual identity.

The film is the effective exploration of a situation wherein a bereaved mother comes to terms with her late son’s sexual identity.

Delhi-based trans documentary filmmaker, Abhiroop Sen, wants to make a documentary film on the life of famous jatra thespian, Chapal Bhaduri. But in doing so Sen recognises that their life resembles Chapal's life. 'Just Another Love Story' revolves around the trauma, the setbacks, and the heartache experienced by the trans community.

Delhi-based trans documentary filmmaker, Abhiroop Sen, wants to make a documentary film on the life of famous jatra thespian, Chapal Bhaduri. But in doing so Sen recognises that their life resembles Chapal's life. 'Just Another Love Story' revolves around the trauma, the setbacks, and the heartache experienced by the trans community.

Abohomaan tells the story of Aniket, one of the finest filmmakers of Bengal in eastern India and the loves of his life. Devoted to his craft, Aniket met and fell in love with his wife Deepti, an actress, while they worked together on the set of a film. They were so in love that Deepti sacrificed her own career for her husband's and for their son Apratim, but lost a little of who she was in the process. The plot thickens when Aniket auditions a young actress, Shikha, who bares an uncanny resemblance to his wife when she was younger. Deepti enthusiastically begins to coach Shikha for her husband's film - so much so that Shikha becomes even more like the girl Deepti used to be and as a result the aging Aniket falls in love with Shikha, a woman as young as his son, despite the sadness and trouble it brings to his family.

Abohomaan tells the story of Aniket, one of the finest filmmakers of Bengal in eastern India and the loves of his life. Devoted to his craft, Aniket met and fell in love with his wife Deepti, an actress, while they worked together on the set of a film. They were so in love that Deepti sacrificed her own career for her husband's and for their son Apratim, but lost a little of who she was in the process. The plot thickens when Aniket auditions a young actress, Shikha, who bares an uncanny resemblance to his wife when she was younger. Deepti enthusiastically begins to coach Shikha for her husband's film - so much so that Shikha becomes even more like the girl Deepti used to be and as a result the aging Aniket falls in love with Shikha, a woman as young as his son, despite the sadness and trouble it brings to his family.

The sudden death of Indraneel, a poet, averts a possible divorce and takes Radhika on a fantastic inward journey of discovering her own roots through the language of poetry and lost love. A publisher asks Radhika to complete Indraneel's works. This compels her to study his work, and thus begins her journey into the past.

The sudden death of Indraneel, a poet, averts a possible divorce and takes Radhika on a fantastic inward journey of discovering her own roots through the language of poetry and lost love. A publisher asks Radhika to complete Indraneel's works. This compels her to study his work, and thus begins her journey into the past.

The sudden death of Indraneel, a poet, averts a possible divorce and takes Radhika on a fantastic inward journey of discovering her own roots through the language of poetry and lost love. A publisher asks Radhika to complete Indraneel's works. This compels her to study his work, and thus begins her journey into the past.

The film starts with the veteran thespian Harish Mishra, he is gravely ill. The punishments of a film shoot have left the old man in a coma. His co-star, Shabnam, is wracked with worry, but their director, Siddharth, keeps strangely distant and refuses to visit his ailing star. In flashbacks, their story emerges.

The film starts with the veteran thespian Harish Mishra, he is gravely ill. The punishments of a film shoot have left the old man in a coma. His co-star, Shabnam, is wracked with worry, but their director, Siddharth, keeps strangely distant and refuses to visit his ailing star. In flashbacks, their story emerges.

The film starts with the veteran thespian Harish Mishra, he is gravely ill. The punishments of a film shoot have left the old man in a coma. His co-star, Shabnam, is wracked with worry, but their director, Siddharth, keeps strangely distant and refuses to visit his ailing star. In flashbacks, their story emerges.

Kolkata-based Sheela Bhowmik feels isolated and neglected, and decides to leave her busy film-maker husband, Raja, to spend sometime with her friend, Renu, her mom, and then subsequently travels to Kashmir to spend some time by herself. Raja gets involved in a new movie depicting the life of Gautam Buddh, and is on the look-out for a male child to play the character. He does find one, a young school-going lad, Abhirup Mitra; introduces him to the Producer, Vikram; as well as other crew including beautiful Anjali, who has a crush on Raja. Neither Vikram, Anjali nor any of the crew are aware that Raja is the prime suspect in the abduction of Abhirup.

Kolkata-based Sheela Bhowmik feels isolated and neglected, and decides to leave her busy film-maker husband, Raja, to spend sometime with her friend, Renu, her mom, and then subsequently travels to Kashmir to spend some time by herself. Raja gets involved in a new movie depicting the life of Gautam Buddh, and is on the look-out for a male child to play the character. He does find one, a young school-going lad, Abhirup Mitra; introduces him to the Producer, Vikram; as well as other crew including beautiful Anjali, who has a crush on Raja. Neither Vikram, Anjali nor any of the crew are aware that Raja is the prime suspect in the abduction of Abhirup.

Kolkata-based Sheela Bhowmik feels isolated and neglected, and decides to leave her busy film-maker husband, Raja, to spend sometime with her friend, Renu, her mom, and then subsequently travels to Kashmir to spend some time by herself. Raja gets involved in a new movie depicting the life of Gautam Buddh, and is on the look-out for a male child to play the character. He does find one, a young school-going lad, Abhirup Mitra; introduces him to the Producer, Vikram; as well as other crew including beautiful Anjali, who has a crush on Raja. Neither Vikram, Anjali nor any of the crew are aware that Raja is the prime suspect in the abduction of Abhirup.

An anthology of eleven short films from eleven directors featuring stories of life in Mumbai.

When a car accident lands her husband, Kaushik, in the hospital, Kaberi's life takes a dramatic turn -- in more ways than one. Anguish over Kaushik's dire condition gives way to anger when Kaberi learns he was having an affair with his co-worker. Torn between sympathy for her bedridden husband and the sting of his betrayal, Kaberi weighs her options.

Действие фильма «Дворец» разворачивается в 70-е годы XIX века. У богатого помещика две жены, которых он эксплуатирует словно рабынь. Старшая жена помещика уже взрослая и опытная женщина, а вот младшая полная ее противоположность. У этого помещика есть две мечты: иметь наследника и сделать самую лучшую статую Богини для местного праздника.Чтобы слепить эту статую помещик нанимает молодого и талантливого скульптора. А этот парень в свою очередь не только блестяще справился с поставленной задачей, но еще и влюбился в младшую жену помещика.

Однажды, спустя шесть лет, двое расставшихся возлюбленных встретились в дождливый полдень. Их разговоры, их жизнь сегодня отличаются от тех, что были в момент расставания. Сегодня он стал предпринимателем, приехавшим в Калькутту для работы, она вышла замуж. Во время второй встречи они узнают друг друга по-настоящему...

Однажды, спустя шесть лет, двое расставшихся возлюбленных встретились в дождливый полдень. Их разговоры, их жизнь сегодня отличаются от тех, что были в момент расставания. Сегодня он стал предпринимателем, приехавшим в Калькутту для работы, она вышла замуж. Во время второй встречи они узнают друг друга по-настоящему...

Бенгалия. Начало XX века. Двое друзей-студентов медицинского колледжа Махендра и Бехари отказываются жениться на красивой и образованной, но небогатой Бинодини. Она выходит замуж за другого, но через год, овдовев, устраивается на работу в дом Махендры. Молодая жена Махендры, наивная простушка Ашалата, души не чает в Бенодини, сам же Махендра неожиданно влюбляется в давнюю знакомую.

Бенгалия. Начало XX века. Двое друзей-студентов медицинского колледжа Махендра и Бехари отказываются жениться на красивой и образованной, но небогатой Бинодини. Она выходит замуж за другого, но через год, овдовев, устраивается на работу в дом Махендры. Молодая жена Махендры, наивная простушка Ашалата, души не чает в Бенодини, сам же Махендра неожиданно влюбляется в давнюю знакомую.

Актриса загадочным образом умирает после, празднования. Журналист и ее проницательная тетя проводят расследование.

The story develops around the evolution of Titli from girl to womanhood.

The story develops around the evolution of Titli from girl to womanhood.

Family tension runs high when four grown siblings reunite at their elderly mother’s home. When the mother reveals that she might sell off the estate, the announcement stirs up painful memories and uncovers a long-buried secret.

Family tension runs high when four grown siblings reunite at their elderly mother’s home. When the mother reveals that she might sell off the estate, the announcement stirs up painful memories and uncovers a long-buried secret.

A quiet drama about a lonely, sad, middle-aged woman, Banalata, who has lived a solitary existence since her husband-to-be died the night before their wedding from a snake bite. Never having quite gotten over the tragedy, she rarely ventures out and is clearly very lonely. This changes when she agrees to allow a film production to shoot in a wing in her sprawling estate.

A quiet drama about a lonely, sad, middle-aged woman, Banalata, who has lived a solitary existence since her husband-to-be died the night before their wedding from a snake bite. Never having quite gotten over the tragedy, she rarely ventures out and is clearly very lonely. This changes when she agrees to allow a film production to shoot in a wing in her sprawling estate.

Rohini is caught up in an endless whirl of shooting schedules. Her parents are hardly a part of her life. Things change when she discovers that her longtime boyfriend has been having an affair with another actress around the same time her mother is hospitalised.

Rohini is caught up in an endless whirl of shooting schedules. Her parents are hardly a part of her life. Things change when she discovers that her longtime boyfriend has been having an affair with another actress around the same time her mother is hospitalised.

Rohini is caught up in an endless whirl of shooting schedules. Her parents are hardly a part of her life. Things change when she discovers that her longtime boyfriend has been having an affair with another actress around the same time her mother is hospitalised.

On her way home the newly wed Romita is molested by five men. The only one who has the courage to help is the young female teacher Jhinuk. Because of that she becomes a heroine and is on all papers' front page. But the page is turning: As not only the police but also neighbours begin to ask embarrassing questions the two women are eventually intimidated and the five man are getting free with the help of corruption and male domination.

On her way home the newly wed Romita is molested by five men. The only one who has the courage to help is the young female teacher Jhinuk. Because of that she becomes a heroine and is on all papers' front page. But the page is turning: As not only the police but also neighbours begin to ask embarrassing questions the two women are eventually intimidated and the five man are getting free with the help of corruption and male domination.

A female dancer becomes famous but loses her relationship with her daughter on the way.

A female dancer becomes famous but loses her relationship with her daughter on the way.

Gandharva Kumar's arrival disrupts the festival mood of Durga Puja at Ratanlal Babu's house. He captivates the grandchildren of Ratanlal — Babu, Habul, and Tinni — with his magic tricks. Gandharva Kumar then reveals a long-forgotten secret wherein he claims to be heir to the family property of Ratanlal Babu. This creates shock in the entire family and casts a gloom, resulting in dramatic incidents.

Gandharva Kumar's arrival disrupts the festival mood of Durga Puja at Ratanlal Babu's house. He captivates the grandchildren of Ratanlal — Babu, Habul, and Tinni — with his magic tricks. Gandharva Kumar then reveals a long-forgotten secret wherein he claims to be heir to the family property of Ratanlal Babu. This creates shock in the entire family and casts a gloom, resulting in dramatic incidents.