Halina Buyno-Loza

Polish film directed by Stanislaw Lenartowicz et al.

Two old friends meet at a mountain shelter and remember their teenage years. Midroń and Świdrycki are mature, intelligent men, experiencing a crisis of faith in the meaning of life, in their abilities, as well as fear of death. The next day, their wives join them. Although they have not had the opportunity to get to know each other so far, they become friends very quickly.

The setting is an old age home run by an aging director with an authoritarian hand. In the evening many of the residents huddle in a living room, penetrated by the October cold, to listen to the news. The announcement is giving the number of expected deaths due too the coming harsh winter. In the middle of the night a truckload of coffins arrives to be stored. Dicovering the coffins the elderly assume they are marked for liquidation and they flee en masse. The next day their exodus is dicovered and the director calls the authorities. It turned out that the coffins were the overproduction from a coffin factory and were brought only for temporary storage. The panic search for the pensioners begins, including helicopters. In the meantime the group gets transported to another part of the country by a truck. They take over by a near-empty restaurant, where after mistreatment by a waiter, they tie him up and move on. A lone fisherman invites them into his house where, after initial ...

В тихий мазурский городок приезжают друзья-художники Петр и Михал. Вскоре к ним присоединяется девушка Петра — красавица Дорота. Стиль и образ жизни, даже внешний вид троицы раздражают местных хулиганов, которыми верховодит Роман, парень с уголовным прошлым. Петр — хороший каратист, но неохотно демонстрирует свое умение драться, исходя из принципов буддийской философии. Однако назревает большой конфликт, и необходимо сделать выбор.

Pawlak and Kargul - neighbors, frenemies, and grandfathers to Ania- both receive invitation to America from Pawlak's brother- John. All three of them travel to Chicago, where they discover John has passed away, and they arrived just in time for his funeral. But first- they need to find his illegitimate daughter. Set in late 70's story of two, charming, Polish villagers' adventures in Chicago is a third installment of Pawlak and Kargul adventures.

A boy escapes from a reformatory, but comes again into conflict with the law. During a robbery he hits a woman with a bottle on the head. He is convinced he killed her and because of his past thinks that nothing matters anymore. Only when he finds out that the victim did not die, he reveals the truth about what happened.

Zofia is an elderly woman living in an retirement home. Separate from the rest, she talks seldom and then only about visiting her daughter's family for Christmas. When she comes to her daughter's home unannounced, her stay is spoiled by the damage to her son-in-law doctorate bookmarks which she removed unknowingly during dusting. She then spends Christmas in an empty restaurant, surrounded by waiters and musicians waiting to be tipped.

Post-war movie

A coming of end story about fourteen years old Yurek, his adventures during the vacations and his first love.

Matylda reflects on her life on her 30th birthday.

The main characters are the same two quarreling peasant families introduced in "Sami swoi" (Our Folks). The action of the film starts 18 years later. The old quarrels have been forgotten, but new problems keep popping up. They have no successors to inherit the farms. They invent a tricky and clever plan. The young granddaughter is to take over both of the farms after her marriage. Both Kargul and Pawlak have no rest until they carry out the plan. In the end, after numerous adventures and obstacles their cunning intrigue is fulfilled - the young marry and the land remains in the family's hands.

Police captain Wójcik conducts an investigation into the murder of a cashier from a state-owned enterprise. Despite seemingly numerous leads, the investigation gets stuck in a dead end – the victim had no enemies and nothing was stolen. Despite closing the case Wójcik feels that the key to solving the mystery is the murdered cashier and his past. Exploring this plot, he discovers a full-fledged spy affair, however, trying to catch the real murderer, he’ll have to risk his life, health and career.

1 сентября 1939 года. Польский солдат Франтишек Долас, проспав свою станцию, просыпается ночью в поезде на польско-немецкой границе. С его выстрела в немецкого офицера, которого Долас принял за диверсанта, в результате комичных совпадений, начинается не только Вторая мировая война, но и цепь невероятных приключений в немецком лагере для военнопленных, Австрии, Африке, Югославии и в Польше, на суше, в море и в воздухе.

1 сентября 1939 года. Польский солдат Франтишек Долас, проспав свою станцию, просыпается ночью в поезде на польско-немецкой границе. С его выстрела в немецкого офицера, которого Долас принял за диверсанта, в результате комичных совпадений, начинается не только Вторая мировая война, но и цепь невероятных приключений в немецком лагере для военнопленных, Австрии, Африке, Югославии и в Польше, на суше, в море и в воздухе.

25-year-old Anna works in the laboratory of the Lodz textile factory. She lives with her mother and recently married husband. Her life collapses when a stranger appears, looking for a daughter who has disappeared during the war.

Two quarreling peasant families, who were forced to leave their lands after the war, are settled by accident on two neighboring farms.

A young designer is tormented by remorse after the bridge collapses.

A pair of lovers go off to a small hotel in a little town. The memories of war, however, intrude on their idyll. The girl and boy relive certain wartime experiences in flashback. She was a communist who drove a boy loving her to give himself up.

A quarry worker falls in love with a practicing doctor.

A subjective adaptation of a well-known autobiographical novel by Zbigniew Unilowski (screenplay by Wojciech Jerzy Has with dialogues by Stanislaw Dygat). The adventures of the tenants of a sublet room in a Warsaw townhouse inhabited mostly by students and novice writers, presented against the social context of the 1930s.

Дебютный фильм Куца состоит из трех новелл, которые объединяет главным образом тип героя – простой человек из низов. В первой деревенский парень получает орден и решает воспользоваться полагающимся по этому случаю отпуском, чтобы посетить родную деревню. Солдаты из второй новеллы радостно подбирают на дороге бездомного пса. Когда становится ясно, что это овчарка из Освенцима, их отношение к ней резко меняется. В третьей новелле, повествующей о создании общественной легенды, Куц проявил себя как блестящий сатирик.

Солдаты отряда АК решают отбить из тюрьмы гестапо своего приятеля. Экспедиция за оружием из Кракова в Радом и обратная дорога через Кельце в Краков кончается успешным захватом оружия, но пять участников операции погибают в борьбе с немцами...

Zbigniew Cybulski and Sonja Ziemann play lovers struggling to find happiness and privacy in overcrowded Warsaw. The movie shows an honest picture of life in a war-damaged city, contrasting the characters' difficulties with their dreams of a better life. It was banned in Poland in 1958 and would not been seen anywhere until its European release one year later.