Director
Director
The furniture factory in which all the young guys in this film work is also full of older workers who make fun of their long hair, which for them is a badge of their independence. The boss, particularly, thinks long hair on men is dirty. When they refuse to cut their hair, he finds an excuse to fire them. The meaning of long hair is felt particularly deeply for one fellow, a painter, who, when he succumbs to his fathers' pleas that he cut his hair, turns his paintings to the wall and burns himself to death.
Story
Barcelona, 1967. Hans Fromm, a German-born architect, lives an well-ordered everyday life. He has become the target of an antifascist death squad though. Indeed their leader, Julius, whose brother was killed by Schmidt, a merciless S.S., believes, without being absolutely certain, that Fromm and Schmidt are the same man. The team, whose other members are Georges, the son of a deportee liquidated by Schmidt craving for action, Raphaël, a mercenary type, Nils, the photographer and Romain, watch Fromm's every move until Julius, convinced at last that the quiet German is their man, gives the green light for the operation. They manage to lure the former Nazi to an old house but Schmidt/Fromm won't let himself be captured so easily...
Screenplay
Barcelona, 1967. Hans Fromm, a German-born architect, lives an well-ordered everyday life. He has become the target of an antifascist death squad though. Indeed their leader, Julius, whose brother was killed by Schmidt, a merciless S.S., believes, without being absolutely certain, that Fromm and Schmidt are the same man. The team, whose other members are Georges, the son of a deportee liquidated by Schmidt craving for action, Raphaël, a mercenary type, Nils, the photographer and Romain, watch Fromm's every move until Julius, convinced at last that the quiet German is their man, gives the green light for the operation. They manage to lure the former Nazi to an old house but Schmidt/Fromm won't let himself be captured so easily...
Director
Barcelona, 1967. Hans Fromm, a German-born architect, lives an well-ordered everyday life. He has become the target of an antifascist death squad though. Indeed their leader, Julius, whose brother was killed by Schmidt, a merciless S.S., believes, without being absolutely certain, that Fromm and Schmidt are the same man. The team, whose other members are Georges, the son of a deportee liquidated by Schmidt craving for action, Raphaël, a mercenary type, Nils, the photographer and Romain, watch Fromm's every move until Julius, convinced at last that the quiet German is their man, gives the green light for the operation. They manage to lure the former Nazi to an old house but Schmidt/Fromm won't let himself be captured so easily...
Writer
Преподаватель Подсолнечник опубликовал только что книгу о голоде в мире и обращается с призывом к ученым мира чтобы ему помогать с ним бороться. Его испанский коллега, Антемар Залламеа, отправляет ему пакет, содержащий голубой апельсин, разновидность, которого могла бы расти на пустынной земле. Подсолнечник уезжает в Испанию обнаруживать Залламая, но оба человека похищены.
Director
Преподаватель Подсолнечник опубликовал только что книгу о голоде в мире и обращается с призывом к ученым мира чтобы ему помогать с ним бороться. Его испанский коллега, Антемар Залламеа, отправляет ему пакет, содержащий голубой апельсин, разновидность, которого могла бы расти на пустынной земле. Подсолнечник уезжает в Испанию обнаруживать Залламая, но оба человека похищены.
Scenario Writer
"Directed in 1960, the second short film from Champeaux studios, Villa Mon Rêve is undoubtedly Albert Champeaux's emblematic film. Awarded in many festivals (Cork, Venice, Acapulco, etc.), it will be distributed internationally by Rank. This is the beginning of the adventures of Mr Schmtz, a nerdy crook with many faces. Three other short films will display the failed scams of this funny guy. This film, broadcast in 1961 as the first part of cinema sessions, is incredibly modern, benefited by the magnificent sets by Pierre Watrin and very contemporary animation and production. This film, which comes the ages without a wrinkle, was chosen by the second French TV channel (at the time Antenne2) for the transition period to color broadcasting." - https://youtu.be/4Req92LU290
