Director
Clara, a lawyer in Annecy, leads a serene but monotonous life with her husband Damien and their two children. One night, she falls under the spell of a mysterious sculptor, Stéphane. This one torrid night will have dramatic repercussions for her and her family...
Director
Жюстина пытается совмещать роль жены и матери с работой офицера полиции. Однажды ее обвиняют в краже денег во время обыска. Ежедневно сталкиваясь с насилием и страданиями на работе и подвергаясь психологическому давлению из-за служебного расследования, которое ставит под угрозу ее карьеру и семейную жизнь, Жюстина задаётся вопросом: можно ли сегодня во Франции быть полицейским, матерью и женой одновременно?
Director
A funeral-speech writer gets a new lease on life when he meets a widow who commissions him to write a piece for her 8-year-old son.
Director
Elisabeth, a Catholic mother and a loving wife, dedicates her life to the service of others. Her life changes when she discovers that her son is being molested by a priest.
Director
After his parents’ death, Shawn, 19 and mildly delinquent, tries to look after his little sister to cash in on his dad’s life insurance. But you can’t buy love -- and you sure can’t ignore it. Shawn will find out he’s got more to gain by giving than taking.
L'interviewer
Vincent Lannoo’s ‘mockumentary’ shows us a community of vampires in Belgium. The two ‘parents’ of the family are George and Bertha, who have two teenage children – or rather, they raise two former humans who they turned into vampires. Son Samson is a bit of a jack the lad: enjoying the sexual freedom of vampire life, with all the vigour of an irresponsible young adult regardless of consequences (even incest is not frowned upon in their world, where the word ‘wife’ is often synonymous with ‘mother’ or ‘sister’). Daughter Grace yearns for humanity in a different way: applying fake tan to get rid of her vampiric pallor, dressing in pink clothes, wishing she could feel emotion and even having a human boyfriend.
Writer
Vincent Lannoo’s ‘mockumentary’ shows us a community of vampires in Belgium. The two ‘parents’ of the family are George and Bertha, who have two teenage children – or rather, they raise two former humans who they turned into vampires. Son Samson is a bit of a jack the lad: enjoying the sexual freedom of vampire life, with all the vigour of an irresponsible young adult regardless of consequences (even incest is not frowned upon in their world, where the word ‘wife’ is often synonymous with ‘mother’ or ‘sister’). Daughter Grace yearns for humanity in a different way: applying fake tan to get rid of her vampiric pallor, dressing in pink clothes, wishing she could feel emotion and even having a human boyfriend.
Director
Vincent Lannoo’s ‘mockumentary’ shows us a community of vampires in Belgium. The two ‘parents’ of the family are George and Bertha, who have two teenage children – or rather, they raise two former humans who they turned into vampires. Son Samson is a bit of a jack the lad: enjoying the sexual freedom of vampire life, with all the vigour of an irresponsible young adult regardless of consequences (even incest is not frowned upon in their world, where the word ‘wife’ is often synonymous with ‘mother’ or ‘sister’). Daughter Grace yearns for humanity in a different way: applying fake tan to get rid of her vampiric pallor, dressing in pink clothes, wishing she could feel emotion and even having a human boyfriend.
Director
George is a furniture seller. He's a reliable husband and a good father, a loyal friend and a fine handyman. One day on the motorway, he cracks up and kills a man in an outburst of rage. He feels responsible for the man's wife, but terrified by his own violence, he doesn't know how to handle her. This is the starting point for a seemingly never-ending string of problems.
Director
Документальная группа следит за работой театральных актеров, пытается отделить законы игры от импровизированной реальности. Вымышленный документальный фильм, сделанный по принципам манифеста «Догма 95».
Executive Producer
Vincent Lannoo, the film-maker, pitches a new TV show to a producer. The show will portray the life of 10 poor people and Vincent has already filmed some sequences for the show. One of the sequences, however, may not go over too well.
Writer
Vincent Lannoo, the film-maker, pitches a new TV show to a producer. The show will portray the life of 10 poor people and Vincent has already filmed some sequences for the show. One of the sequences, however, may not go over too well.
Director
Vincent Lannoo, the film-maker, pitches a new TV show to a producer. The show will portray the life of 10 poor people and Vincent has already filmed some sequences for the show. One of the sequences, however, may not go over too well.
Director
George is to make a film with the cooperation of the students of a Brussels high school. The subject suggested by Saïda and Julie is tricky: they want George to film their own love story. George accepts and tries to impose the theme of lesbian love.
