Pascale Schiller

Sin and Illy have a plan: on a Greek island they want to get 'clean' on their own. But the intention of the two girls fails already on the way to the airport. Finally Sin realizes she has to go the way out of heroin addiction all alone.

Elisabeth is a writer. Since her mother was sent to a nursing home, she lives completely isolated, spending her days writing. One day when Elisabeth takes a stroll through the park, she walks past seventeen year old Malek. When the young boy sees her, he is compelled to follow her home. He comes back to her house - again and again. A trip to his life leads to a rediscovery of herself.

Unannounced, Aziza is once again standing in her room – internship, Portugal, everything canceled. But her room is occupied. Her mother, Trixi, has rented it out. Zach lives there now, a twenty-something from New Zealand, who came to Germany on a one-way ticket. Starting from this situation, the film develops an almost documentary-style portrait of a Kreuzberg ‘situation’: everything is readily available, time, people, summer, streets. And in the end a crash, the film itself: ‘for nothing’?

Werner Schroeter was one of the most significant proponents of New German Cinema. Schroeter was diagnosed with cancer in 2006. In her film, Elfi Mikesch, who photographed a number of Schroeter’s films and who collaborated closely with him to create his vision, provides us with an intimate insight into Schroeter’s artistic output during the remaining four years of his life.

Станция Санта-Мария, ночь. Оссорио, сорокалетний мужчина, прибывает с толпой беженцев и побежденных солдат. Он возвращается в город, в котором, как он знал, была женщина, которую он любил. Но все изменилось. Армия жестоко терроризирует город... Этой ночью каждый пытается спасти свою шкуру. Напрасно.

Stevie, a precocious 14-year-old girl must cope with the instabilities of her immoderate parents. When they decide to move to a small provincial town in Germany, Stevie attempts to slip into a normal life. Whilst her parents playfully escape their responsibilities, Stevie tries to make a good impression in town, spreading stories of grandeur and claiming to be the daughter of a diplomat. She makes progress. Yet the good weather doesn’t last and before long, she discovers that her parents have once more resorted to illegal means, as a way of supporting their leisurely lifestyle. As friends and hangers-on of her parents fill their new home, the chaos continually mounts. It is in this atmosphere of physical and emotional destruction, that Stevie must now start to define herself and perhaps even break free.