Vasanth
Рождение : , Devakottai, Tamil Nadu, India
История
Vasanth is an Indian film director and screenwriter, working in the Tamil film industry. Following a stint as journalist and after assisting K. Balachander, he made his directorial debut with Keladi Kanmani in 1990, which along with the trendsetting Aasai (1995), are considered his finest and most successful films. Known for being realistic, his films have been described as a "middle path" between parallel and commercial cinema, revolving around social themes and relationships.
Producer
Three women, who belong to different walks of life, go through severe identity crisis because of the patriarchal system in their respective families. Set in three different time periods, the movie throws light on their helplessness and other myriad issues faced by these married women despite them having their life partners by their side.
Dialogue
Three women, who belong to different walks of life, go through severe identity crisis because of the patriarchal system in their respective families. Set in three different time periods, the movie throws light on their helplessness and other myriad issues faced by these married women despite them having their life partners by their side.
Screenplay
Three women, who belong to different walks of life, go through severe identity crisis because of the patriarchal system in their respective families. Set in three different time periods, the movie throws light on their helplessness and other myriad issues faced by these married women despite them having their life partners by their side.
Director
Three women, who belong to different walks of life, go through severe identity crisis because of the patriarchal system in their respective families. Set in three different time periods, the movie throws light on their helplessness and other myriad issues faced by these married women despite them having their life partners by their side.
Location Assistant
Ближайшее будущее. Покупка передового робота — такая же обыденность, как покупка смартфона. Молодой техник-специалист разрывается между своими чувствами к устаревшей модели девушки-андроида и желанием угодить жестокому отцу, ненавидящему человекоподобных машин.
Karthik's father
Karthik, who has ESP, helps his friend Panda win a betting game with his power, but this lands him in trouble with Randhai, the gangster who funded the betting operation, who, now, wants him to use his power and make a killing at a casino.
Special Appearance
A director changes the perception of love for a group of youngsters by narrating how he reclaimed his life because of his now-married lover and her understanding husband.
Screenplay
A story about love featuring three couples, set in the backdrop of different landscapes, by the seaside, in the mountains and on the plains.
Story
A story about love featuring three couples, set in the backdrop of different landscapes, by the seaside, in the mountains and on the plains.
Director
A story about love featuring three couples, set in the backdrop of different landscapes, by the seaside, in the mountains and on the plains.
Dialogue
A woman tries to save her marriage although her husband is impotent. Their marriage ends anyway and she marries again, but her vengeful ex-husband kidnaps her and holds her hostage in his house.
Story
A woman tries to save her marriage although her husband is impotent. Their marriage ends anyway and she marries again, but her vengeful ex-husband kidnaps her and holds her hostage in his house.
Screenplay
A woman tries to save her marriage although her husband is impotent. Their marriage ends anyway and she marries again, but her vengeful ex-husband kidnaps her and holds her hostage in his house.
Director
A woman tries to save her marriage although her husband is impotent. Their marriage ends anyway and she marries again, but her vengeful ex-husband kidnaps her and holds her hostage in his house.
Writer
A man falls in love with his childhood friend who does not seem to share the same feelings for him; meanwhile another woman is crazy about him.
Director
A man falls in love with his childhood friend who does not seem to share the same feelings for him; meanwhile another woman is crazy about him.
Dialogue
Karthikeyan, a photo editor in Mumbai, is a widower whose parents wish to see him settled and happy. Chitra, a widow with a son, gives them hope, unaware that their pasts are intertwined.
Screenplay
Karthikeyan, a photo editor in Mumbai, is a widower whose parents wish to see him settled and happy. Chitra, a widow with a son, gives them hope, unaware that their pasts are intertwined.
Story
Karthikeyan, a photo editor in Mumbai, is a widower whose parents wish to see him settled and happy. Chitra, a widow with a son, gives them hope, unaware that their pasts are intertwined.
Director
Karthikeyan, a photo editor in Mumbai, is a widower whose parents wish to see him settled and happy. Chitra, a widow with a son, gives them hope, unaware that their pasts are intertwined.
Director
Appu is the story of a struggling Prasanth who stands up to rescue Devayani from the vicious plans of Maharani. Prasanth's sole motivation to rescue Devayani is the memories of his sister's devastated life. Prasanth decides to embark on a torturous journey of bargain, barter, buy and sell with Prakashraj, in the hopes of receiving Devayani as the lucky prize. The movie is about the pair eluding from the clutches of the Dark Life of Maharani.
Screenplay
A young couple needs to get the rivalry between their families sorted out so that they can get married with full consent of their parents.
Story
A young couple needs to get the rivalry between their families sorted out so that they can get married with full consent of their parents.
Director
A young couple needs to get the rivalry between their families sorted out so that they can get married with full consent of their parents.
Dialogue
Raghu and Shanti are divorced couple which sparks problems between both respective younger brothers.
Story
Raghu and Shanti are divorced couple which sparks problems between both respective younger brothers.
Screenplay
Raghu and Shanti are divorced couple which sparks problems between both respective younger brothers.
Director
Raghu and Shanti are divorced couple which sparks problems between both respective younger brothers.
Writer
A man kills his wife when she learns that he lusts after her sister. He then begins to make his moves for his sister-in-law. When he tries to sabotage the girl's marriage, her fiance gets suspicious.
Director
A man kills his wife when she learns that he lusts after her sister. He then begins to make his moves for his sister-in-law. When he tries to sabotage the girl's marriage, her fiance gets suspicious.
Director
Nee Pathi Naan Pathi is a 1991 Tamil romantic drama film directed by Vasanth and produced by Kavithalayaa Productions. The film stars Rahman, Gouthami and Heera in the lead roles and second film in Tamil (after Azhagan ) for popular Telugu music composer M. M. Keeravani under the pseudonym Maragathamani.
Writer
Keladi Kanmani (English: Listen, my dear) is a 1990 Indian Tamil drama film directed by Vasanth in his directorial debut. The film stars S. P. Balasubrahmanyam and Radhika Sarathkumar. The film was a commercial success and ran for over 285 days at theatres.
Director
Keladi Kanmani (English: Listen, my dear) is a 1990 Indian Tamil drama film directed by Vasanth in his directorial debut. The film stars S. P. Balasubrahmanyam and Radhika Sarathkumar. The film was a commercial success and ran for over 285 days at theatres.
Suhasini, a divorced nurse, is the sole wage earner of her large family and navigates various struggles in her life. One day, she meets a novelist who encourages her to get a new start in life.
