Parviz Abnar

On a very ordinary day, four ordinary people decide to set fire to a cinema packed with people.

Someone’s been murdered and the police is investigating in a stadium, the crime spot. They have arrested the murder suspect and they just try to find out the murdering procedure, however, it is quite complicated and the friends of the murdered person are not to be very collaborative.

Кинорежиссер возвращается в свой родной город. Посещение старого квартала, где он жил когда-то, вызывает воспоминания детства. Он решает снять фильм об этих ностальгических моментах своей жизни.

In order to prepare her best and brightest for the upcoming chemistry Olympiad, strict, conservative headmistress Ms. Darabi is forced to break her lifelong rule of not allowing male teachers in the school and reluctantly hires the bumbling Mr. Jebeli. Little does she know though that several of her students, led by the self-assured Paria, have a plan to get her to fall in love with him. 'No Men Allowed' is a hilarious, rollicking romcom, chock-full of witty dialogue and zany antics that will have you coming back time and time again!

A documentary about Ghazaleh Alizadeh who was an Iranian poet and writer.

"In her second narrative feature, Karimi presents a gorgeous minimalist portrait of a woman crushed by indecision. At first it seems that graphic designer Shahrzad (played by Karimi) goes about her daily life with placid ease, but her surface stillness masks a maelstrom of weighty decisions she desperately wishes to avoid making." - Persian Film Festival Australia

"In her second narrative feature, Karimi presents a gorgeous minimalist portrait of a woman crushed by indecision. At first it seems that graphic designer Shahrzad (played by Karimi) goes about her daily life with placid ease, but her surface stillness masks a maelstrom of weighty decisions she desperately wishes to avoid making." - Persian Film Festival Australia

"In her second narrative feature, Karimi presents a gorgeous minimalist portrait of a woman crushed by indecision. At first it seems that graphic designer Shahrzad (played by Karimi) goes about her daily life with placid ease, but her surface stillness masks a maelstrom of weighty decisions she desperately wishes to avoid making." - Persian Film Festival Australia

On a pilgrimage to Mashad from Tehran, a couple's transportation breaks down, far from any major town. The husband, a photographer, seeks help at a nearby village and encounters a teacher who offers to help. Whilst the husband and teacher go off to find a spare part, the wife, who used to be a teacher, takes over the teaching lessons in the village. It is clear that the children live there, in this strange deserted place, without any men, save the teacher and an old signal guard. As the day draws on, the children help to bring a new hope and life into the wife's heart.

An official is sent from his home in Tehran to hear the final appeal of a woman sentenced to death, a political prisoner. The official's wife of nearly 20 years, Fereshteh Samimi, writes him a letter to read when he reaches the hotel - the story of her student days during the revolution of 1978. We see the story in flashbacks as he reads: she leaves her province on scholarship, joins a Communist youth group, avoids arrest, and comes under the sway of a suave older man, Roozbeh Javid, a literary-magazine editor. As she tells her husband about the hidden half of her life, Fereshteh asks that he listen to the woman facing execution, a woman and therefore one of Iran's hidden half.

Киофа - кинорежиссер, которая развелась со своим мужем много лет назад и сейчас живет со своим сыном Маани. Она решает снять документальный фильм о идеальных мамах. Для этого она встречает многих матерей, чтобы выбрать среди них идеальную маму. Наконец она решает прекратить снимать этот фильм из-за усталости, но доктор Рахбар хочет, чтобы она продолжила. Маани каждый день дразнит ее, не давая ей выйти замуж за доктора Рахбара, но она наконец решает, что хочет выйти за него замуж.

На верхней палубе круизного лайнера Баран, молодая богатая девушка, замечает местного мальчика, который радостно танцует под удар барабанов. Баран прибывает в шикарную гостиницу на материке, однако она выглядит несколько безутешной. Позже она снова находит родного мальчика, и они начинают связываться, игриво исследуя пляжный курорт вместе. Позже они садятся на гребную лодку, и туземец ныряет в воду, чтобы собрать для нее жемчужину с морского дна. Однако финал заставляет зрителей задуматься о том, был ли он плодом страстного воображения Баран. Хорошо снятый и с сильным выступлением Баран Косари, этот фильм прекрасно передает горько-сладкие муки юной любви.

A documentary about the life and works of the maestros of Imaginary Painting School who made Iranian popular old style Khialisazi or Coffee-House Painting.

Пожилой владелец томатной фермы и фабрики соусов после смерти своей жены влюбляется в одного из работников фабрики, ставя под угрозу его отношения с дочерьми и родственниками. В то время как все в большой семье убеждают старика отказаться от отношений с бедной девочкой, старик делает свой последний выбор любви.

Mahmood has recently become the tenant of a man and a woman house. His relationship with the owner of his house is not of the usual type...